Ancient Man by Hendrik Willem van Loon - HTML preview

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I must try and make this clear to you with a few pictures.

Suppose that you were Champollion and that you were reading

an old papyrus which told the story of a farmer who lived

somewhere along the banks of the river Nile.

Suddenly you came across a picture of a man with a saw.

"Very well," you said, "that means, of course, that the farmer went out and cut a tree down." Most likely you

had guessed correctly.

Next you took another page of hieroglyphics.

They told the story of a queen who had lived to be eighty-two

years old. Right in the middle of the text the same picture

occurred. That was very puzzling, to say the least. Queens do

not go about cutting down trees. They let other people do it for

them. A young queen may saw wood for the sake of exercise,

but a queen of eighty-two stays at home with her cat and her

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Ancient Man

spinning wheel. Yet, the picture was there. The ancient priest

who drew it must have placed it there for a definite purpose.

What could he have meant?

That was the riddle which Champollion finally solved.

He discovered that the Egyptians were the first people to use

what we call "phonetic writing."

Like most other words which express a scientific idea, the word

"phonetic" is of Greek origin. It means the "science of the sound which is made by our speech." You have seen the Greek word

"phone," which means the voice, before. It occurs in our word

"telephone," the machine which carries the voice to a distant point.

Ancient Egyptian was "phonetic" and it set man free from the narrow limits of that sign language which in some primitive form

had been used ever since the cave-dweller began to scratch

pictures of wild animals upon the walls of his home.

Now let us return for a moment to the little fellow with his saw

who suddenly appeared in the story of the old queen. Evidently

he had something to do with a saw.

A "saw" is either a tool which you find in a carpenter shop or it means the past tense of the verb "to see."

This is what had happened to the word during the course of

many centuries.

First of all it had meant a man with a saw.

Then it came to mean the sound which we reproduce by the

three modern letters, s, a and w. In the end the original

meaning of carpentering was lost entirely and the picture

indicated the past tense of "to see."

A modern English sentence done into the images of ancient

Egypt will show you what I mean.

The

means either these two round objects in your head

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which allow you to see, or it means "I," the person who is talking or writing.

A

is either an animal which gathers honey and pricks

you in the finger when you try to catch it, or it represents to

verb "to be," which is pronounced the same way and which means to "exist." Again it may be the first part of a verb like

"be-come" or "be-have." In this case the bee is followed by a which represents the sound which we find in the word

"leave" or "leaf." Put your "bee" and your "leaf" together and you have the two sounds which make the verb "bee-leave" or

"believe" as we write it nowadays.

The "eye" you know all about.

Finally you get a picture which looks like a giraffe.

It is

a giraffe, and it is part of the old sign language, which has been continued wherever it seemed most convenient.

Therefore you get the following sentence, "I believe I saw a giraffe."

This system, once invented, was developed during thousands of

years.

Gradually the most important figures came to mean single

letters or short sounds like "fu" or "em" or "dee" or "zee," or as we write them, f and m and d and z. And with the help of these,

the Egyptians could write anything they wanted upon every

conceivable subject, and could preserve the experience of one

generation for the benefit of the next without the slightest

difficulty.

That, in a very general way, is what Champollion taught us after

the exhausting search which killed him when he was a young

man.

That too, is the reason why today we know Egyptian history

better than that of any other ancient country.

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THE LAND OF THE LIVING AND THE

LAND OF THE DEAD

The History of Man is the record of a hungry creature in search

of food.

Wherever food was plentiful and easily gathered, thither man

travelled to make his home.

The fame of the Nile valley must have spread at an early date.

From far and wide, wild people flocked to the banks of the river.

Surrounded on all sides by desert or sea, it was not easy to

reach these fertile fields and only the hardiest men and women

survived.

We do not know who they were. Some came from the interior of

Africa and had woolly hair and thick lips.

Others, with a yellowish skin, came from the desert of Arabia

and the broad rivers of western Asia.

They fought each other for the possession of this wonderful

land.

