IN the very foremost rank among the large houses still remaining that were built in Tudor times is the Warwickshire home of the Marquess of Northampton. The walls are of brick, wide-jointed after the old custom, with quoins, doorways, and window-frames of freestone, wrought into rich and beautiful detail in the heads of the bays and the grand old doorway, whose upper ornament is a large panel bearing the sculptured arms of King Henry VIII.
Formerly the house was entirely surrounded by a moat, which approached it closely on all sides but one, where a small garden was inclosed. Now, on the three sides next the building, grass lawns take its place. On all sides but one, hilly ground rises almost immediately; in steep slopes for the most part, beautifully wooded with grand elms.
To the north is the small garden still inclosed by the moat. Straight along it is a broad grass walk with flower borders on both sides, leading to a thatched summer-house that looks out upon the moat. Lesser paths lead across and around among vegetables and old fruit-trees. At one corner is a venerable Mulberry.
The space within the quadrangle of the building is turfed and has cross-paths paved with stone flags. Bushes of hardy Fuchsia mark their outer angles of intersection. At the foot of the walls hardy Ferns are in luxuriance, and nothing could better suit the place. There are a few climbing Roses, but they are not overdone; the beautiful building is sufficiently graced, but not smothered, by vegetation. So it is throughout the place both within and without; house and garden show a loving reverence for the grand old heritage and that sound taste and knowledge that create and maintain well and wisely.
COMPTON WYNYATES
FROM THE PICTURE IN THE POSSESSION OF
MR. GEORGE S. ELGOOD
From the portions of the site of the old moat that are now grass, a turf slope rises to a height of about eight feet. On the upper level is a gravel walk, and beyond it a yew hedge about four feet high, with ornaments of peacocks cut in it at the principal openings, and of ball and such-like forms at other apertures. This is on the level of the main parterre. A wide gravel path divides the garden into two equal portions, swinging round in the middle space to give place to a circular grass-plot with a sundial.
This beautiful place offers so few details that can be adversely criticised that these few are the more noticeable. The sundial has a handsome shaft, but should stand upon a much wider step. The introduction of pyramid fruit-trees at concentric points, both here and in other parts of the design, is an experiment of doubtful value, that will probably never add to the pictorial value of the design. The garden critic may also venture to suggest that the pergola, which is well placed at the eastern end of the parterre, deserves better piers than its posts of fir. Here would be the place for some simple use of specially made bricks, such as a pier hexagonal in plan built of bricks of two shapes, diamond and triangle, two inches thick, with a wide mortar joint. Each course would take two bricks of each shape, and their disposition, alternating with each succeeding course, would secure an admirable bond.
The great parterre has main divisions of grass paths twelve feet wide, each subdivision—four on each side of the cross-walk and sundial—of eight three-sided beds disposed Union-Jack-wise, with bordering beds stopped by a clipped Box-bush at each end. Narrow grass walks are between the beds. The borders are roomy enough to accommodate some of the largest of the good hardy flowers, for the garden is given to these, not to “bedding stuff.” Here are some of the tall perennial Sunflowers, eight feet high; the great autumn Daisy (Pyrethrum uliginosum); bushes of Lavender with Pentstemons growing through them—a capital combination, doing away with the need of staking the Pentstemons; the last of the Phloxes; for the time of the picture, which was painted in this part of the garden, is September.
This bold use of autumnal border flowers invites the exercise of invention and ingenuity; for instance, August is the main time for the flowering of Lavender, and, though a thinner crop succeeds the heavier normal yield, yet the bushes then look thin of bloom. Clematises, purple, lilac and white, can be planted among them, and can easily be guided, by an occasional touch with the hand, to run over the Lavender bushes. The same capital autumn flowers should be planted with the handsome white Everlasting Pea. The Pea is supported by stout branching spray and does its own good work in July. When the bloom is over it is cut off, and the Clematis, which has been growing by its side with a support of rather slighter spray, is drawn close to the foliage of the Pea and spreads over it.
The working out of such simple problems is one of the many joys of the good gardener; and every year, with its increased experience, brings with it a greater readiness in the invention of such happy combinations.
CHINA ROSES AND LAVENDER, PALMERSTOWN
FROM THE PICTURE IN THE POSSESSION OF
MRS. KENNEDY-ERSKINE
