Lady Car: The Sequel of a Life by Mrs. Oliphant - HTML preview

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CHAPTER IV

THE house was found after a great many not unpleasurable researches—little expeditions, now and then, which Lady Caroline and her husband took together, with reminiscences of their first honeymoon travels, which had been so sweet. She forgot, as a woman is so ready to do, all the little deceptions and disappointments of the intervening years, and when they found at last the very thing they wanted the elation and exhilaration of a new beginning entered fully into Carry’s mind. If Edward had shown himself too contented with his life, too little ambitious, too indifferent to any stimulant, there was something in the fact of being unsettled, of having no certain motive of his life, of moving about constantly from one place to another, which would very well account for that. But when he was no longer subject to interruption, when his time and his thoughts were free, who could doubt that a new spring of energy would burst forth? In the old days, when they had first met, he had been full of projects. Was not that one of the charms that had caught her girlish heart? He had so fully meant to make himself a great influence in the world, to help to sway the course of events, to make the world a better place. They had talked of that before even they talked of love—and her enthusiasm had been roused and fired by his. He had told her—how well she remembered!—that it was a mistake of dull minds to think that it was hard to obtain an influence upon one’s fellow-men. On the contrary, if you are but in earnest—in such earnest that none could mistake your sincerity and true feeling—then the response, especially of the young, especially of the working people, whom it was of so much importance to influence for good, was most ready, almost immediate. So he said, discoursing for hours as they wandered about the Swiss valley in which they had met, Carry Lindores all in a flame of enthusiastic listening, responding with her whole heart. What a beautiful lot it had seemed to her to share this work and this life of this new crusader, this chief of men! She was not Lady Caroline then, but a poor little girl in a faded frock, her father far out of the succession, and no grandeur of rank or anything else surrounding the wandering family. Carry’s imagination went back to that moment with a leap, ignoring, oh so thankfully! all that had gone between. She had hardly done much with her unfaithfulness to congeal her Edward’s enthusiasm, to turn him from his hopefulness to misanthropy and pessimism. He had fallen into apathy because he had been forsaken and unhappy. But now everything was to begin anew—a settled home on English ground, a position of his own in which his leisure and his peace should be undisturbed and his mind free to throw itself into the old studies. Who could doubt that with all this his energy and his enthusiasm would come back to him again?

The house was near one of the charming little towns of Surrey. It was on the slope of a hill, a house partly antique for beauty, and with a new part built on behind, happily out of sight, for comfort. A wide landscape of breezy undulations stretched before the windows; the town, upon another low hill, all its red roofs picturesquely outlined among the trees, stood out a charming object in the view, not near enough to add any association of noise or gossip. The very railway ran in a cutting, invisible, though near enough to be exceedingly convenient, nothing but a puff of steam showing now and then over the trees. The landscape embraced, as it were, two worlds—heather and fir trees on one side, luxuriant English cornfields, woods, and villages on the other. The altitude of their hillside was not great, but as there was nothing greater about it, it might have been Mont Blanc for the feeling of wide atmosphere and sky; yet they were within a mile or two of the little country town, and within an hour and a half of London! What could be more delightful, combining every advantage? Carry had all the delight of a bride in furnishing her house—nay, of a bridegroom too, for one of her chief cares was to fit up a study for Beaufort, in which every taste should be satisfied. Though she was by nature so gentle and yielding a woman, she it was who was the purveyor of everything, who had the purse in her hands. The only thing upon which Beaufort had made a stand at the time of his marriage was this—that the money which was hers should remain with her, that he should have nothing to do with its expenditure. He had his own little income, which was very small, yet sufficed for his personal wants. He lived a fairy life, without any necessity for money, his house kept for him, his living all arranged, everything that he wanted or could desire coming without a thought; but he preserved his feeling of independence by having nothing to do with the expenditure. Thus Carry combined everything in her own person, the bride and the bridegroom—even something of the mother. Her drawing-room was fitted up according to all the new lights. She had weaknesses towards the æsthetic, and something of the delicacy of those heroines of Mr. Du Maurier whose bibelots are their religion, and who cannot be happy in a room which has curtains not of the right tint. But even the anxiety to secure everything right in the drawing-room was secondary to her anxiety about the library, which was to be Beaufort’s room, the future centre of all his occupations. He had himself a number of books laid up in various stores, and they had bought a number more in their wanderings—fine old examples in delicate old vellum like ivory and luxurious editions. Carry was occupied for weeks in arranging them, in procuring the right kind of bookcases, and hanging and decorating the room in just the subdued beauty which is appropriate for a place of study. There was one great window commanding the finest view, there was another looking into a sunny nook of the garden. The writing table stood within reach of the fire, and near that sunny window, so that it might always command both warmth and light. The chairs were few, but luxurious to sit in, and moving at a touch, without noise, upon the deep, mossy softness of the carpet. The bookcases were inlaid and exquisite with lines of delicate sculpture and gilding between the shelves, out of which the mellow gold of the old bindings and the sober background of Russia leather and the tempered ivory of the vellum showed like a picture. He had not even seen it till it was completed. No lover ever spent upon his lady’s boudoir more tender care and delicate fancy than Carry lavished upon her husband’s study. When they went down finally to take possession of Easton Manor there were various things incomplete in the rest of the house, but this was perfect. She took him by the arm and led him to the door. ‘This is my present to you, Edward,’ she said, a little breathless with happiness and anxiety to know if it would please him. At this period when furniture is supposed to make so great a part of our comfort, the moment was intense—would it please him, after all?