They built villages which their neighbors destroyed and they

rebuilt them with the bricks they had taken from other

neighbors whom they in turn had vanquished.

Gradually a new race developed. They called themselves "remi,"

which means simply "the Men." There was a touch of pride in this name and they used it in the same sense that we refer to

America as "God's own country."

Part of the year, during the annual flood of the Nile, they lived on small islands within a country which itself was cut off from

the rest of the world by the sea and the desert. No wonder that

these people were what we call "insular," and had the habits of villagers who rarely come in contact with their neighbors.

They liked their own ways best. They thought their own habits

and customs just a trifle better than those of anybody else. In

the same way, their own gods were considered more powerful

than the gods of other nations. They did not exactly despise

foreigners, but they felt a mild pity for them and if possible

they kept them outside of the Egyptian domains, lest their own

people be corrupted by "foreign notions."

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They were kind-hearted and rarely did anything that was cruel.

They were patient and in business dealings they were rather

indifferent Life came as an easy gift and they never became

stingy and mean like northern people who have to struggle for

mere existence.

When the sun arose above the blood-red horizon of the distant

desert, they went forth to till their fields. When the last rays of light had disappeared beyond the mountain ridges, they went to

bed.

They worked hard, they plodded and they bore whatever

happened with stolid unconcern and profound patience.

They believed that this life was but a short preface to a new

existence which began the moment Death had entered the

house. Until at last, the life of the future came to be regarded

as more important than the life of the present and the people of

Egypt turned their teeming land into one vast shrine for the

worship of the dead.

And as most of the papyrus-rolls of the ancient valley tell

stories of a religious nature we know with great accuracy just

what gods the Egyptians revered and how they tried to assure

all possible happiness and comfort to those who had entered

upon the eternal sleep. In the beginning each little village had

possessed a god of its own.

Often this god was supposed to reside in a queerly shaped

stone or in the branch of a particularly large tree. It was well to be good friends with him for he could do great harm and destroy

the harvest and prolong the period of drought until the people

and the cattle had all died of thirst. Therefore the villages made him presents--offered him things to eat or a bunch of flowers.

When the Egyptians went forth to fight their enemies the god

must needs be taken along, until he became a sort of battle

flag around which the people rallied in time of danger.

But when the country grew older and better roads had been

built and the Egyptians had begun to travel, the old "fetishes,"

as such chunks of stone and wood were called, lost their

importance and were thrown away or were left in a neglected

corner or were used as doorsteps or chairs.

Their place was taken by new gods who were more powerful

than the old ones had been and who represented those forces

of nature which influenced the lives of the Egyptians of the

entire valley.

First among these was the Sun which makes all things grow.

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Next came the

river Nile which

tempered the

heat of the day

and brought

rich deposits of

clay to refresh

the fields and

make them

fertile.

Then there was

the kindly

Moon which at

night rowed

her little boat

across the arch

of heaven and

there was

Thunder and

there was

Lightning and

there were any

number of

things which

could make life

happy or

miserable

according to

their pleasure

and desire.

Ancient man, entirely at the mercy of these forces of nature,

could not get rid of them as easily as we do when we plant

lightning rods upon our houses or build reservoirs which keep us

alive during the summer months when there is no rain.

On the contrary they formed an intimate part of his daily life--

they accompanied him from the moment he was put into his

cradle until the day that his body was prepared for eternal rest.

Neither could he imagine that such vast and powerful

phenomena as a bolt of lightning or the flood of a river were

mere impersonal things. Some one--somewhere--must be their

master and must direct them as the engineer directs his engine

or a captain steers his ship.

A God-in-Chief was therefore created, like the commanding

general of an army.

A number of lower officers were placed at his disposal.

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Within their own territory each one could act independently.

In grave matters, however, which affected the happiness of all

the people, they must take orders from their master.

The Supreme Divine Ruler of the land of Egypt was called Osiris,

and all the little Egyptian children knew the story of his

wonderful life.

Once upon a time, in the valley of the Nile, there lived a king

called Osiris.

