Vagrants, or little better than vagrants, were Thomas Lincoln and his family making their way to Indiana. For a year after they arrived they were squatters, their home an "openfaced camp," that is, a shanty with one wall missing, and instead of chimney, a fire built on the open side. In that mere pretense of a house, Nancy Lincoln and her children spent the winter of 1816-1817. Then Thomas resorted to his familiar practice of taking land on credit. The Lincolns were now part of a "settlement" of seven or eight families strung along a little stream known as Pigeon Creek. Here Thomas entered a quarter-section of fair land, and in the course of the next eleven years succeeded--wonderful to relate--in paying down sufficient money to give him title to about half.
Meanwhile, poor fading Nancy went to her place. Pigeon Creek was an out-of-the-way nook in the still unsettled West, and Nancy during the two years she lived there could not have enjoyed much of the consolation of her religion. Perhaps now and then she had ghostly council of some stray circuit-rider. But for her the days of the ecstasies had gone by; no great revival broke the seals of the spirit, stirred its deep waters, along Pigeon Creek. There was no religious service when she was laid to rest in a coffin made of green lumber and fashioned by her husband. Months passed, the snow lay deep, before a passing circuit-rider held a burial service over her grave. Tradition has it that the boy Abraham brought this about very likely, at ten years old, he felt that her troubled spirit could not have peace till this was done. Shadowy as she is, ghostlike across the page of history, it is plain that she was a reality to her son. He not only loved her but revered her. He believed that from her he had inherited the better part of his genius. Many years after her death he said, "God bless my mother; all that I am or ever hope to be I owe to her."
Nancy was not long without a successor. Thomas Lincoln, the next year, journeyed back to Kentucky and returned in triumph to Indiana, bringing as his wife, an old flame of his who had married, had been widowed, and was of a mind for further adventures. This Sarah Bush Lincoln, of less distinction than Nancy, appears to have been steadier-minded and stronger-willed. Even before this, Thomas had left the half-faced camp and moved into a cabin. But such a cabin! It had neither door, nor window, nor floor. Sally Lincoln required her husband to make of it a proper house--by the standards of Pigeon Creek. She had brought with her as her dowry a wagonload of furniture. These comforts together with her strong will began a new era of relative comfort in the Lincoln cabin.[1]
Sally Lincoln was a kind stepmother to Abraham who became strongly attached to her. In the rough and nondescript community of Pigeon Creek, a world of weedy farms, of miserable mud roads, of log farm-houses, the family life that was at least tolerable. The sordid misery described during her regime emerged from wretchedness to a state of by all the recorders of Lincoln's early days seems to have ended about his twelfth year. At least, the vagrant suggestion disappeared. Though the life that succeeded was void of luxury, though it was rough, even brutal, dominated by a coarse, peasant-like view of things, it was scarcely by peasant standards a life of hardship. There was food sufficient, if not very good; protection from wind and weather; fire in the winter time; steady labor; and social acceptance by the community of the creekside. That the labor was hard and long, went without saying. But as to that--as of the whippings in Kentucky--what else, from the peasant point of view, would you expect? Abraham took it all with the same stoicism with which he had once taken the whippings. By the unwritten law of the creekside he was his father's property, and so was his labor, until he came of age. Thomas used him as a servant or hired him out to other farmers. Stray recollections show us young Abraham working as a farm-hand for twenty-five cents the day, probably with "keep" in addition; we glimpse him slaughtering hogs skilfully at thirty-one cents a day, for this was "rough work." He became noted as an axman.
In the crevices, so to speak, of his career as a farm-hand, Abraham got a few months of schooling, less than a year in all. A story that has been repeated a thousand times shows the raw youth by the cabin fire at night doing sums on the back of a wooden shovel, and shaving off its surface repeatedly to get a fresh page. He devoured every book that came his way, only a few to be sure, but generally great ones--the Bible, of course, and Aesop, Crusoe, Pilgrim's Progress, and a few histories, these last unfortunately of the poorer sort. He early displayed a bent for composition, scribbling verses that were very poor, and writing burlesque tales about his acquaintances in what passed for a Biblical style.[2]
One great experience broke the monotony of the life on Pigeon Creek. He made a trip to New Orleans as a "hand" on a flatboat. Of this trip little is known though much may be surmised. To his deeply poetic nature what an experience it must have been: the majesty of the vast river; the pageant of its immense travel; the steamers heavily laden; the fleets of barges; the many towns; the nights of stars over wide sweeps of water; the stately plantation houses along the banks; the old French city with its crowds, its bells, the shipping, the strange faces and the foreign speech; all the bewildering evidence that there were other worlds besides Pigeon Creek!
