* On December 10, 1860, Mr. Seward official y expressed his opinion that the traditional friendship with France would be brought into "imminent jeopardy, unless France could deem it consistent with her interest and honor to desist from the prosecution of armed intervention in Mexico"
(letter of Seward to Bigelow, "Diplomatic Correspondence," 1866, Part III, p. 429); and he declined the condition made by the Emperor that the United States recognize the empire of Mexico as a de facto power. See proclamation of President Johnson, August 18, 1866, declaring the blockade of Matamoros issued by Maximilian nul and void ("Diplomatic Correspondence," 1866, Part I, p. 339).
Since accepting Napoleon's ultimatum, by the terms of which all French assistance was to be withdrawn by November 1, 1867, Maximilian had made no attempt to disguise his hostility to his allies.
The French government having formal y declined to do more than pay the auxiliary troops and the foreign legion, the distress was great, and the Imperialists, on the verge of starvation, were frequently supplied in the field by the French commissariat. Demoralization set in throughout the imperial army. Whole garrisons, receiving no pay, left their posts and turned highwaymen, even in the neighborhood of the capital.
Indeed, the desertions were now so frequent that the Liberals were able to form a "foreign legion" with the deserters of various nationalities who sought service under their flag.* Rats were leaving the sinking ship.
* See "L'Ere Nouvel e" (Mexico), September 25, 1866.
In January, 1866, the imperial army, including the Austro-Belgian legion, numbered 43,500 men. In October of the same year only 28,000
remained under arms. Many, of course, had fal en in the field, but desertion was principal y accountable for this shriveling of the Mexican forces.
Permission had originally been granted French officers to take service under the imperial flag. Various army-corps had been formed, which were officered by Frenchmen as wel as by Austrians and Belgians.
Theoretical y, a year and a half was time enough to organize the new foreign legion then well under way; but recruiting for the Mexican army was now found to be, like al other experiments successively brought to bear upon the problem, virtually impossible. Under the circumstances it seemed folly for foreign officers to enlist in the newly organized imperial regiments.
The marshal took it upon himself to withdraw the permission given some time before to French officers to pass into the Mexican service. He has been blamed for this, and accused of having deliberately hindered the organizing of Mexican forces, thus hastening the ruin of the empire. But no one not on the spot toward the close of the year 1866 can well realize the atmosphere of general sauve qui peut that prevailed in Mexico and affected all classes of society. The tide had turned. To al who had anything to lose, the only course that seemed perfectly clear was to get out of the country, leaving behind as little of their belongings as possible. Indeed, M. de Hoorickx, who remained as charge d'affaires after the departure of the Belgian minister, M. de Blondel, told me that he also was doing al in his power to prevent his countrymen from embarking upon such stormy seas.
Sober-minded Austrians, on their side, used their influence over their more adventurous comrades to prevent their remaining under the altered conditions.
And now the only hope of the empire rested upon the power of Empress Charlotte to induce the courts of Austria, Belgium, Rome, and especially the court of France, to grant a reprieve to the tottering empire by lending it further support.
To defray the expenses of her journey, thirty thousand dollars were taken from an emergency fund held as sacred for the repairs of the dikes which defend Mexico against the ever-threatening floods from the lakes, the level of which is higher than that of the city.
It soon was whispered among us that upon her arrival in Paris the Empress had not spared the marshal, and that in her interview with Napoleon III she not only had denounced him, but had asked his recall.
On September 16, 1866, the anniversary of the national independence was celebrated with unusual state by the Emperor. The Te Deum was sung in the cathedral, and a formal reception was held at the palace, where, for the last time, a large crowd assembled. After this a meeting of the council of state was held to discuss the situation.
The Liberals and Moderates had failed to strengthen the empire. As a last resort, the Emperor turned once more to the reactionary party for help. The Liberal ministers withdrew, and a new cabinet, composed of the ultra-clerical party, was formed.
Thus, at the last hour, when, without funds and abandoned by his al ies, all were fal ing away from him, Maximilian cast his lot with the men whom, when rich in money, armies, and allies, and the future promised success, he had discarded as impossible to carry. In accepting their help he was pledging himself to factional warfare, and was virtual y going back upon every declared principle which had formed the basis of his acceptance of the crown.
