CHAPTER TWELVE
The water fell off a ledge like lead—like a chain with thick white links. The train ran out into a steep green meadow, and Jacob saw striped tulips growing and heard a bird singing, in Italy.
A motor car full of Italian officers ran along the flat road and kept up with the train, raising dust behind it. There were trees laced together with vines—as Virgil said. Here was a station; and a tremendous leave-taking going on, with women in high yellow boots and odd pale boys in ringed socks. Virgil's bees had gone about the plains of Lombardy. It was the custom of the ancients to train vines between elms. Then at Milan there were sharp-winged hawks, of a bright brown, cutting figures over the roofs.
These Italian carriages get damnably hot with the afternoon sun on them, and the chances are that before the engine has pulled to the top of the gorge the clanking chain will have broken. Up, up, up, it goes, like a train on a scenic railway. Every peak is covered with sharp trees, and amazing white villages are crowded on ledges. There is always a white tower on the very summit, flat red-frilled roofs, and a sheer drop beneath. It is not a country in which one walks after tea. For one thing there is no grass. A whole hillside will be ruled with olive trees. Already in April the earth is clotted into dry dust between them. And there are neither stiles nor footpaths, nor lanes chequered with the shadows of leaves nor eighteenth-century inns with bow-windows, where one eats ham and eggs. Oh no, Italy is all fierceness, bareness, exposure, and black priests shuffling along the roads. It is strange, too, how you never get away from villas.
Still, to be travelling on one's own with a hundred pounds to spend is a fine affair. And if his money gave out, as it probably would, he would go on foot. He could live on bread and wine—the wine in straw bottles—for after doing Greece he was going to knock off Rome. The Roman civilization was a very inferior affair, no doubt. But Bonamy talked a lot of rot, all the same. "You ought to have been in Athens," he would say to Bonamy when he got back. "Standing on the Parthenon," he would say, or "The ruins of the Coliseum suggest some fairly sublime reflections," which he would write out at length in letters. It might turn to an essay upon civilization. A comparison between the ancients and moderns, with some pretty sharp hits at Mr. Asquith—something in the style of Gibbon.
A stout gentleman laboriously hauled himself in, dusty, baggy, slung with gold chains, and Jacob, regretting that he did not come of the Latin race, looked out of the window.
It is a strange reflection that by travelling two days and nights you are in the heart of Italy. Accidental villas among olive trees appear; and men-servants watering the cactuses. Black victorias drive in between pompous pillars with plaster shields stuck to them. It is at once momentary and astonishingly intimate—to be displayed before the eyes of a foreigner. And there is a lonely hill-top where no one ever comes, and yet it is seen by me who was lately driving down Piccadilly on an omnibus. And what I should like would be to get out among the fields, sit down and hear the grasshoppers, and take up a handful of earth—Italian earth, as this is Italian dust upon my shoes.
Jacob heard them crying strange names at railway stations through the night. The train stopped and he heard frogs croaking close by, and he wrinkled back the blind cautiously and saw a vast strange marsh all white in the moonlight. The carriage was thick with cigar smoke, which floated round the globe with the green shade on it. The Italian gentleman lay snoring with his boots off and his waistcoat unbuttoned…. And all this business of going to Greece seemed to Jacob an intolerable weariness—sitting in hotels by oneself and looking at monuments—he'd have done better to go to Cornwall with Timmy Durrant…. "O—h," Jacob protested, as the darkness began breaking in front of him and the light showed through, but the man was reaching across him to get something—the fat Italian man in his dicky, unshaven, crumpled, obese, was opening the door and going off to have a wash.
So Jacob sat up, and saw a lean Italian sportsman with a gun walking down the road in the early morning light, and the whole idea of the Parthenon came upon him in a clap.
"By Jove!" he thought, "we must be nearly there!" and he stuck his head out of the window and got the air full in his face.
It is highly exasperating that twenty-five people of your acquaintance should be able to say straight off something very much to the point about being in Greece, while for yourself there is a stopper upon all emotions whatsoever. For after washing at the hotel at Patras, Jacob had followed the tram lines a mile or so out; and followed them a mile or so back; he had met several droves of turkeys; several strings of donkeys; had got lost in back streets; had read advertisements of corsets and of Maggi's consomme; children had trodden on his toes; the place smelt of bad cheese; and he was glad to find himself suddenly come out opposite his hotel. There was an old copy of the Daily Mail lying among coffee-cups; which he read. But what could he do after dinner?
