Hayesboro took Peter into its heart of hearts and then sighed for more to give him. This town is like the old man's horse whose natural gait is running away when it is not asleep. Peter woke it up and it took the bit in its mouth and bolted with him, while Peter clung to the saddle and had the time of his young poetic life.
Mother accepted Peter with her usual placidity. She took him into her room and I suppose she examined him physically, for I saw her give him a dose of sarsaparilla tea every morning he was with us. I bought her five spools of the finest silk thread, ranging in shade from gray to lavender, to begin on a crocheted tie and pair of socks for him. Daddy was as good as gold to him and fell immediately into Judge Vandyne's attitude toward him. I knew he would. Eph maintained the dignity of the haphazard family at meal-times, and waited on Peter worshipfully at all others. The black beauty in the kitchen was heard to remark to the house-girl:
"I hope that white man's skin will stretch, for I shore am going to stuff it. He am a insult to any respectable skillet or pot." She did, and at times I trembled for the poet.
He read to Miss Henrietta Spain's school the poem on "Space" which the Literary Opinion had copied; and he was the greatest possible success. Most of it I feel sure the school didn't understand. But just as he finished the last two lines—those lines the magazine had called "as perfect in winged lyric quality as any lines in the English language could be"—the Byrd, whom Sam had groomed carefully and brought in from the brier-patch for the occasion, rose, and, with his freckles black with the intensity of his comprehension of the poem, spread his little arms and said:
"I fly! I fly!"
"I fly! I fly, too!" A little chubkin in a blue muslin dress just behind him jumped to her feet and echoed him before they could be repressed.
"That was the most perfect tribute I shall ever receive," Peter said, that night out on the porch, after Sam had gone home, carrying the exhausted Byrd, who even in sleep held in one hand the handle of a full basket he had begged from mother, and in the other tightly grasped a sack in which were two "little ones" daddy had got for him. These treasures happened to be young rabbits, and Sam said he would charge daddy with the damages.
"Good old Sam," said Peter, as we stood at the gate by the old lilac, who was beginning to beplume himself more richly than any of his compatriots in Hayesboro—in honor of Peter, I felt sure—and watched Sam and the Byrd jog away in the wagon down Providence Road. "He'll make his mark on his generation yet, Betty. This is just a temporary eclipse of the effulgence of a young planet that will shine with the warm light of humanity when the time comes. There is no man like him. O Samboy!"
"Oh, I love you, Peter, for feeling that way," I exclaimed, heartily, as I grasped his arm with enthusiasm. "You are so wonderful, Peter."
"Dear, dearest Betty," said Peter, as he put his arm through mine, and we both began to swing back and forth on the gate. "It is so marvelous to have a woman respond to your every mood as you do to mine. It is like having in one's possession an angel incarnate in her own harp."
"Oh, Peter you are wonderful!" I again exclaimed, because I felt that way and had no other feeling to draw another remark from. It is so satisfactory to love a man with no variations. I cannot see why girls like to tremble and blush and chill and glow and get angry and repentant about the men they love, as Edith does about Clyde Tolbot. I wish I could make them all understand the great calmness of true love like mine for Peter.
The five days that Peter stayed with mother, Hayesboro did many other things to him. The mayor got up a barbecue in his honor, and they had nine political speeches and two roast pigs and a lamb. Peter came home pale, but we decided before we went to bed to let the hero of "The Emergence" get beaten up a little in the strike before he made his great speech to the capitalist. I felt so happy for the play.
But the next day Peter took tea alone with Miss Editha Morris Carruthers, and he was so charmed with her that he almost decided to let the whole play end in separation.
"But it is so lonely for a woman to be a heroine of a separation, Peter," I pleaded with him as we sauntered up and down the long porch.
"Under such stress souls grow, Betty," he answered, gloomily. "Together lovers feed on the material; apart, on the immaterial. Can we say which is best for the final emergence of the superman and—" Just here Julia came across the street and into our front gate, looking like a ripe peach, in a pink muslin gown, with a huge plate of hickory-nut butter-candy in her hand, and we all three proceeded to material nourishment. I left them for a few minutes while I went up to my room and took out Grandmother Nelson's book. I wanted to be sure that not a single thing would bloom before I got back to The Briers. Peter had insisted that he should not go forth into the wilderness until he could do it dramatically to stay, so I hadn't been out for five days or more and I was wild—simply mad. To have a garden and be separated from it at sprouting and blooming time is worse than any soul separation that ever happened to any woman. Of that I feel sure.