But in fairness it may be said that the unfortunate prince was at this time scarcely responsible for his actions. The situation was desperate.
He had neither the strength nor the coolness of judgment to face the issue. His vacillating nature had been stil further weakened by intermittent fever, as wel as by the events of this year, so fatal to his house. The climate of Mexico did not suit him. What with malarial fever and dysentery, as wel as with distracting responsibilities and cares, he was a physical wreck. Not only had he month after month felt his hopes grow faint and his throne crumble under him; not only had he every cause to lose faith in his star as wel as in his own judgment: but the cannon of Lissa must have vibrated with painful distinctness through the innermost fibers of the Austrian admiral's heart, and his personal interest in Austrian affairs must have caused him to dwel with poignant regret upon his renunciation of his birthright, and his absence from the larger stage upon which, but for his wild errand, he might then have been playing a leading role.*
* See M. de Keratry, "L'Empereur Maximilien," p. 220.
The new clerical cabinet, as usual, promised to pacify the country, and to find the funds indispensable for the purpose. This was the last card of the reactionary party. Of all those involved in the issue, the clerical leaders alone had everything to lose by the downfal of the empire. Their personal interest in its prolongation was clear. With them it was a matter, if not of life and death, at least of comparative dignity and prosperity at home, or of exile and beggary abroad.
To place his fate in such hands was the last mistake of the Emperor.
Such interested advisers must endeavor to cut off his retreat, when to remain must cost him his life.
The mission of the Empress abroad had, if anything, aggravated the situation. It is said that, no doubt, under the influence of the cerebral disturbance that soon afterward manifested itself, her recriminations were so violent as to arouse a feeling of personal resentment which destroyed al sympathy in Napoleon's heart. Already weary of an undertaking which from beginning to end must reflect upon his statesmanship, and which was fast becoming a reproach to the French nation, he was even then negotiating with the United States for the removal of his troops, and for the restoration of the republic.
Regardless of the onerous agreement which Maximilian only four months before had been compelled to sign, the new minister of foreign affairs, the Marquis de Moustier, on the occasion of his first reception to the diplomatic corps, on October 11, told Mr. Bigelow that the Emperor would recall the army shortly.* The minister of war had already signed a contract with Pereire, the head of the Compagnie Transatlantique, for the home passage of the last instalment of the army during the month of March.
* See letter of Mr. Bigelow to Mr. Seward, October 12 ("Diplomatic Correspondence," 1866, Part I, p. 360).
Of these fateful negotiations we, in Mexico, were then ignorant. We were under the impression that strict compliance with the terms of the recent agreement was the worst that could befal the empire. That these terms would be strictly adhered to even seemed incredible to many. There were optimists among us who thought that Napoleon's action was intended to call forth docility on the part of Maximilian and of his Mexican cabinet, and to bring them to terms. Thus it was that, although the debacle was in reality hard upon us, it yet seemed sufficiently far off not material y to affect our daily life. We therefore lightly skipped over the thin ice of our present security, unmindful of what the immediate future had in store for us.
III. COMEDY AND TRAGEDY
In the spring of 1866 our small circle was pleasantly enlarged by the arrival of the Marquis de Massa. He was the younger son of the celebrated Regnier, Duc de Massa, the able lawyer whose work upon the Code Napoleon had led him to a dukedom under Napoleon the Great.
M. de Massa was endowed with more brilliancy than perseverance. He had not passed through St. Cyr to enter the army, and had devoted much of his youth to the systematic enjoyment of life. After some of his il usions and most of his money had gone, he did as many Frenchmen of good family had done before him--he enlisted in a crack cavalry regiment of the Imperial Guard, where, after a while, thanks to mighty protectors, he exchanged his worsted stripes for gold braid and the single epaulet. He had come to Mexico in search of an excuse for rapid promotion.
Similar cases were by no means infrequent then. Michel Ney, Duc d'Elchingen, the grandson of the great marshal, when I met him in Mexico, was sergeant or corporal in a regiment of chasseurs d'Afrique, recognizable from his fellow-troopers only by his spotless linen.