It did please him, or, at least, he graciously declared it did, with an enthusiasm perhaps a little strained, but Carry, who was half crying with joy and pleasure, never found this out, if, indeed, there was anything to find out. She ran about the room, pointing out everything—all the details of the arrangements, the drawers for papers, the portfolios for prints, the shelves that could be filled at pleasure, the space that still was vacant to be filled up. Everything that heart could desire was in this dilettante shrine. There was a little picture on the mantelpiece, an original, a lovely little Fra Angelico, in the daintiest of carved shrines, which good luck had thrown in their way in Italy—a gem for an emperor’s closet. He gave a little cry when he saw this. ‘Carry, your own picture—the one you love best!’

‘I shall love it better here than anywhere else,’ said Carry, falling a-weeping and a-laughing with a joy that was not hysterical, but only driven to the bounds of all things to find expression. She was so happy! She had never in all her life been so happy before. In her own house, her own home, all hers and his, the sanctuary of their joint life to come. When a woman comes to this climax of happiness, she generally does so more thoroughly with her arrière-pensée than a man. Only one thing could have made Carry’s bliss more exquisite—if he had done it for her—and yet, on the whole, I am not sure that to have done it for him was not a higher pleasure still. Little Janet had held by her mother’s dress coming into the new, strange house, and thus had been swept into this rapture without intention, and stood gazing at it with great eyes, half wondering, half critical. What there was to cry about Janet did not know. She was a spectator, though she was only a child, and broke the spell. Lady Car felt more than Beaufort did what the interruption was. And thus the edge was a little taken off her delight. But in the evening, when Janet was happily in bed, she led her husband back to his beautiful room. He would rather, perhaps, as a matter of fact, have remained in the uncompleted drawing-room with her. A thing which is incomplete has a charm of its own. He was suggesting various things which were needed to fill up, and enjoying the occupation. He had even made a few rough sketches, rough, yet full of ‘feeling,’ showing with only a line or two how many improvements could still be made. She was delighted by the suggestions, but a little impatient, longing to make sure that he had seen all the many luxuries provided for himself. She took his arm when he had shown her where he would place the little fantastic Venetian étagère. ‘Yes, Edward; but I don’t want to stay here any longer: I want to spend the first evening in the library, in your own room.’

‘In the library,’ he said with a slight vexation; then recovering himself he followed her impulse with the best grace in the world. Poor Carry! it would ill become him not to humour her. ‘But is there a lamp there?’ he said. She laughed for pleasure at the question. A lamp! There was the most beautiful arrangement of lights which the art of that period had yet devised. The reign of the electric light had not begun, but candles with every kind of silvery shading that had been then invented were round the walls, and the light was so soft, so equable, so diffused, that no electric lighting could have been more perfect. ‘You who are so fond of light, how could you think I would forget that?’ she said.

‘You never forget anything: you are my good angel,’ he said, holding her in his arms: the perfect tenderness and the perfect taste went to his heart. ‘You are too good to me—and all this is far too good for a useless fellow who never did anything.’

‘It is the circumstances that are to blame for that,’ she said, vaguely. ‘You have never had the leisure and the ease that is necessary for great work.’

He laughed a little, and perhaps coloured too, could she have seen it in the flattering soft glow of the shaded light. ‘I am afraid,’ he said, ‘that a man who is overcome by circumstances is rather a poor sort of creature; but we won’t enter into that.’

‘No, indeed,’ she said; ‘there is no such question before the house, Edward. Now sit down in your own chair and let us talk. How many talks we are to have here! This is the place where we shall discuss everything, and you will tell me how your thoughts are taking shape, and read me a page here and there, and here I’ll bring my little troubles to be calmed down, but never to interrupt anything, you may trust me for that.’

‘My love,’ he cried, ‘I trust you for everything; but, Carry, I am sadly afraid you are preparing disappointment for yourself. I am by no means sure that I could write anything were I to try; and as for plans——’

‘Don’t say that, Edward. Don’t you remember how we used to talk in the dark old Kander Thal long ago? You had planned it out all so clearly. I think I could write down the plan, and even the names of the chapters, if you have forgotten. But I am sure you have not forgotten. It has only been suspended for want of time—for want of the books you needed—for want—oh! if I might flatter myself so far?—for want, perhaps, of me; but that’s the vainest thing to say.’

‘It is the only truth in the whole matter,’ he said—‘for want of you! I think I must have invented that plan on the spot to please you.’