He was a good man who taught his subjects how to till their

fields and who gave his country just laws. But he had a bad

brother whose name was Seth.

Now Seth envied Osiris because he was so virtuous and one day

he invited him to dinner and afterwards he said that he would

like to show him something. Curious Osiris asked what it was

and Seth said that it was a funnily shaped coffin which fitted

one like a suit of clothes. Osiris said that he would like to try it.

So he lay down in the coffin but no sooner was he inside when

bang!--Seth shut the lid. Then he called for his servants and

ordered them to throw the coffin into the Nile.

Soon the news of his terrible deed spread throughout the land.

Isis, the wife of Osiris, who had loved her husband very dearly,

went at once to the banks of the Nile, and after a short while

the waves threw the coffin upon the shore. Then she went forth

to tell her son Horus, who ruled in another land, but no sooner

had she left than Seth, the wicked brother, broke into the

palace and cut the body of Osiris into fourteen pieces.

When Isis returned, she discovered what Seth had done. She

took the fourteen pieces of the dead body and sewed them

together and then Osiris came back to life and reigned for ever

and ever as king of the lower world to which the souls of men

must travel after they have left the body.

As for Seth, the Evil One, he tried to escape, but Horus, the son of Osiris and Isis, who had been warned by his mother, caught

him and slew him.

This story of a faithful wife and a wicked brother and a dutiful

son who avenged his father and the final victory of virtue over

wickedness formed the basis of the religious life of the people

of Egypt.

Osiris was regarded as the god of all living things which

seemingly die in the winter and yet return to renewed existence

the next spring. As ruler of the Life Hereafter, he was the final judge of the acts of men, and woe unto him who had been cruel

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and unjust

and had

oppressed the

weak.

As for the

world of the

departed

souls, it was

situated

beyond the

high

mountains of

the west

(which was

also the home

of the young

Nile) and

when an

Egyptian

wanted to say

that someone

had died, he

said that he

"had gone

west."

Isis shared

the honors

and the duties

of Osiris with

him. Their son

Horus, who

was worshipped as the god of the Sun (hence the word

"horizon," the place where the sun sets) became the first of a new line of Egyptian kings and all the Pharaohs of Egypt had

Horus as their middle name.

Of course, each little city and every small village continued to

worship a few divinities of their own. But generally speaking, all the people recognized the sublime power of Osiris and tried to

gain his favor.

This was no easy task, and led to many strange customs. In the

first place, the Egyptians came to believe that no soul could

enter into the realm of Osiris without the possession of the

body which had been its place of residence in this world.

Whatever happened, the body must be preserved after death,

and it must be given a permanent and suitable home. Therefore

as soon as a man had died, his corpse was embalmed. This was

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a difficult and

complicated

operation which

was performed

by an official

who was half

doctor and half

priest, with the

help of an

assistant whose

duty it was to

make the

incision through

which the chest

could be filled

with cedar-tree

pitch and myrrh

and cassia. This

assistant

belonged to a

special class of

people who

were counted

among the most

despised of

men. The

Egyptians

thought it a

terrible thing to

commit acts of

violence upon a

human being,

whether dead or living, and only the lowest of the low could be

hired to perform this unpopular task.

Afterwards the priest took the body again and for a period of

ten weeks he allowed it to be soaked in a solution of natron

which was brought for this purpose from the distant desert of

Libya. Then the body had become a "mummy" because it was filled with "Mumiai" or pitch. It was wrapped in yards and yards of specially prepared linen and it was placed in a beautifully

decorated wooden coffin, ready to be removed to its final home

in the western desert.

The grave itself was a little stone room in the sand of the

desert or a cave in a hill-side.

After the coffin had been placed in the center the little room

was well supplied with cooking utensils and weapons and

statues (of clay or wood) representing bakers and butchers who

were expected to wait upon their dead master in case he

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needed anything. Flutes and fiddles were added to give the

occupant of the grave a chance to while away the long hours

which he must spend in this "house of eternity."