No doubt we should be, on the whole, much worse off than we are without our astonishing gift for illusion. At the age of twelve or so, having given up dolls and broken our steam engines, France, but much more probably Italy, and India almost for a certainty, draws the superfluous imagination. One's aunts have been to Rome; and every one has an uncle who was last heard of—poor man—in Rangoon. He will never come back any more. But it is the governesses who start the Greek myth. Look at that for a head (they say)—nose, you see, straight as a dart, curls, eyebrows—everything appropriate to manly beauty; while his legs and arms have lines on them which indicate a perfect degree of development—the Greeks caring for the body as much as for the face. And the Greeks could paint fruit so that birds pecked at it. First you read Xenophon; then Euripides. One day—that was an occasion, by God—what people have said appears to have sense in it; "the Greek spirit"; the Greek this, that, and the other; though it is absurd, by the way, to say that any Greek comes near Shakespeare. The point is, however, that we have been brought up in an illusion.
Jacob, no doubt, thought something in this fashion, the Daily Mail crumpled in his hand; his legs extended; the very picture of boredom.
"But it's the way we're brought up," he went on.
And it all seemed to him very distasteful. Something ought to be done about it. And from being moderately depressed he became like a man about to be executed. Clara Durrant had left him at a party to talk to an American called Pilchard. And he had come all the way to Greece and left her. They wore evening-dresses, and talked nonsense—what damned nonsense—and he put out his hand for the Globe Trotter, an international magazine which is supplied free of charge to the proprietors of hotels.
In spite of its ramshackle condition modern Greece is highly advanced in the electric tramway system, so that while Jacob sat in the hotel sitting-room the trams clanked, chimed, rang, rang, rang imperiously to get the donkeys out of the way, and one old woman who refused to budge, beneath the windows. The whole of civilization was being condemned.
The waiter was quite indifferent to that too. Aristotle, a dirty man, carnivorously interested in the body of the only guest now occupying the only arm-chair, came into the room ostentatiously, put something down, put something straight, and saw that Jacob was still there.
"I shall want to be called early to-morrow," said Jacob, over his shoulder. "I am going to Olympia."
This gloom, this surrender to the dark waters which lap us about, is a modern invention. Perhaps, as Cruttendon said, we do not believe enough. Our fathers at any rate had something to demolish. So have we for the matter of that, thought Jacob, crumpling the Daily Mail in his hand. He would go into Parliament and make fine speeches—but what use are fine speeches and Parliament, once you surrender an inch to the black waters? Indeed there has never been any explanation of the ebb and flow in our veins—of happiness and unhappiness. That respectability and evening parties where one has to dress, and wretched slums at the back of Gray's Inn—something solid, immovable, and grotesque—is at the back of it, Jacob thought probable. But then there was the British Empire which was beginning to puzzle him; nor was he altogether in favour of giving Home Rule to Ireland. What did the Daily Mail say about that?
For he had grown to be a man, and was about to be immersed in things—as indeed the chambermaid, emptying his basin upstairs, fingering keys, studs, pencils, and bottles of tabloids strewn on the dressing-table, was aware.
That he had grown to be a man was a fact that Florinda knew, as she knew everything, by instinct.
And Betty Flanders even now suspected it, as she read his letter, posted at Milan, "Telling me," she complained to Mrs. Jarvis, "really nothing that I want to know"; but she brooded over it.
Fanny Elmer felt it to desperation. For he would take his stick and his hat and would walk to the window, and look perfectly absent-minded and very stern too, she thought.
"I am going," he would say, "to cadge a meal of Bonamy."
"Anyhow, I can drown myself in the Thames," Fanny cried, as she hurried past the Foundling Hospital.
"But the Daily Mail isn't to be trusted," Jacob said to himself, looking about for something else to read. And he sighed again, being indeed so profoundly gloomy that gloom must have been lodged in him to cloud him at any moment, which was odd in a man who enjoyed things so, was not much given to analysis, but was horribly romantic, of course, Bonamy thought, in his rooms in Lincoln's Inn.
"He will fall in love," thought Bonamy. "Some Greek woman with a straight nose."