Sue Bankhead was as nice and lovely to Peter as could be, and even Billy Robertson's contentment with himself was slightly ruffled with the way she took him out horseback with her every morning, but her crowning attention was a dance for him. Sue has the loveliest dances in Hayesboro because of her own charm and the fact that the double parlors in the old Bankhead house are sixty-two feet long and forty-six feet wide. The girls were as lovely as a bunch of spring blossoms, and Julia looked like the most gorgeous, pink, fragrant, drooping cabbage-rose as Peter danced with her again and again. I was so glad, because he is as tall as she is, and she is such a good dancer that it must have been as soothing to his tired nerves as a nice wide rocking-chair with billows of blue mull cushions. It was easy to see what she thought of him from the way she looked at him, and poor Pink took me out in the moonlight and swore at me in polite language.
"Why don't you feed your sick poet your own self, Betty, and not let him loose to eat up my girl?" he stormed.
"Oh, Pink, how can you be so ungenerous, when you know how wonderful he is and how wonderful his play will be if you and everybody are kind and good to him while he is writing it," I chided him.
"Well, he had better not put Julia into it without me," he answered, somewhat mollified at my reproof.
"He won't, I know he won't," I hastened to assure him. "Especially if you are nice to him, as you promised. You know, Pink, you are an awfully interesting man in some ways, and I know it is going to do Peter a lot of good to be friends with you; you are so—so substantial."
"That's it; slap my fat! Everybody does," he answered, gloomily.
"It was the mules I was talking about, not you, Pink," I answered, hurriedly, for I know how sensitive he is.
"Well, call me a mule then," he again said, with the deepest depression.
"Now don't be stupid, Pink, and—"
"I am stupid, too!"
"Pink Herriford, will you please tell my friend, Peter Vandyne, about your heroism in stopping the stampede of those thousand mules you were shipping to France in time to save the lives of all of them and about ten men? I seem to have to speak to you in words of two syllables to-night." I could feel my cheeks burn with temper as I spoke and Pink came immediately out of his grouch and into his own happy personality.
"Holy smoke! Betty, but that was some stunt! First I saw a big red mule lift his hind legs in ugly temper, and let fly right and left just as—"
"Oh, wait Pink, let me get Peter!" I exclaimed, as I heard the dance that Pink and I had been arguing out, instead of sitting or dancing out, stop to get breath.
Pink was a wonder as he stood in the center of everybody that I had gathered around him to hear in particular what they had all been talking about in general. We were all spellbound, for it was a really exciting and tremendous recital, and even Julia came out of her daze over Peter to listen with rapt attention, though I imagine she had heard it before.
"Immense!" exclaimed Peter, with his pale, thin face in a perfect flame of excitement just as Pink threw his own body right in front of the largest mule and turned his neck and—
"What?" said Pink, as he glared at Peter suspiciously.
"Perfectly great," said Peter, laying his arm on Pink's. "And I don't see—"
Just here I slipped out onto the porch and sat down on the steps in the starlight to get my breath while the tale of heroism went on from the reassured hero.
And as I stood on the front steps, just out of the noise of "Too Much Mustard" that had again begun its syncopated wail in the house, I began to worry about all my flower children in the country. Sam had not been in for three days, and he had sent word by one of his neighbors that he couldn't get to the dance because he had to cup up potatoes to plant. He had explained to Byrd and me all about how you cut out each little eye with some potato around it for moisture and nourishment while it takes root in the earth, and the Byrd had been especially interested in all the potato-peels ever since. He had almost worn the life out of Mammy begging her not to cut through any of the "little ones" with her knife until she had taken to boiling them whole. And as I sat and pictured them all sitting on the back porch with the big lamp lighted, just cutting away, maybe Byrd still up for the emergency, the whole dance seemed to put on a mask of grinning foolishness and resolve itself, with its jiggy music, into a large bunch of nothing, with me included. I was in a bad way for the best dancer in Hayesboro, not to sound like boastful Billy.
"Well, hello! Can this be Betty the wall-flower?" called a voice from over the fence. It was so out of sight that it might have come from the hollow log out on Old Harpeth if it hadn't been so near. "Won't anybody dance with you, honey-bunch?"
"Nobody; unless you will," I answered, running down toward the voice. And as I came nearer the hedge I saw that a wagon and mule were drawn up in the shadow behind a man. "It's fine for you to come in, after all, Sam. Peter will be so happy."