Then the roof was covered with sand and the dead Egyptian was

left to the peaceful rest of eternal sleep.

But the desert is full of wild creatures, hyenas and wolves, and

they dug their way through the wooden roof and the sand and

ate up the mummy.

This was a terrible thing, for then the soul was doomed to

wander forever and suffer agonies of a man without a home. To

assure the corpse all possible safety a low wall of brick was

built around the grave and the open space was filled with sand

and gravel. In this way a low artificial hill was made which

protected the mummy against wild animals and robbers.

Then one day, an Egyptian who had just buried his Mother, of

whom he had been particularly fond, decided to give her a

monument that should surpass anything that had ever been

built in the valley of the Nile.

He gathered his serfs and made them build an artificial

mountain that could be seen for miles around. The sides of this

hill he covered with a layer of bricks that the sand might not be blown away.

People liked the novelty of the idea.

Soon they were trying to outdo each other and the graves rose

twenty and thirty and forty feet above the ground.

At last a rich nobleman ordered a burial chamber made of solid

stone.

On top of the actual grave where the mummy rested, he

constructed a pile of bricks which rose several hundred feet into the air. A small passage-way gave entrance to the vault and

when this passage was closed with a heavy slab of granite the

mummy was safe from all intrusion.

The King of course could not allow one of his subjects to outdo

him in such a matter. He was the most powerful man of all

Egypt who lived in the biggest house and therefore he was

entitled to the best grave.

What others had done in brick he could do with the help of more

costly materials.

Pharaoh sent his officers far and wide to gather workmen. He

constructed roads. He built barracks in which the workmen could

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live and sleep (you may see those barracks this very day). Then

he set to work and made himself a grave which was to endure

for all time.

We call this great pile of masonry a "pyramid."

The origin of the word is a curious one.

When the Greeks visited Egypt the Pyramids were already

several thousand years old.

Of course the

Egyptians took

their guests into

the desert to

see these

wondrous sights

just as we take

foreigners to

gaze at the

Wool-worth

Tower and

Brooklyn Bridge.

The Greek

guest, lost in

admiration,

waved his hands

and asked what

the strange

mountains might

be.

His guide

thought that he

referred to the

extraordinary

height and said

"Yes, they are

very high

indeed."

The Egyptian

word for height

was "pir-em-us."

The Greek must have thought that this was the name of the

whole structure and giving it a Greek ending he called it a

"pyramis."

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Egyptian word when we talk of the stone graves along the

banks of the Nile.

The biggest of these many pyramids, which was built fifty

centuries ago, was five hundred feet high.

At the base it was seven hundred and fifty-five feet wide.

It covered more than thirteen acres of desert, which is three

times as much space as that occupied by the church of Saint

Peter, the largest edifice of the Christian world.

During twenty years, over a hundred thousand men were used

to carry the stones from the distant peninsula of Sinai--to ferry them across the Nile (how they ever managed to do this we do

not understand)--to drag them halfway across the desert and

finally hoist them into their correct position.

But so well did Pharaoh's architects and engineers perform their

task that the narrow passage-way which leads to the royal tomb

in the heart of the pyramid has never yet been pushed out of

shape by the terrific weight of those thousands and thousands

of tons of stone which press upon it from all sides.

THE MAKING OF A STATE

Nowadays we all are members of a "state."

We may be Frenchmen or Chinamen or Russians; we may live in

the furthest corner of Indonesia (do you know where that is?),

but in some way or other we belong to that curious combination

of people which is called the "state."

It does not matter whether we recognize a king or an emperor

or a president as our ruler. We are born and we die as a small

part of this large Whole and no one can escape this fate.

The "state," as a matter of fact, is quite a recent invention.

The earliest inhabitants of the world did not know what it was.

Every family lived and hunted and worked and died for and by

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itself. Sometimes it happened that a few of these families, for

the sake of greater protection against the wild animals and

against other wild people, formed a loose alliance which was

called a tribe or a clan. But as soon as the danger was past,

these groups of people acted again by and for themselves and if

the weak could not defend t