Nooks and Corners of Old England by Alan Fea - HTML preview

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BEVERSTONE CASTLE.

Between Nailsworth and Tetbury are Beverstone Castle and the

secluded manor-house Chavenage within a mile of it. The castle

stands near the road, an ivy-covered ruin of the time of Edward III., but with portions dating from the Conquest. Incorporated are some

Tudor remains and some old farm buildings, forming together a

pleasing picture.

To Major-General Massey, Beverstone, like Sudeley, is indebted for

its battered appearance. It held out for the king, but Massey with

three hundred and eighty men came and took it by storm. The

general having done as much damage as possible in Gloucestershire

d

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uring the Civil War, at length made some repairs by fighting on the

other side at Worcester; and perhaps it was as well, for had he been

on the victorious side he might have treated "the faithful city" with as little respect as Beverstone. In the peaceful days of the Restoration,

which Massey lived to see, as there were no more castles to blow up

he dabbled in the pyrotechnic art, suggestive of the pathetic passage

in Patience—Yearning for whirlwinds, and having to do the best you

can with the bellows.

The regicide squire of Chavenage must also have been skilled in the

noble art, for by common report at his death a few months after that

of the martyr king, he vanished in flames of fire! But there was a

ceremonious preliminary before this simple and effective mode of

cremation. A sable coach driven by a headless coachman with a star

upon his breast arrived at the dead man's door, and the shrouded

form of the regicide was seen to glide into it. But bad as Nathaniel Stephens may have been, it is scarcely just that all future lords of

Chavenage must make their exit in this manner.

The old house is unpretentious in appearance. Built in the form of the

letter E, it has tall latticed windows lighting a gre

[Pg 103]

at hall (famous once for its collection of armour), and a plain wing on

either side, with narrow Elizabethan Gothic-headed windows. There

is a ghostly look about it. It stands back from the road, but sufficiently

near that one may see the entrance porch (bearing the date 1579)

and the ruts of the carriage wheels upon the trim carriage drive.

Arguments as strong as any in Ingoldsby to prove the mystic story must be true.

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