Shortly after this he was promoted to a sublieutenancy. His promotion was then rapid, and he did good service in the north; for although he was no reader of books and was somewhat heavy of understanding, he was as brave as his famous ancestor.*
* An officer wrote me during the Franco-Prussian war that at Rezonvil e, in 1870, when bril iantly charging at the head of his men, Michel Ney, then a colonel of dragoons, received three sabre-cuts over his head and face, and after kil ing five Prussians rol ed under his wounded horse.
He eventual y recovered.
Count Clary, a cousin of Napoleon III, when I met him, had only recently emerged from his worsted chrysalis;** and Albert Bazaine, the marshal's own nephew, was impatiently waiting to be raised from the depressing position of a piou-piou, that he might enjoy the full social benefits of his relationship to the commander-in-chief.
* He was promoted to the rank of captain before the return of the French army, and commanded a contre-gueril a known as the "Free Company of Mexican partizans" (see D'Hericault, loc. cit., p. 79), which did brave work in the state of Michoacan against the bands of General Regules and others, and later in the neighborhood of Mexico, without ever exciting the bitter hatred which the contregueril a of Colonel Dupin, holding the state of Vera Cruz, drew upon itself. (See "Queretaro," by Haus, p. 56.) The position of these gentlemen in a capital where the army was, so to speak, under arms, and where no civilian's dress, therefore, was allowed to a soldier, was ambiguous and gave rise to amusing anomalies. For instance, they, of course, could not be admitted to official balls or entertainments where uniforms were de rigueur, as only officers were invited. They paid cal s, however, and thus mixed on neutral ground with their officers; and so these nondescript military larvae managed to enjoy life until the day came when they might become official butterflies.
As for the Marquis de Massa, the day had long gone by when, driving in his own trap to the gate of the Paris barracks after a night spent out on leave through the leniency of General Floury, he set to work to curry his own horse. His keen wit and happy repartee, his good-humored sarcasm, and, above all, the magnetism of a personality that scorned deceit and gave itself for no better or worse than it was, combined to make him a favorite among the devotees of pleasure whom Napoleon III and Empress Eugenie had gathered about them; and notwithstanding his empty pockets, his roofless chateau in Auvergne, and his sparsely braided sleeve, he was an habitue of the Austrian embassy and of the best salons in Paris, and made for himself a conspicuous place in the innermost circle of the court of Compiegne and the Tuileries. He had written a number of light plays for the amateur stage of Parisian society, and his dramatic efforts had been interpreted by players whose high-sounding names might be found on pages of history.
His first attempt was the "Cascades de Mouchy," on December 9, 1863. The representation was given at the Chateau de Mouchy, to which "all Paris"
traveled for the purpose. In the words of the "Figaro": "It was a complete mobilization of Parisian society." The Duc de Mouchy, a man of the old nobility, had recently married Princess Anna Murat; and the actors as wel as the audience represented the wit, talent, wealth, and power of the Second Empire.
In col aboration with Prince de Metternich, then Austrian ambassador at the court of the Tuileries, and an amateur musician of no mean order, he had written the libretto of a bal et cal ed "Le Roi d'Yvetot." This was given on the professional stage, but met with little success, if exception is made of the "first night," when again "all Paris" turned out to see the prince lead the orchestra, and to applaud the bril iant young author after the curtain fel .
In 1865 he wrote a revue, which was performed with great eclat before the court at Compiegne. In this really clever piece the principal occurrences of the year were touched upon and reviewed. The literary event of 1865 in France had been the publication of Napoleon's work "Les Commentaires de Cesar," and this the young courtier took as a title for his play. Once again al the wit and beauty of the court of Eugenie united to make the occasion a bril iant tribute to the imperial historian. The Comte and Comtesse de Pourtales, the Marquis and Marquise de Gal ifet, the Duc and Duchesse de Mouchy, the Princesse de Sagan, the Marquis de Caux (who afterward married Adelina Patti), the Princesse de Metternich,--indeed, the elite of cosmopolis,--appeared upon the stage, and in clever verse and epigrammatic song amusingly dealt with the gossip of the day.