"Overalls are not invited," answered Sam, as he gave my hair the usual rough with his big horny hand while I reached up and grasped his sleeve, too glad to see him to remonstrate. "I came in for Pete's things, and I brought a load of new peas and ten dozen eggs at the same time, so I couldn't dress for the dance, or have time to dance if I did. Six seventy-five a barrel, and five barrels; how's that for wealth, Bettykin?" As he spoke Sam reached down in his overalls pocket, brought up a big fistful of all kinds of money, and poured it into my tunic of embroidered mull that I held up for it.
"It is the most beautiful money I ever saw," I said, and I had to swallow hard to keep out of my voice the sentiment I knew Sam would not like. I knew how hard he had worked for every cent of it.
"I'll give you that bright new quarter if you think it is so pretty," he said, and of course it couldn't have been emotion that cut his voice off so indistinctly.
"Come on, then, and let me dance for it," I answered. Then myself and money and mull dress,—that came all the way from New York with a three-figured bill—I threw into the blue-jeans arms. And out on the smooth, hard turnpike Sam and I had one glorious fox-trot with only the surprised mule looking on.
"Bring Pete out at about eleven. Your first pea is due to pod about noon. No, I must go now or never," said Sam as he shook me off when I clung and begged for another dance. He climbed up in the wagon. "Good night," he called.
For a long time I stood and watched him standing bolt upright in the wagon and clattering away with his great ugly old mule in a lurching trot; then I went in to the dance. I didn't tell anybody that Sam had been there, because they would all have been disappointed. The way Sam's home town loves him and disapproves of his farming is pathetic. Five miles is a long way for anybody that knows Sam to be separated from him, at least that is the way I felt as Peter slid and skidded and dipped me around while he told me how proud he was of my beauty and the lovely and worthy friends I possessed. He mentioned Julia and Pink and the mules in detail. I think Peter Vandyne has the most grateful, appreciative, sympathetic nature I ever encountered, and I told him so as we walked home across the lawn while the stars were beginning to grow pale and flicker with no more night to burn.
"My heart is full, full, dear, dearest Betty, with you and—and the work. The vision becomes clearer," Peter said, with his great dark eyes looking up at the retreating stars. And as we walked up the steps he told me another struggle he had thought up for the hero to have with his conscience about the poor little waiting heroine. The mule story hadn't done him one bit of good, and I went to bed as cross as two sticks.
"Oh, Samboy! I'm glad you are there and that you are Peter's next of friends or first or—Good night!" I muttered, as I closed my eyes on my favorite glimpse of Old Harpeth.
The next morning at about nine-thirty occurred Peter Vandyne's introduction into real life. He took it gallantly with his head up and swimming for shore.
The day was one of young May's maiden efforts offered with a soft smile of tender sunshine and in a flutter of bird wing and apple-blow. Of course, Sam had told me not to bring Peter out to The Briers until about eleven o'clock, because he wanted to do some farm housekeeping, as I afterward found out. But half past nine was the very limit of my endurance, and I sat and fidgeted with the wheel while mother and Eph packed us up with the inevitable basket for Byrd plus the also inevitable "little ones" that daddy somehow managed to find for him. These young were three small kittens, attended in their blindness by a black-and-white-spotted mother cat, all safely laced into a large basket and by that time resigned to their fate. I didn't mean to be disrespectful to dear Peter in my thoughts, but somehow they reminded me of him as he was led to farm life; and I laughed outright as Eph gave Peter a parting pat and Redwheels and me a shove, while mother called after us not to forget the sarsaparilla.
As long as I live I shall remember that journey along old Providence Road with a lovely nature like Peter's. He glowed with his inward flame there at my side, until I felt that it would be bad for him. Peter has seen all kinds of wonderful scenery all his life; but of course, there is none in the world anything like the Harpeth Valley. All the other in the world is either grand or placid or swept and garnished and tended or brilliant or moist, but this valley under Paradise Ridge is different. Peter expressed it so that my throat tightened and I had to hold steadier to the wheel as we passed an old farm wagon.
"It's the hollow of God's hand in which He has gathered His children and their homes, Betty," he said, huskily. "Look at that white-haired old grand dame in her frilled frock with the string of chickens following her and the two kiddies bringing up the rear. And look at that old red-gray brick house. England has nothing finer."
