Old Adelbert
Old Adelbert of the Opera had lost his position. No longer, a sausage in his pocket for refreshment, did he leave his little room daily for the Opera. A young man, who made ogling eyes at Olga, of the garde-robe, and who was not careful to keep the lenses clean, had taken his place.
He was hurt in his soldier's soul. There was no longer a place in the kingdom for those who had fought for it. The cry was for the young. And even in the first twenty-four hours a subtle change went on in him. His loyalty, on which he had built his creed of life, turned to bitterness.
The first day of his idleness he wandered into the back room of the cobbler's shop near by, where the butter-seller from the corner, the maker of artificial flowers for graves, and the cobbler himself were gathered, and listened without protest to such talk as would have roused him once to white anger.
But the iron had not yet gone very deep, and one thing he would not permit. It was when, in the conversation, one of them attacked the King. Then indeed he was roused to fury.
"A soldier and a gentleman," he said. "For him I lost this leg of mine, and lost it without grieving. When I lay in the hospital he himself came, and - "
A burst of jeering laughter greeted this, for he had told it many times. Told it, because it was all he had instead of a leg, and although he could not walk on it, certainly it had supported him through many years.
"As for the little Crown Prince," he went on firmly, "I have seen him often. He came frequently to the Opera. He has a fine head and a bright smile. He will be a good king."
But this was met with silence.
Once upon a time a student named Haeckel had occasionally backed him up in his defense of the royal family. But for some reason or other Haeckel came no more, and old Adelbert missed him. He had inquired for him frequently.
"Where is the boy Haeckle?" he had asked one day. "I have not seen him lately."
No one had replied. But a sort of grim silence settled over the little room. Old Adelbert, however, was not discerning.
"Perhaps, as a student, he worked too hard" he had answered his own question. "They must both work and play hard, these students. A fine lot of young men. I have watched them at the Opera. Most of them preferred Italian to German music."
But, that first day of idleness, when he had left the cobbler's, he resolved not to return. They had not been unfriendly, but he had seen at once there was a difference. He was no longer old Adelbert of the Opera. He was an old man only, and out of work.
He spent hours that first free afternoon repairing his frayed linen and his shabby uniform, with his wooden leg stretched out before him and his pipe clutched firmly in his teeth. Then, freshly shaved and brushed, he started on a painful search after work. With no result. And, indeed, he was hopeless before he began. He was old and infirm. There was little that he had even the courage to apply for.
True, he had his small pension, but it came only twice a year, and was sent, intact, to take care of an invalid daughter in the country. That was not his. He never used a penny of it. And he had saved a trifle, by living on air; as the concierge declared. But misfortunes come in threes, like fires and other calamities. The afternoon of that very day brought a letter, saying that the daughter was worse and must have an operation. Old Adelbert went to church and burned a candle for her recovery, and from there to the bank, to send by registered mail the surgeon's fee.
He was bankrupt in twenty-four hours.
That evening in his extremity he did a reckless thing. He wrote a letter to the King. He spent hours over it, first composing it in pencil and then copying it with ink borrowed from the concierge. It began "Sire," as he had learned was the form, and went on to remind His Majesty, first, of the hospital incident, which, having been forty years ago, might have slipped the royal memory. Then came the facts - his lost position, his daughter, the handicap of his wooden leg. It ended with a plea for reinstatement or, failing that, for any sort of work.
He sent it, unfolded, in a large flat envelope, which also he had learned was the correct thing with kings, who for some reason or other do not like folded communications. Then he waited. He considered that a few hours should bring a return.
No answer came. No answer ever came. For the King was ill, and secretaries carefully sifted the royal mail.
He waited all of the next day, and out of the mixed emotions of his soul confided the incident of the letter to Humbert, in his bureau below.
The concierge smiled in his beard. "What does the King care?" he demanded. "He will never see that letter. And if he did - you have lived long, my