M. de Massa's success was mainly due to the good-natured independence of his work. He told the truth to his audience, even though it might be composed of the great of the land. He chaffed the women upon their manners, and sometimes their morals, and the men upon their idleness and their evil ways. He showed up the speculative fever which, like an epidemic, had swept over the higher ranks of Parisian society under the Second Empire.* No weakness could be sure of escaping his satire. But in dealing with al this the scalpel of the cynic was concealed under the graceful touch of the man of the world. He did not assume the tone of a moralist or of a misanthrope. He was not even an observing spectator, but a good-natured enfant du siecle, a sinner among sinners, for whom life was one long comedy.
* For instance, one stanza sung by M. de St. Maurice:
"Tout les terrains, les canaux, les carrieres, Depuis le fer jusqu'au moindre metal,
Les champs, les eaux, les forets, les bruyeres--
Tout represente un certain capital.
Vous le voyez la fievre est generale;
Tout est matiere a speculations . . .
Tout, en effet, excepte la morale
Qu'on n'a pas mise en actions."
After the return of the Corps Expeditionnaire in 1867, when the great International Exposition was attracting to Paris the princes and celebrities of the world, "Les Commentaires de Cesar" was, at the Emperor's request, repeated at the Tuileries before the crowned heads there assembled as his guests.
Notwithstanding the seething forces underlying the brilliant surface and threatening the empire's very existence, the summer of 1867, as superficial y seen in Paris, must be regarded as the very apex of Napoleon's career.
The exposition was the last and most gorgeous set piece of the many Napoleonic fireworks, the splendor of which flashed through history, and ended in the dark smoke of Sedan.
The performance at the Tuileries was one of the most select entertainments arranged at this time. The troupe of aristocratic comedians was greeted with enthusiastic applause, and the popular author received an ovation from his audience of monarchs and princes such as fate never bestowed upon Beaumarchais, Marivaux, or even Moliere!
Al aglow with the excitement of his social achievements, the Marquis de Massa came to Mexico in 1866 and immediately took his place in the military household of the commander-in-chief.
As soon as he felt sufficiently posted as to the local conditions of Mexico, he went to work, and the result was a vaudevil e entitled
"Messieurs les Voyageurs pour Mexico, en Voiture!"
The marshal's household supplied the principal stars of the improvised dramatic company, the leader of the orchestra, a young Belgian officer, and the prima donna, an "American girl from Paris," as the Mexican papers had it, being brought in only as necessary adjuncts. Another important female part was taken by Albert Bazaine, who was turned into a superb soubrette.
The play was little more than a skit, and the plot--if the thin, sketchy incident that stood in its place may be cal ed one--served only as an excuse for a continuous fusil ade of local hits, often of a personal character. These not only kept the audience in a fever of merriment, but long afterward furnished Mexican official and social circles with topics for more or less friendly discussion. Some il feeling and not a few unpleasant comments were, of course, the result of the little venture; and most of those concerned paid for their fun in some way or other.
The performance took place at San Cosme, at the house of the Vicomtesse de Noue. Maximilian, whose curiosity had been aroused, expressed a desire to have it repeated at the imperial palace; but having heard of certain unmerciful sallies made upon his financial decrees and other measures of his government, he did not attempt to disguise his displeasure. Of course the performance was not repeated.
No harm whatever was intended; but, looking back upon the incident, one can see that the hits, if innocently meant, coming as they did from the marshal's household, were certainly lacking in discretion. Indeed, when one considers the serious dissensions then existing between the quartier-general and the palace, it becomes clear that such jests must have had upon the court the effect of the banderillas which, in a bul -fight, by a refinement of cruelty, are stuck in the quivering flesh of the baited bul , doomed from the start, and teased to the bitter end.
Among the verses of an interminable topical song, one contained a reference to the newly organized regiment, the "Cazadores de Mejico,"
the recruiting of which was then taxing to the utmost Maximilian's energies:
Parmi les corps que l'on vient d'etablir
Les Cazadors sont de tous les plus braves;
Mais, c'est egal, au moment de choisir
J'aimerais miens m'engager dans les Zouaves!