"That is old Mrs. Georgetta Johnson," I answered, as I waved my hand and got a stately wave in return. "She is the fifth generation to live in that house, and the two kiddies are the eighth. Her mother danced with Lafayette, and she is over eighty-five. I'll take you to see her some day."
"Betty," said Peter, with positive awe, "I have never seen such homes and furniture and people as I have found here. What is it that makes it so—so satisfying?"
"It must be that everything has had time to root here, people and all," I answered as I again avoided a farm wagon and a negro driving two fine milk-cows with cow babies wobbling along at their flanks.
"Yes," answered Peter, thoughtfully—"yes, I should say that 'rooted' would about express the life, and I am wondering—" But just here we turned off into Brier Lane, and Peter went up in the air and began to float among the tree-tops, only being able to take in the high-lights like the gnarled old cedars that jutted out from the lichen-covered stone wall and hung over the moss-green snake-rail fences, or the old oaks which were beginning to draw young, green loveliness around them, or the feathery buckbushes and young hackberries that were harboring all varieties of mating birds who were wooing and flirting and cheeping baby talk in a delightfully confidential and unabashed manner. Peter had become wildly absorbed in a brilliant scarlet cardinal that followed the car, scolding and swearing in the most pronounced bird language, all for no fault of ours that we could see, when we turned in the cedar-pole gate of The Briers and began to wind our way up through the potato and corn field on one side and the primeval forest on the other. It was difficult to get Peter past the old thorn-tree view of the Harpeth Valley we had come through, and he wanted to get out and stay for ever at the milk-house; but I finally landed him in a Homeric daze up in front of the house, which stood with its hospitable old door wide open but deserted.
"Sam! Byrd! Mammy!" I shouted at the top of my lungs, while Peter sat paralyzed at the sight of Sam's farm-house. Peter had got the old Crittenden house and all the others where he had been entertained in his mind's eye, and that Sam's present residence was a shock to him I could see plainly. That was the beginning.
"Hi, Betty, come here quick—I need you!" came in Sam's most business-like voice from the barn up on the hill, while I could hear wild and excited cheeps from the Byrd and disturbed clucks from Mammy.
Leaving Peter to disembark as he recovered himself, I sped around the house and up to the barn.
"Here, Betty, this blamed mule has kicked old Jude, and I must have somebody to hold the edges together while I sew it up. Mammy's hands aren't steady enough. Now press the edges together and never mind the blood on your hands. Hold the halter, Mammy. You get that can of lime ready to dust it, Byrd." Thus in dirty, blood-stained overalls, with his hair on ends and an earth smudge as usual right across his face like a Heidelberg scar, Sam was commanding his forces of nature.
"Ugh—uu—ow, Sam," I shivered; but I came up under his arm and tried to push one dripping section of old-roan hide until it joined the other, though I couldn't quite make it. Over my shoulder Sam began to sew it across with a huge crooked needle, helping me push the edges together as best he could. At this auspicious moment the poet appeared at the barn door in an absolutely dazed condition.
"Here you, Pete, too!" Sam commanded, without looking up. "Get here on the other side and press the hide together as Betty is doing. This is an awful long cut, but I can manage it, thanks to seeing Chubb sew up Bates's mule. Whoah, Jude, old girl! Hold her steady, Mammy! Now, Pete, press hard; never mind the blood!"
At Sam's determined reiteration of the word blood, my senses reeled, and if it had been anybody but Sam sewing over my shoulder, I would have gone down in a crumpled heap. Also I was stirred by one glance at Peter's lovely long oval face with its Keats lock of jet-black hair tossed aloft, and I remained conscious from astonishment.
This was a new Peter. His eyes burned in his face with determination. He squared his legs, clad in his elegant idea of farming corduroys, at the exact angle at which Sam's were set; then his long, white hands pulled the bloody old hide together exactly in place.
"That's it, Pete, hold it there. You slip out, Betty, and hold Jude while Mammy gets the hot water ready to wash it when it is finished. Now, Pete, an inch farther along! Whoah, Jude!" And with his long needle Sam began rapidly to draw the gaping wound together.
"Here, Byrd, you hold Jude," I said, suddenly; and giving the halter to the dirty fledgling, who was snubbing tears in his distress over the accident to his old friend, I quit the scene of the operation and fled to the woods to faint down on a log and be as ill as I wanted to. It was rather bad; and it lasted about a quarter of an hour.