What seed of new thinking was sown in his imagination by this Odyssey we shall never know. The obvious effect in the ten years of his life in Indiana was produced at Pigeon Creek. The "settlement" was within fifteen miles of the Ohio. It lay in that southerly fringe of Indiana which received early in the century many families of much the same estate, character and origin as the Lincolns,--poor whites of the edges of the great forest working outward toward the prairies. Located on good land not far from a great highway, the Ohio, it illustrated in its rude prosperity a transformation that went on unobserved in many such settlements, the transformation of the wandering forester of the lower class into a peasant farmer. Its life was of the earth, earthy; though it retained the religious traditions of the forest, their significance was evaporating; mysticism was fading into emotionalism; the camp-meeting was degenerating into a picnic. The supreme social event, the wedding, was attended by festivities that filled twenty-four hours: a race of male guests in the forenoon with a bottle of whisky for a prize; an Homeric dinner at midday; "an afternoon of rough games and outrageous practical jokes; a supper and dance at night interrupted by the successive withdrawals of the bride and groom, attended by ceremonies and jests of more than Rabelaisian crudeness; and a noisy dispersal next day."[3] The intensities of the forest survived in hard drinking, in the fury of the funmaking, and in the hunt. The forest passion for storytelling had in no way decreased.
In this atmosphere, about eighteen and nineteen, Abraham shot up suddenly from a slender boy to a huge, raw-honed, ungainly man, six feet four inches tall, of unusual muscular strength. His strength was one of the fixed conditions of his development. It delivered him from all fear of his fellows. He had plenty of peculiarities. He was ugly, awkward; he lacked the wanton appetites of the average sensual man. And these peculiarities without his great strength as his warrant might have brought him into ridicule. As it was, whatever his peculiarities, in a society like that of Pigeon Creek, the man who could beat all competitors, wrestling or boxing, was free from molestation. But Lincoln instinctively had another aim in life than mere freedom to be himself. Two characteristics that were so significant in his childhood continued with growing vitality in his young manhood: his placidity and his intense sense of comradeship. The latter, however, had undergone a change. It was no longer the comradeship of the wild creatures. That spurt of physical expansion, the swift rank growth to his tremendous stature, swept him apparently across a dim dividing line, out of the world of birds and beasts and into the world of men. He took the new world with the same unfailing but also unexcitable curiosity with which he had taken the other, the world of squirrels, flowers, fawns.
Here as there, the difference from his mother, deep though their similarities may have been, was sharply evident. Had he been wholly at one with her religiously, the gift of telling speech which he now began to display might have led him into a course that would have rejoiced her heart, might have made him a boy preacher, and later, a great revivalist. His father and elder sister while on Pigeon Creek joined the local Baptist Church. But Abraham did not follow them. Nor is there a single anecdote linking him in any way with the fervors of camp meeting. On the contrary, what little is remembered, is of a cool aloofness.[4] The inscrutability of the forest was his--what it gave to the stealthy, cautious men who were too intent on observing, too suspiciously watchful, to give vent to their feelings. Therefore, in Lincoln there was always a double life, outer and inner, the outer quietly companionable, the inner, solitary, mysterious.
It was the outer life that assumed its first definite phase in the years on Pigeon Creek. During those years, Lincoln discovered his gift of storytelling. He also discovered humor. In the employment of both talents, he accepted as a matter of course the tone of the young ruffians among whom he dwelt. Very soon this powerful fellow, who could throw any of them in a wrestle, won the central position among them by a surer title, by the power to delight. And any one who knows how peasant schools of art arise--for that matter, all schools of art that are vital--knows how he did it. In this connection, his famous biographers, Nicolay and Hay, reveal a certain externality by objecting that a story attributed to him is ancient. All stories are ancient. Not the tale, but the telling, as the proverb says, is the thing. In later years, Lincoln wrote down every good story that he heard, and filed it.[5] When it reappeared it had become his own. Who can doubt that this deliberate assimilation, the typical artistic process, began on Pigeon Creek? Lincoln never would have captured as he did his plowboy audience, set them roaring with laughter in the intervals of labor, had he not given them back their own tales done over into new forms brilliantly beyond their powers of conception. That these tales were gross, even ribald, might have been taken for granted, even had we not positive evidence of the fact. Otherwise none of that uproarious laughter which we may be sure sounded often across shimmering harvest fields while stalwart young pagans, ever ready to pause, leaned, bellowing, on the handles of their scythes, Abe Lincoln having just then finished a story.
Though the humor of these stories was Falstaffian, to say the least, though Lincoln was cock of the walk among the plowboys of Pigeon Creek, a significant fact with regard to him here comes into view. Not an anecdote survives that in any way suggests personal licentiousness. Scrupulous men who in after-time were offended by his coarseness of speech--for more or less of the artist of Pigeon Creek stuck to him almost to the end; he talked in fables, often in gross fables--these men, despite their annoyance, felt no impulse to attribute to him personal habits in harmony with his tales. On the other hand, they were puzzled by their own impression, never wavering, that he was "pureminded." The clue which they did not have lay in the nature of his double life. That part of him which, in our modern jargon, we call his "reactions" obeyed a curious law. They dwelt in his outer life without penetrating to the inner; but all his impulses of personal action were securely seated deep within. Even at nineteen, for any one attuned to spiritual meaning, he would have struck the note of mystery, faintly, perhaps, but certainly. To be sure, no hint of this reached the minds of his rollicking comrades of the harvest field. It was not for such as they to perceive the problem of his character, to suspect that he was a genius, or to guess that a time would come when sincere men would form impressions of him as dissimilar as black and white. And so far as it went the observation of the plowboys was correct. The man they saw was indeed a reflection of themselves. But it was a reflection only. Their influence entered into the real man no more than the image in a mirror has entered into the glass.