It was to Bonamy that Jacob wrote from Patras—to Bonamy who couldn't love a woman and never read a foolish book.
There are very few good books after all, for we can't count profuse histories, travels in mule carts to discover the sources of the Nile, or the volubility of fiction.
I like books whose virtue is all drawn together in a page or two. I like sentences that don't budge though armies cross them. I like words to be hard—such were Bonamy's views, and they won him the hostility of those whose taste is all for the fresh growths of the morning, who throw up the window, and find the poppies spread in the sun, and can't forbear a shout of jubilation at the astonishing fertility of English literature. That was not Bonamy's way at all. That his taste in literature affected his friendships, and made him silent, secretive, fastidious, and only quite at his ease with one or two young men of his own way of thinking, was the charge against him.
But then Jacob Flanders was not at all of his own way of thinking—far from it, Bonamy sighed, laying the thin sheets of notepaper on the table and falling into thought about Jacob's character, not for the first time.
The trouble was this romantic vein in him. "But mixed with the stupidity which leads him into these absurd predicaments," thought Bonamy, "there is something—something"—he sighed, for he was fonder of Jacob than of any one in the world.
Jacob went to the window and stood with his hands in his pockets. There he saw three Greeks in kilts; the masts of ships; idle or busy people of the lower classes strolling or stepping out briskly, or falling into groups and gesticulating with their hands. Their lack of concern for him was not the cause of his gloom; but some more profound conviction—it was not that he himself happened to be lonely, but that all people are.
Yet next day, as the train slowly rounded a hill on the way to Olympia, the Greek peasant women were out among the vines; the old Greek men were sitting at the stations, sipping sweet wine. And though Jacob remained gloomy he had never suspected how tremendously pleasant it is to be alone; out of England; on one's own; cut off from the whole thing. There are very sharp bare hills on the way to Olympia; and between them blue sea in triangular spaces. A little like the Cornish coast. Well now, to go walking by oneself all day—to get on to that track and follow it up between the bushes—or are they small trees?—to the top of that mountain from which one can see half the nations of antiquity—
"Yes," said Jacob, for his carriage was empty, "let's look at the map." Blame it or praise it, there is no denying the wild horse in us. To gallop intemperately; fall on the sand tired out; to feel the earth spin; to have—positively—a rush of friendship for stones and grasses, as if humanity were over, and as for men and women, let them go hang—there is no getting over the fact that this desire seizes us pretty often.
The evening air slightly moved the dirty curtains in the hotel window at Olympia.
"I am full of love for every one," thought Mrs. Wentworth Williams, "—for the poor most of all—for the peasants coming back in the evening with their burdens. And everything is soft and vague and very sad. It is sad, it is sad. But everything has meaning," thought Sandra Wentworth Williams, raising her head a little and looking very beautiful, tragic, and exalted. "One must love everything."
She held in her hand a little book convenient for travelling—stories by Tchekov—as she stood, veiled, in white, in the window of the hotel at Olympia. How beautiful the evening was! and her beauty was its beauty. The tragedy of Greece was the tragedy of all high souls. The inevitable compromise. She seemed to have grasped something. She would write it down. And moving to the table where her husband sat reading she leant her chin in her hands and thought of the peasants, of suffering, of her own beauty, of the inevitable compromise, and of how she would write it down. Nor did Evan Williams say anything brutal, banal, or foolish when he shut his book and put it away to make room for the plates of soup which were now being placed before them. Only his drooping bloodhound eyes and his heavy sallow cheeks expressed his melancholy tolerance, his conviction that though forced to live with circumspection and deliberation he could never possibly achieve any of those objects which, as he knew, are the only ones worth pursuing. His consideration was flawless; his silence unbroken.
"Everything seems to mean so much," said Sandra. But with the sound of her own voice the spell was broken. She forgot the peasants. Only there remained with her a sense of her own beauty, and in front, luckily, there was a looking-glass.
"I am very beautiful," she thought.
She shifted her hat slightly. Her husband saw her looking in the glass; and agreed that beauty is important; it is an inheritance; one cannot ignore it. But it is a barrier; it is in fact rather a bore. So he drank his soup; and kept his eyes fixed upon the window.