These lines afterward assumed a strangely prophetic importance. Six months later, during the siege of Queretaro, this same regiment of Cazadores, composed of Frenchmen, Germans, and Hungarians, with about one fourth of native Mexican soldiers, was placed, with four twelve-pounders, under the command of Prince Salm-Salm. They were, according to their colonel, a wild, brawling set, constantly fighting among themselves, but ready enough to do their duty under fire.
It would seem that, after a sortie during which they had special y distinguished themselves, the Emperor visited the lines, and paused to praise their bravery. Whether or not the sting contained in M. de Massa's words had impressed them upon his mind, it is, of course, impossible to tel ; but in a stirring proclamation Maximilian called them the "Zouaves of Mexico," a compliment which was received by the men with deafening shouts of enthusiasm. This account, as I read it after the final catastrophe, awoke a memory; and I found myself unconsciously humming the bit of satire upon these brave fellows, most of whom were now lying cold and stiff under the sky of Queretaro:
"Mais, c'est egal, au moment de choisir
J'aimerais mieux m'engager dans les Zouaves!"
Ah me, how closely the ridiculous here approached the sublime! How rapidly tragedy had followed upon comedy!
The first colonel of the Cazadores, Paolino Lamadrid, was in the audience that evening. He was a pleasant-looking man, noted for his great skil in the national sports, especial y with the lazo. He was brave, kindly, obliging, and one of the few Mexican officers who were honestly friendly to the French. He entered into the spirit of the thing, understood the joke, and took no offense. He had lent for the occasion his Mexican dress, sombrero, chapareras, etc., for the character of a Mexicanized French colonist who, after a series of Mexican adventures, had returned to France and to his family laden with Mexican millions.
Colonel Paolino Lamadrid did not live to stand by his sovereign in the last heroic hour of the empire. He was kil ed early in January, in an unimportant engagement at Cuernavaca, one of Maximilian's favorite residences, situated some fifty miles from Mexico, and which had already fal en into the hands of the Juarists.
Colonel Lamadrid was ordered to recapture the town. He fell into an ambush, and after a brave struggle was shot down. His troops held their ground, and before retreating next day they recovered his body, which had been badly mutilated and was only identified by his fine and silky black beard, which formed one of his most striking features.* It is said that one of the early hal ucinations of the unfortunate Empress, on her way to Rome, was that she saw Colonel Lamadrid lurking about, disguised as an organ-grinder.
* D'Hericault, pp. 82, 83.
But to return to this now historic entertainment. The general situation was summed up finally in a serio-comic manner in a song which, if it then brought down the house, afterward drew severe criticism upon the thoughtless heads of author and performers:
Oui, cette terre
Hospitaliere
Un jour sera, c'est moi qui vous le dis,
Pour tout le monde
L'arche feconde
Des gens de coeur et des colons hardis.
Que faut-il donc pour cesser nos alarmes?
De bons soldats et de bons generaux,
De bons prefets et surtout des gendarmes,
Des financiers et des gardes ruraux.
Refrain:
Allons courage,
Vite a l'ouvrage;
La France est la pour nous preter secours.
Vieux incredules,
Sots ridicules,
De nos travaux n'entravez pas le cours.
This song, pledging France to back up Mexican enterprise in every venture, may serve to show how ignorant all were at this time of the sudden determination taken by the Tuileries to set aside the agreement of July 30, 1866, and to put an immediate end to the intervention.
It was written by a member of the marshal's military household, and the refrain was sung by a chorus of the marshal's officers, in the presence of the marshal himself, and of a large audience composed of French, Austrian, and Belgian officers, as well as of members of the imperial government, on September 26, 1866, i.e., just at the time when General Castelnau, who landed at Vera Cruz on October 10, was starting on his mission, the object of which was to force the abdication of Maximilian, and to bring about the winding up of the empire and the immediate return of the army.
At this very time, it will be remembered, a contract was being entered upon by the French government with the house of Pereire, which was to furnish immediate home transportation for the French army.*
* Bigelow, letter to Seward, October 12, 1866.
The song was not meant to be the cruel jest which it must have seemed to those about the Mexican Emperor who were better informed with regard to Napoleon's negotiations with the government of the United States. By those whose al was at stake it must have been taken for a wanton insult.