‘Hush, hush!’ said Carry, putting up her hand to his mouth. ‘Don’t blaspheme. You were full of it, it was a new world to me. First to think that I knew a man with such great things in his mind, then that he would talk to me about it, then that my enthusiasm helped him on a little, that he looked to me for sympathy. Edward,’ she said, with a little nervous laugh, changing colour, and casting down her eyes, ‘I wrote some little verses about it in the old days, but never finished them, and this morning I found them, and scribbled a little more.’

‘My love, my love!’ he cried, in a troubled tone, in which love, shame, compunction, and even a far-off trembling of ridicule had place. What could he say to this? The romance, the sentiment, the good faith, the enthusiasm, altogether overwhelmed him. He could have laughed, he could have wept, he did not know what to say. How he despised himself for being so much below her expectations, for being, as he said himself, such a poor creature! He changed colour; her moist eyes, her little verses filled him with shame and penitence, yet a rueful amusement too. The verses were very pretty: he did not despise them, it was only himself whom he despised.

‘My darling, that’s so long ago! I was a fool, puffed up by your enthusiasm and by seeing that you believed in me. A young man, don’t you know, is always something of an actor when he begins to see that a girl has faith in him. It is—how long, Carry?—fifteen years ago?’

‘And what of that?’ she said. ‘If I could pick up my little thread, as I tell you, how much more easily could you pick up your great one? This was why I wanted to be within reach of London, within reach of the great libraries. It is quite easy to run up for the day to refer to anything you want—indeed, I might do it for you if you were very busy. And I can see that you have no interruptions, Edward. We must settle our hours and everything from that point of view.’

He felt himself at liberty to laugh as she came down to this more familiar ground. ‘I fear,’ he said, ‘all my plans were in the air—they never came to execution of any kind. I don’t know even, as I told you, whether I can write at all.’

‘Edward!’ she cried, in an indignant tone.

‘Well, my love’—the flattery went to his heart, notwithstanding all he knew against it—‘that is the easiest of the matter to be sure; but everybody can write nowadays, and why should the world listen to me more than another? Besides, my favourite questions of social economy, as against political, have all been exploités by other hands since then.’

‘Not by other hands so capable as yours.’

‘Oh, Carry!’ he cried, with a laugh in which there was pleasure as well as a little ridicule; ‘I fear you have a quite unwarrantable confidence in me; I am only——’

‘Hush!’ she said, again putting up her hand to his mouth; ‘I don’t want to hear your opinion of yourself. I am a better judge than you are on that point. Besides, let us hear who have written on that question?’ She sat quite upright in her chair. ‘Bring them forward, and let them be judged,’ she said.

‘I cannot bring forth a whole school of writers before your tribunal, my lady. Well,’ he said, laughing, ‘there’s Ruskin for one—who has said all I once wanted to say, in an incomparable way, and gone a great deal further than I could go.’

‘Ah!’ she cried; ‘that is just the whole matter. Mr. Ruskin is incomparable, as you say, but he goes a great deal too far. He is a poet. People adore him, but don’t put serious faith in him. Mr. Ruskin has nothing to do with it, Edward: he could not forestall you.’

‘No, no more than the sun could forestall a farthing candle. Carry, my dear, don’t make me blush for myself. Come,’ he added, ‘let me see the little verses—for the moment that is more to the point. Perhaps when you have showed me how you have picked up your threads I may see how to pick up mine.’

‘Should you really like to see them, Edward? They are nothing: they are very little verses indeed. I have left them in my writing-book.’

‘Get them, then,’ he said, opening the door for her, with a smile. Poor Lady Car! She raised a happy face to him as she passed, with eyes glistening, still a little moist, very bright, full of sweetness and gentle agitation. The soft sound of her dress, sweeping after her, the graceful movement, the gracious turn of the head, were all so many exquisite additional details to the exquisite room, so perfect in every point, in which she had housed him. But Beaufort’s face was full of uneasiness and perplexity. He had floated so far away from those innocent days in the Kander Thal. He had ceased to believe in the panaceas that had seemed all-powerful to him then. The wrongs of political economy and the rights of the helpless had ceased to occupy his mind. He had become one of the helpless himself, and yet had drifted, and been not much the worse. Now he had drifted into the most charming, sunshiny, landlocked harbour, where no fierce wind could trouble him more. He had no desire to invent labours and troubles for himself, to spend his strength in putting up beacons and lighthouses to which the people whom they were intended to help would pay no attention. He opened one of the windows and looked out upon the night, upon the soft, undulating landscape, half-lighted by a misty moon. Everything looked like peace out of doors, peace and every tranquil pleasure that the soul could desire were within. He gave an impatient laugh at himself and his wife, and life in general, as he stood cooling his hot forehead, looking out waiting her return. He was quite contented; why should he be goaded forth to fight with windmills which he no longer believed to be knights in armour? Don Quixote disenchanted, ready himself to burn all his chevalier books, and see the fun of his misadventures, but urged to take the field by some delicate Dulcinea, could not have been more embarrassed and disturbed. It was too annoying to be amusing, and too tender and beautiful either to be angry with or to laugh at. What under these circumstances was a man who had long abandoned the heroic to do?