Then, with my head turned determinedly away from the barn, I sought distraction in an interview with my garden.
Oh, it was rapturous! Can anything in the world be as wonderful as putting queer little brown things in the earth, where it scares you to think of their getting all cold and wet and rotted, and then coming to see them sprout and curl and run out of the ground? No, nothing can compare with it unless it is seeing whole rows of them bursting out into blooms and tassels and little pods and burrs. I felt extravagant and wanted to kiss the whole vegetable family in a way of encouragement and greeting. And the two lilacs were both most beautifully plumed out in their long, white blossoms to greet me. Now, weren't they the plucky young things to bloom that way in a perfectly strange place? Still, everybody always did have confidence in Sam.
But then in every joy patch some weeds are bound to shoot up overnight, and I was horrified to look down the rows of purple beet fronds and see what a lot of bold pepper-grass and chickweed were doing in their trenches. Without waiting to get my gloves from my bag in the car, I fell to and began a determined onslaught. Furiously I charged down two rows and up a third, at whose end I sank with exhaustion.
"Say, Betty, could a cat give kitten dinner to a poor little duck that all the hens peck?" asked the Byrd, anxiously, as he came and squatted beside me with two of the new kittens and the duck orphan in question in his arms.
"No, Byrd, I don't believe so," I answered, from instinct rather than direct knowledge.
"Why is they so many little ones in the world without mothers, me and the duck and the cow that died 'fore Dr. Chubb came, her calf, and now that mean old dog have left her puppies to eat out of a plate?" he asked. He let the kittens slide to the ground, where they sprawled in their blind helplessness, while he began to tenderly pry open the small yellow ball's wide bill and insert crumbs of bread rolled into very realistic pills, but which the patient gobbled with evident appreciation.
"See, Byrd, you are just as good as a mother any day," I said, a choke in my throat as I cuddled his thin little shoulder in the hollow between my arm and my breast, and bent over to watch the orphan's meal.
"Like Sam," answered Byrd, with a queer little flash of his keen eyes up at me, and a grin that was so like Sam's that I tumbled him over onto the grass, duck and all, and began a frolic with him which delighted his heart and eased mine. I've loved that "little one" since the day they let me hold him in my arms when he was only a few hours old and motherless. Examining him from heels to head had comforted Sam in his anguish and eased my own sympathetic sorrow. It is a tradition that Mammy Kitty rescued him just in time; but I've always felt that nothing would have happened to him at Sam's sixteen-year-old hands if he had been left for hours.
In the midst of our frolic Peter and Sam came on the scene, and as far as Peter was concerned it was indeed a transformation scene. Sam was very much washed and slick from some time at the wash-bench, and Peter was likewise, only Peter was not the Peter whom I had brought from town that very morning. He was attired in a pair of Sam's overalls that could have been wrapped around him twice, and he had a bit of color in his cheeks under his eyes, though the eyes were slightly dazed as to expression.
"Good work, Betty, for only two hours," said Sam, looking at the three long ranks of slain weeds and then at his watch. "Pete and I are going to pick peas for to-morrow's market right after dinner. Want to help?"
I assented from pure ignorance, and we all went in to devour one of Mammy's chicken dinners, the like of which is not cooked by another person in the Harpeth Valley. The way Peter ate would have made the black beauty in mother's kitchen swell with jealousy until there were danger to her own black skin. Immediately after the gorge Sam gave me a basket, gave Peter another, and then looked around for the Byrd, with a smaller box; but the Byrd had flown.
"I'll have to tan him for shirking like that," said Sam, looking off into the bushes. "You Byrd!" But there was no response. That ought to have roused my suspicions, but it didn't. I went on down to that pea-patch as innocent as a newly born lamb, with Peter walking beside me, enthusing over the landscape and swinging the light basket with elegant nonchalance.
"I see, Betty dear—I see that there is a great satisfaction in the pragmatic accomplishment, and—" he was saying when we came out of the woods onto the southern slope, where lie the long rows of peas, which are making Sam's fortune. He got them in by working two days and all one night in a bright spell in mid-February, and nobody for twenty miles around has any, while he has more than he can gather to market at a top price; that is, more than he can gather himself with Byrd's assistance, he explained to us, as he showed us just how to snap the pod against our thumbs.