"Quails," said Mrs. Wentworth Williams languidly. "And then goat, I suppose; and then…"
"Caramel custard presumably," said her husband in the same cadence, with his toothpick out already.
She laid her spoon upon her plate, and her soup was taken away half finished. Never did she do anything without dignity; for hers was the English type which is so Greek, save that villagers have touched their hats to it, the vicarage reveres it; and upper-gardeners and under-gardeners respectfully straighten their backs as she comes down the broad terrace on Sunday morning, dallying at the stone urns with the Prime Minister to pick a rose—which, perhaps, she was trying to forget, as her eye wandered round the dining-room of the inn at Olympia, seeking the window where her book lay, where a few minutes ago she had discovered something—something very profound it had been, about love and sadness and the peasants.
But it was Evan who sighed; not in despair nor indeed in rebellion. But, being the most ambitious of men and temperamentally the most sluggish, he had accomplished nothing; had the political history of England at his finger-ends, and living much in company with Chatham, Pitt, Burke, and Charles James Fox could not help contrasting himself and his age with them and theirs. "Yet there never was a time when great men are more needed," he was in the habit of saying to himself, with a sigh. Here he was picking his teeth in an inn at Olympia. He had done. But Sandra's eyes wandered.
"Those pink melons are sure to be dangerous," he said gloomily. And as he spoke the door opened and in came a young man in a grey check suit.
"Beautiful but dangerous," said Sandra, immediately talking to her husband in the presence of a third person. ("Ah, an English boy on tour," she thought to herself.)
And Evan knew all that too.
Yes, he knew all that; and he admired her. Very pleasant, he thought, to have affairs. But for himself, what with his height (Napoleon was five feet four, he remembered), his bulk, his inability to impose his own personality (and yet great men are needed more than ever now, he sighed), it was useless. He threw away his cigar, went up to Jacob and asked him, with a simple sort of sincerity which Jacob liked, whether he had come straight out from England.
"How very English!" Sandra laughed when the waiter told them next morning that the young gentleman had left at five to climb the mountain. "I am sure he asked you for a bath?" at which the waiter shook his head, and said that he would ask the manager.
"You do not understand," laughed Sandra. "Never mind."
Stretched on the top of the mountain, quite alone, Jacob enjoyed himself immensely. Probably he had never been so happy in the whole of his life.
But at dinner that night Mr. Williams asked him whether he would like to see the paper; then Mrs. Williams asked him (as they strolled on the terrace smoking—and how could he refuse that man's cigar?) whether he'd seen the theatre by moonlight; whether he knew Everard Sherborn; whether he read Greek and whether (Evan rose silently and went in) if he had to sacrifice one it would be the French literature or the Russian?
"And now," wrote Jacob in his letter to Bonamy, "I shall have to read her cursed book"—her Tchekov, he meant, for she had lent it him.
Though the opinion is unpopular it seems likely enough that bare places, fields too thick with stones to be ploughed, tossing sea-meadows half-way between England and America, suit us better than cities.
There is something absolute in us which despises qualification. It is this which is teased and twisted in society. People come together in a room. "So delighted," says somebody, "to meet you," and that is a lie. And then: "I enjoy the spring more than the autumn now. One does, I think, as one gets older." For women are always, always, always talking about what one feels, and if they say "as one gets older," they mean you to reply with something quite off the point.
Jacob sat himself down in the quarry where the Greeks had cut marble for the theatre. It is hot work walking up Greek hills at midday. The wild red cyclamen was out; he had seen the little tortoises hobbling from clump to clump; the air smelt strong and suddenly sweet, and the sun, striking on jagged splinters of marble, was very dazzling to the eyes. Composed, commanding, contemptuous, a little melancholy, and bored with an august kind of boredom, there he sat smoking his pipe.
Bonamy would have said that this was the sort of thing that made him uneasy—when Jacob got into the doldrums, looked like a Margate fisherman out of a job, or a British Admiral. You couldn't make him understand a thing when he was in a mood like that. One had better leave him alone. He was dull. He was apt to be grumpy.
He was up very early, looking at the statues with his Baedeker.
Sandra Wentworth Williams, ranging the world before breakfast in quest of adventure or a point of view, all in white, not so very tall perhaps, but uncommonly upright—Sandra Williams got Jacob's head exactly on a level with the head of the Hermes of Praxiteles. The comparison was all in his favour. But before she could say a single word he had gone out of the Museum and left her.
