Nooks and Corners of Old England by Alan Fea - HTML preview

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SHELDON MANOR.

About a mile away on the western side of the main road from

Chippenham to Yatton Keynell is Sheldon Manor, a charming old

residence with a great Gothic porch like a church, and a Gothic

window over it belonging to what is called the "Priest's chamber."

Upon the gable end, over it, is one of those queer little box sundials

one occasionally sees in Wiltshire. As you enter the porch the

massive staircase faces you, with its picturesque newels and

pendants, and the little carved oak gate, which was there to keep the

dogs downstairs. In the wall to the right, just beyond the entrance

door, is a curious stone trough of fair capacity. It is screened by a door, and exteriorly looks like a cupboard; but what was the use of

this trough we are at a loss to conjecture, unless in old days the

horses were a

[Pg 120]

dmitted.

SOUTH WRAXALL MANOR-HOUSE.

But two of the finest old houses in the county are certainly South

Wraxall and Great Chaldfield, situated within a couple of miles from

one another to the west of Melksham. The former has recently been

converted from a farmhouse again into a mansion, and the latter is

now undergoing careful restoration. Though the exterior of Great

Chaldfield is unimpaired, and as perfect a specimen of an early

fifteenth-century house as one could wish to see, sad havoc has

been played inside. The great hall many years ago was so divided up

that it was difficult to guess at its original proportions. The finest Gothic windows with groined roofs, ornamental bosses, and

fireplaces, and carved oak beams, have long since been blocked up

and their places filled with mean ones of the Georgian period or later.

To fully comprehend the wholesale

[Pg 121]

obliteration of the original work, one has only to see the thousand bits

of sculptured masonry laid out upon the lawn of the back garden. To

place the pieces of the puzzle correctly together must be a task to try

the knowledge and patience of the most expert in such matters, but

piece by piece each is going into its proper place. The huge stone

heads with scooped-out eyes, through which the ancient lord of the

manor could watch what was going on below in the hall without being

observed, once again will be reinstated. There are three of them, and

the hollowed eyes have sharp edges, as if they were cut out only

yesterday. Then there is an ungainly grinning figure of the fifteenth

century, locally known as "Blue Beard," who within living memory has

sat on the lawn in front of the mansion; but his proper place is up aloft

on top of one of the gable ends, and there, of course, he will go, and,

like Sister Ann, be able to survey the road to Broughton Gifford to see

whether anybody is coming. Among the rooms now under course of

repair is "Blue Beard's chamber," and naturally enough the

neighbouring children of the past generation (we do not speak of the

present, for doubtless up-to-date education has made them far too

knowing to treat such things seriously—the more's the pity) used to

hold the house in holy dread. But there certainly is a creepy look

about it, especially towards dusk, when the light of the western sky

shines through the shell of a beautiful oriel window, and makes the

monsters on the gable ends stand out while the front courtyard is

wrapt in shade. The reed-grown moat gives the house a neglected

and sombre look. The group of buildings, with curious little church

with its crocketed bell turret on one side and a great barn on the

other, is altogether remarkable. How it got the name of "Blue Beard's

Castle" we could not learn. Recently a "priest's hole" has been discovered up against the ceiling in a corner of his chamber; but

whether he concealed himself here or some of his wives we cannot

say.

[Pg 122]

At the back of the manor there used to be a tumble-down old mill,

which unfortunately is now no more. The little church contains a good

stone screen (which has been removed from its original position), and

some stained glass in the windows. The pulpit, a canopied two-

decker, and the capacious high-backed pews (half a dozen at the

most) have the appearance of a pocket place of worship. But Great

Chaldfield is a parish by itself without a village; the congregation also

is a pocket one.