"I ought to put five barrels into Hayesboro every day now for a week before anybody else gets any," he said, as he squatted at the head of a row between Peter and me, and we all began to pull at the beautiful gray-green vines and snap off the full, green pods. I looked across at poor, innocent, enthusiastic Peter and saw his finish.
About three o'clock I saw my own finish, and threw up the basket.
"You poor, dear child!" exclaimed Peter as he came stiffly across the row Sam had long since finished. He, Sam, was four rows ahead of us, and a quarter of a mile away, more or less. I had collapsed, with my tired legs stuck out in front of me and my thumb, swollen from snapping the pods, in my mouth. "This is too hard work for you."
"Yes, it is; but Sam won't think so," I answered, with a glance at the strong, broad back swinging so easily down the slope. "Now, Peter, we must go right along picking the peas. Sam must get those five barrels," I said, as I hastily scrambled up and began to pull at the vicious vines again.
"Well, I certainly don't intend to stop until they are filled," answered Peter, stiffly, in more ways than one, and without any more waste of sympathy he turned his back and went doggedly at the vines. That was my opportunity, and I took it. I rose, looked with fear at the two men at work in front of me, and fled, basket and all. I stopped long enough to empty my full basket in one of the barrels that were already in the wagon; and as I climbed laboriously down over the wheels, with my paralyzed legs working slowly, I caught a glimpse of a flash of blue out in the bushes, topped by a glint of red that was too large to be that of any bird inhabitant of The Briers.
"Byrd," I called, softly.
No answer.
"Byrd, do you want to go to town with me to see Mother Hayes?" I asked in subdued tones. That brought its response.
There were difficulties; but we surmounted them. We were afraid to wake Mammy at her afternoon nap for the clean clothes of civilization, so we purloined a fairly clean blue jumper hanging on the porch, while I left a note for Sam pinned on my old doll seed-basket hanging by his door. It was large enough for him to see, and it read:
I'm a good young mule, but I've broken down. Poor Peter! All that
is left of
BETTY.
P.S.—I've rescued the Byrd for overnight. I'll return him to
his fate to-morrow. Poor Peter! Poor Peter!
I wish I could have seen Sam's face when he found it! The next morning mother's black beauty found my old grass basket full of delicious little peas on the front steps with this note in it:
You'll be docked a quarter of a cent every hour you are off your
job. Bring that brat home and both of you get to work.
SAM.
P.S.—Something is sprouting in your garden that I don't
understand.
I knew those hollyhocks would rise up some day and bear witness against me. For the life of me I couldn't make up my mind what to say about them, so I sent the Byrd home by Tolly, who was going to take Edith out to see how her okra was progressing, and stayed in the safe shelter of my home. On the Byrd's rompers I pinned this note:
Strike, if you will, my young back,
But spare, oh spare, this little brat!
BETTY.
There are all kinds of poetry in the world.
That night when I was beginning to get restless and wish I had gone out to my fate, even if it included being throttled with a pea-vine, Tolly and Edith came into town and stopped at my gate in such a condition that I was positively alarmed about them.
"Five baskets of peas!" gasped Tolly, as he fell forward limp over his wheel.
"My thumb! my thumb!" moaned Edith, with the afflicted member in her mouth.
"But, say, Betty," Tolly revived enough to say, "we are not going to tell Sue and Billy and Julia and Pink. They are going out to-morrow to call. Let 'em go—it's coming to 'em."
"Oh no, I won't say a word," I agreed, with the intensest joy. "Come over to-morrow, Edith, and let's finish My Lady's Fan. I'm dying to know what happened to her at the court ball. Good night!"
"No, you come over to my house; I'll be in bed," Edith wailed from the middle of the road as Tolly turned and made his machine buzz for home.
Then for five days—glorious, warm, growing, blooming days—I stayed in town in a state of relapse from gardening of which the sorenesses in the calves of my legs and my thumbs were the strongest symptoms, and listened to my martyred friends' accounts of what Sam was doing to Peter. I also had a bulletin from Peter every day by the rural-delivery route. That is, they were in Peter's handwriting, but they read more like government crop reports than a poet's letters to the girl to whom he considered himself engaged. I sent them on to Judge Vandyne, and I got a glorious written chuckle in return for them.
Then, one morning when I had about got over the bashfulness about the hollyhocks, and had decided to deny them absolutely and stick to it, for a time at least, I happened to pick up Grandmother Nelson's book. It was full time—maybe past time—for thinning out my sugar-beets and resetting my cosmos. I fled out to the wilderness in