Still, a lady of fashion travels with more than one dress, and if white suits the morning hour, perhaps sandy yellow with purple spots on it, a black hat, and a volume of Balzac, suit the evening. Thus she was arranged on the terrace when Jacob came in. Very beautiful she looked. With her hands folded she mused, seemed to listen to her husband, seemed to watch the peasants coming down with brushwood on their backs, seemed to notice how the hill changed from blue to black, seemed to discriminate between truth and falsehood, Jacob thought, and crossed his legs suddenly, observing the extreme shabbiness of his trousers.
"But he is very distinguished looking," Sandra decided.
And Evan Williams, lying back in his chair with the paper on his knees, envied them. The best thing he could do would be to publish, with Macmillans, his monograph upon the foreign policy of Chatham. But confound this tumid, queasy feeling—this restlessness, swelling, and heat—it was jealousy! jealousy! jealousy! which he had sworn never to feel again.
"Come with us to Corinth, Flanders," he said with more than his usual energy, stopping by Jacob's chair. He was relieved by Jacob's reply, or rather by the solid, direct, if shy manner in which he said that he would like very much to come with them to Corinth.
"Here is a fellow," thought Evan Williams, "who might do very well in politics."
"I intend to come to Greece every year so long as I live," Jacob wrote to Bonamy. "It is the only chance I can see of protecting oneself from civilization."
"Goodness knows what he means by that," Bonamy sighed. For as he never said a clumsy thing himself, these dark sayings of Jacob's made him feel apprehensive, yet somehow impressed, his own turn being all for the definite, the concrete, and the rational.
Nothing could be much simpler than what Sandra said as she descended the Acro-Corinth, keeping to the little path, while Jacob strode over rougher ground by her side. She had been left motherless at the age of four; and the Park was vast.
"One never seemed able to get out of it," she laughed. Of course there was the library, and dear Mr. Jones, and notions about things. "I used to stray into the kitchen and sit upon the butler's knees," she laughed, sadly though.
Jacob thought that if he had been there he would have saved her; for she had been exposed to great dangers, he felt, and, he thought to himself, "People wouldn't understand a woman talking as she talks."
She made little of the roughness of the hill; and wore breeches, he saw, under her short skirts.
"Women like Fanny Elmer don't," he thought. "What's-her-name Carslake didn't; yet they pretend…"
Mrs. Williams said things straight out. He was surprised by his own knowledge of the rules of behaviour; how much more can be said than one thought; how open one can be with a woman; and how little he had known himself before.
Evan joined them on the road; and as they drove along up hill and down hill (for Greece is in a state of effervescence, yet astonishingly clean-cut, a treeless land, where you see the ground between the blades, each hill cut and shaped and outlined as often as not against sparkling deep blue waters, islands white as sand floating on the horizon, occasional groves of palm trees standing in the valleys, which are scattered with black goats, spotted with little olive trees and sometimes have white hollows, rayed and criss-crossed, in their flanks), as they drove up hill and down he scowled in the corner of the carriage, with his paw so tightly closed that the skin was stretched between the knuckles and the little hairs stood upright. Sandra rode opposite, dominant, like a Victory prepared to fling into the air.
"Heartless!" thought Evan (which was untrue).
"Brainless!" he suspected (and that was not true either). "Still…!" He envied her.
When bedtime came the difficulty was to write to Bonamy, Jacob found.
Yet he had seen Salamis, and Marathon in the distance. Poor old Bonamy!
No; there was something queer about it. He could not write to Bonamy.
"I shall go to Athens all the same," he resolved, looking very set, with this hook dragging in his side.
The Williamses had already been to Athens.
Athens is still quite capable of striking a young man as the oddest combination, the most incongruous assortment. Now it is suburban; now immortal. Now cheap continental jewellery is laid upon plush trays. Now the stately woman stands naked, save for a wave of drapery above the knee. No form can he set on his sensations as he strolls, one blazing afternoon, along the Parisian boulevard and skips out of the way of the royal landau which, looking indescribably ramshackle, rattles along the pitted roadway, saluted by citizens of both sexes cheaply dressed in bowler hats and continental costumes; though a shepherd in kilt, cap, and gaiters very nearly drives his herd of goats between the royal wheels; and all the time the Acropolis surges into the air, raises itself above the town, like a large immobile wave with the yellow columns of the Parthenon firmly planted upon it.
