Postlip Hall stands high in a picturesque spot not far from the main
road to Cheltenham. It is a many-gabled Elizabethan house,
preserving its original character, but spoiled by the insertion of plate-
glass windows. Within there is one
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particularly fine room of elaborate oak carvings (and the arms of the
Broadways who built the house) of sufficient importance to form the
subject of one of the plates in Nash's Mansions. The house has or had the reputation of being haunted; but that was long ago in the
days when it stood neglected and uninhabited.
Southam House, or Southam-de-la-Bere, to the south-west (also
depicted in Nash), is a curious early-Tudor building of timber and
stone, and has the advantage over Sudeley, as it was not of sufficient
military importance to be roughly handled by the Parliamentarian
soldiers. The ancient painted glass in the windows and an elaborate
chimney-piece bearing shields of arms came from Hayles Abbey. The
ceilings are oak panelled, and the arms of Henry VII. occur in
numerous places. The situation of the house is fine, and the view
over the vast stretch of country towards Worcestershire and
Herefordshire magnificent. The builder of the mansion was Sir John
Huddleston, whose wife was the queen Jane Seymour's aunt. The
de-la-Beres, to whom the estate passed by marriage, were closely
allied with the Plantagenet kings, two sisters marrying Thomas
Plantagenet, Edward III.'s son, and Henry Plantagenet, Duke of
Lancaster.
Avoiding Cheltenham, we will pick up the road to Stroud at Birdlip, a
favourite meeting-place of the hounds on account of the surrounding
woods. Coming from the south there is a gradual climb through those
delightful woods until you burst upon a gorgeous view, with the
ancient "Ermine Street" running, like a white wand lying upon the level pattern
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work of meadowland, to Gloucester, and the hills of Malvern away in
the distance. Whether it was the great dark mass of hill in the
foreground contrasted against the level stretch of country, or whether
it was the stormy sky when we visited Birdlip on a late autumnal day,
that gave the scene such a wild, romantic look, it would be difficult to
say, but we remember no view with such breadth of contrast of light
and shade, or one so fitted to lead the imagination into the mystic
realms of fairyland.
Up in these heights, and in so secluded a spot, it came as a surprise
to find a museum. This we believe long since has been dispersed by
the hammer, but we remember some really interesting things. The
lady curator, the proprietress of the "Black Horse," had been given many of the exhibits by the neighbouring gentry, and was not a little
proud of her collection. Valuable coins, flint weapons, fossils,
pictures, and the usual medley. There was one little oil painting on a
panel, the head of a beautiful girl with high powdered hair of the
Georgian period, which had all the vigour of a Romney, and
undoubtedly was by a master craftsman. Two curiosities we
remember in particular: a pair of leggings said to have been worn by
the great Duke of Marlborough, and the wooden finger-stocks from a
village dame-school. It would be interesting to know where these
curiosities are now. The only other finger-stocks we know of are in A
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shby-de-la-Zouch church, Leicestershire.
STOCKS, PAINSWICK.
Painswick, to the south-west, is a sleepy old town with a fine
Perpendicular church much restored internally, but containing some
handsome monuments. The churchyard is noted for its formal array
of clipped yew trees, probably unique. They have the same
peculiarity as Stonehenge, for it is said nobody can count them twice
the same. As, however, we did not visit the adjacent inn, we
managed to accomplish the task. Close to the church wall are the
stocks—iron ones.