Indeed, society in Mexico was not just then in the right frame of mind to appreciate M. de Massa's witticisms. Even among his own friends they proved singularly infelicitous.
The displeasure of Madame la Marechale, whose youth and beauty were then superior to her sense of humor, was aroused by a verse the timeworn wit of which she seemed unable to appreciate, and in which she saw an insult to her people:
Le roi Henri, qui detestait l'impot,
Des Mexicains aurait bien fait l'affaire,
Au lieu de poule, un zopilote an pot:
Voila l'moyen de devenir populaire!
The zoplote, although protected by law as a scavenger, is held as unclean by the Mexicans, who would almost starve rather than eat it; and the suggestion, taken seriously and indignantly resented by Mme.
Bazaine, created quite a ripple of disturbance in the marshal's family.
The following incident also swelled the ranks of M. de Massa's French critics:
Before the performance gossip had been busy with it, and its source had partly been traced to Colonel Petit, a good enough friend, but who at the time happened to be chafing under the sting of a practical joke, recently played upon him by some of his comrades, in which M. de Massa had had a share.
During the recent campaign made by the marshal in the interior, with a view to the concentration of the army preparatory to its retreat, Colonel Petit, with his regiment, arrived at a small town, the authorities of which prepared to receive the French with due honor.
Eager for fun, his comrades confidentially disclosed to the alcalde the fact that Colonel Petit was a great personage--indeed, no less than the son of the celebrated General Petit whom Napoleon, about to depart for Elba, and taking leave of his veterans, had singled out and embraced as the representative of the Grande Armee.
I do not remember whether the mischievous wags suggested to the alcalde, a pure Indian wearing sombrero, shirt, and white calzoneras, a repetition of the solemn scene of Fontainebleau, or whether the worthy Indian evolved the notion unaided; but the result was that poor Colonel Petit, much against his will, found himself forced into playing a parody of his father's part to the alcalde's Napoleon. In the presence of his men, amid the jeers and cheers of his amused comrades, he had to submit to the speech and public accolade of the worthy magistrate.
The perpetrators of this pleasantry did not soon allow him to forget it.
It long remained a sore thing with him; and as he al owed his resentment to appear, an extra verse was on the day of the performance added, for his benefit, to the principal topical song:
A Mexico les cancans vont leur train,
On vous condamne avant de vous entendre,
C'est bien "petit" d'ereinter son prochain, Bon entendeur saura bien nous comprendre.
As this was sung the audience laughingly turned toward him--a fact which did not tend to make him more amiably disposed, although he bowed gracefully enough, and pretended to enjoy the fun.
Altogether, the play, if more than a success as a performance, added nothing to the popularity of the quartier-general. It, however, created far more comment than its literary merit warranted--if this may be said, without detracting from the credit of the author, who himself, looking back upon it later in his career, said that it read as though it had been "written on a drum."
Sadowa had been fought and lost; but it would have been difficult, to make out from their attitude whether or not the sympathies of the officers of the Corps Expeditionnaire were honestly with their Austrian allies. Strangely enough, the news had been received by them as though it involved no serious warning to France. The full significance of the new mode of warfare, of the needle-gun and other new implements of war, was obscured in their eyes by their naive Jingoism. The French officers in those days underrated al other nations; and even the superior armament and discipline of the Germans, as exhibited in that short campaign, failed to impress them as they should. They sang: L'aiguille est un outil
Dont je ne suis en peine
Tant que j'aurai la mienne [the bayonet]
Au bout de mon fusil.
Vous qui ehantez victoire,
Heros de Sadowa,
Rappelez-vous l'histoire
D'Auerstadt et d'Iena.
Alas! the time was drawing near when the cannon of Reichshofen was to change the merry tune of the French chanson into a dirge for many of the brave, light-hearted fellows, then so unmindful of the storm slowly gathering in the east.
The pomp and dignity of the court had vanished, and social life in the capital no longer centered about the imperial palace.
Even previous to the departure of the Empress, the Monday receptions had been discontinued, without their loss being seriously felt. At best they had never been other than dul , formal affairs. The ball-room was a large hal , alwa