The yellow columns of the Parthenon are to be seen at all hours of the day firmly planted upon the Acropolis; though at sunset, when the ships in the Piraeus fire their guns, a bell rings, a man in uniform (the waistcoat unbuttoned) appears; and the women roll up the black stockings which they are knitting in the shadow of the columns, call to the children, and troop off down the hill back to their houses.
There they are again, the pillars, the pediment, the Temple of Victory and the Erechtheum, set on a tawny rock cleft with shadows, directly you unlatch your shutters in the morning and, leaning out, hear the clatter, the clamour, the whip cracking in the street below. There they are.
The extreme definiteness with which they stand, now a brilliant white, again yellow, and in some lights red, imposes ideas of durability, of the emergence through the earth of some spiritual energy elsewhere dissipated in elegant trifles. But this durability exists quite independently of our admiration. Although the beauty is sufficiently humane to weaken us, to stir the deep deposit of mud—memories, abandonments, regrets, sentimental devotions—the Parthenon is separate from all that; and if you consider how it has stood out all night, for centuries, you begin to connect the blaze (at midday the glare is dazzling and the frieze almost invisible) with the idea that perhaps it is beauty alone that is immortal.
Added to this, compared with the blistered stucco, the new love songs rasped out to the strum of guitar and gramophone, and the mobile yet insignificant faces of the street, the Parthenon is really astonishing in its silent composure; which is so vigorous that, far from being decayed, the Parthenon appears, on the contrary, likely to outlast the entire world.
"And the Greeks, like sensible men, never bothered to finish the backs of their statues," said Jacob, shading his eyes and observing that the side of the figure which is turned away from view is left in the rough.
He noted the slight irregularity in the line of the steps which "the artistic sense of the Greeks preferred to mathematical accuracy," he read in his guide-book.
He stood on the exact spot where the great statue of Athena used to stand, and identified the more famous landmarks of the scene beneath.
In short he was accurate and diligent; but profoundly morose. Moreover he was pestered by guides. This was on Monday.
But on Wednesday he wrote a telegram to Bonamy, telling him to come at once. And then he crumpled it in his hand and threw it in the gutter.
"For one thing he wouldn't come," he thought. "And then I daresay this sort of thing wears off." "This sort of thing" being that uneasy, painful feeling, something like selfishness—one wishes almost that the thing would stop—it is getting more and more beyond what is possible—"If it goes on much longer I shan't be able to cope with it—but if some one else were seeing it at the same time—Bonamy is stuffed in his room in Lincoln's Inn—oh, I say, damn it all, I say,"—the sight of Hymettus, Pentelicus, Lycabettus on one side, and the sea on the other, as one stands in the Parthenon at sunset, the sky pink feathered, the plain all colours, the marble tawny in one's eyes, is thus oppressive. Luckily Jacob had little sense of personal association; he seldom thought of Plato or Socrates in the flesh; on the other hand his feeling for architecture was very strong; he preferred statues to pictures; and he was beginning to think a great deal about the problems of civilization, which were solved, of course, so very remarkably by the ancient Greeks, though their solution is no help to us. Then the hook gave a great tug in his side as he lay in bed on Wednesday night; and he turned over with a desperate sort of tumble, remembering Sandra Wentworth Williams with whom he was in love.
Next day he climbed Pentelicus.
The day after he went up to the Acropolis. The hour was early; the place almost deserted; and possibly there was thunder in the air. But the sun struck full upon the Acropolis.
Jacob's intention was to sit down and read, and, finding a drum of marble conveniently placed, from which Marathon could be seen, and yet it was in the shade, while the Erechtheum blazed white in front of him, there he sat. And after reading a page he put his thumb in his book. Why not rule countries in the way they should be ruled? And he read again.
No doubt his position there overlooking Marathon somehow raised his spirits. Or it may have been that a slow capacious brain has these moments of flowering. Or he had, insensibly, while he was abroad, got into the way of thinking about politics.
And then looking up and seeing the sharp outline, his meditations were given an extraordinary edge; Greece was over; the Parthenon in ruins; yet there he was.