The Cenci by Alexander Dumas, Pere - HTML preview

The Cenci

Should you ever go to Rome and visit the villa Pamphili, no doubt, after having sought under its tall pines and along its canals the shade and freshness so rare in the capital of the Christian world, you will descend towards the Janiculum Hill by a charming road, in the middle of which you will find the Pauline fountain. Having passed this monument, and having lingered a moment on the terrace of the church of St. Peter Montorio, which commands the whole of Rome, you will visit the cloister of Bramante, in the middle of which, sunk a few feet below the level, is built, on the identical place where St. Peter was crucified, a little temple, half Greek, half Christian; you will thence ascend by a side door into the church itself. There, the attentive cicerone will show you, in the first chapel to the right, the Christ Scourged, by Sebastian del Piombo, and in the third chapel to the left, an Entombment by Fiammingo; having examined these two masterpieces at leisure, he will take you to each end of the transverse cross, and will show you-on one side a picture by Salviati, on slate, and on the other a work by Vasari; then, pointing out in melancholy tones a copy of Guido's Martyrdom of St. Peter on the high altar, he will relate to you how for three centuries the divine Raffaelle's Transfiguration was worshipped in that spot; how it was carried away by the French in 1809, and restored to the pope by the Allies in 1814. As you have already in all probability admired this masterpiece in the Vatican, allow him to expatiate, and search at the foot of the altar for a mortuary slab, which you will identify by a cross and the single word; Orate; under this gravestone is buried Beatrice Cenci, whose tragical story cannot but impress you profoundly. She was the daughter of Francesco Cenci. Whether or not it be true that men are born in harmony with their epoch, and that some embody its good qualities and others its bad ones, it may nevertheless interest our readers to cast a rapid glance over the period which had just passed when the events which we are about to relate took place. Francesco Cenci will then appear to them as the diabolical incarnation of his time.

 On the 11th of August, 1492, after the lingering death-agony of Innocent VIII, during which two hundred and twenty murders were committed in the streets of Rome, Alexander VI ascended the pontifical throne. Son of a sister of Pope Calixtus III, Roderigo Lenzuoli Borgia, before being created cardinal, had five children by Rosa Vanozza, whom he afterwards caused to be married to a rich Roman. These children were:

 Francis, Duke of Gandia;

 Caesar, bishop and cardinal, afterwards Duke of Valentinois;

 Lucrezia, who was married four times: her first husband was Giovanni Sforza, lord of Pesaro, whom she left owing to his impotence; the second, Alfonso, Duke of Bisiglia, whom her brother Caesar caused to be assassinated; the third, Alfonso d'Este, Duke of Ferrara, from whom a second divorce separated her; finally, the fourth, Alfonso of Aragon, who was stabbed to death on the steps of the basilica of St. Peter, and afterwards, three weeks later, strangled, because he did not die soon enough from his wounds, which nevertheless were mortal; Giofre, Count of Squillace, of whom little is known;

 And, finally, a youngest son, of whom nothing at all is known.

 The most famous of these three brothers was Caesar Borgia. He had made every arrangement a plotter could make to be King of Italy at the death of his father the pope, and his measures were so carefully taken as to leave no doubt in his own mind as to the success of this vast project. Every chance was provided against, except one; but Satan himself could hardly have foreseen this particular one. The reader will judge for himself.

 The pope had invited Cardinal Adrien to supper in his vineyard on the Belvidere; Cardinal Adrien was very rich, and the pope wished to inherit his wealth, as he already had acquired that of the Cardinals of Sant' Angelo, Capua, and Modena. To effect this, Caesar Borgia sent two bottles of poisoned wine to his father's cup-bearer, without taking him into his confidence; he only instructed him not to serve this wine till he himself gave orders to do so; unfortunately, during supper the cup-bearer left his post for a moment, and in this interval a careless butler served the poisoned wine to the pope, to Caesar Borgia, and to Cardinal Corneto.

 Alexander VI died some hours afterwards; Caesar Borgia was confined to bed, and sloughed off his skin; while Cardinal Corneto lost his sight and his senses, and was brought to death's door.

 Pius III succeeded Alexander VI, and reigned twenty-five days; on the twentysixth he was poisoned also.

 Caesar Borgia had under his control eighteen Spanish cardinals who owed to him their places in the Sacred College; these cardinals were entirely his creatures, and he could command them absolutely. As he was in a moribund condition and could make no use of them for himself, he sold them to Giuliano della Rovere, and Giuliano della Rovere was elected pope, under the name of Julius II. To the Rome of Nero succeeded the Athens of Pericles.

 Leo X succeeded Julius II, and under his pontificate Christianity assumed a pagan character, which, passing from art into manners, gives to this epoch a strange complexion. Crimes for the moment disappeared, to give place to vices; but to charming vices, vices in good taste, such as those indulged in by Alcibiades and sung by Catullus. Leo X died after having assembled under his reign, which lasted eight years, eight months, and nineteen days, Michael Angelo, Raffaelle, Leonardo da Vinci, Correggio, Titian, Andrea del Sarto, Fra Bartolommeo, Giulio Romano, Ariosto, Guicciardini, and Macchiavelli. Giulio di Medici and Pompeo Colonna had equal claims to succeed him. As both were skilful politicians, experienced courtiers, and moreover of real and almost equal merit, neither of them could obtain a majority, and the Conclave was prolonged almost indefinitely, to the great fatigue of the cardinals. So it happened one day that a cardinal, more tired than the rest, proposed to elect, instead of either Medici or Colonna, the son, some say of a weaver, others of a brewer of Utrecht, of whom no one had ever thought till then, and who was for the moment acting head of affairs in Spain, in the absence of Charles the Fifth. The jest prospered in the ears of those who heard it; all the cardinals approved their colleague's proposal, and Adrien became pope by a mere accident. He was a perfect specimen of the Flemish type a regular Dutchman, and could not speak a word of Italian. When he arrived in Rome, and saw the Greek masterpieces of sculpture collected at vast cost by Leo X, he wished to break them to pieces, exclaiming, "Suet idola anticorum." His first act was to despatch a papal nuncio, Francesco Cherigato, to the Diet of Nuremberg, convened to discuss the reforms of Luther, with instructions which give a vivid notion of the manners of the time.

 "Candidly confess," said he, "that God has permitted this schism and this persecution on account of the sins of man, and especially those of priests and prelates of the Church; for we know that many abominable things have taken place in the Holy See."

 Adrien wished to bring the Romans back to the simple and austere manners of the early Church, and with this object pushed reform to the minutest details. For instance, of the hundred grooms maintained by Leo X, he retained only a dozen, in order, he said, to have two more than the cardinals.

 A pope like this could not reign long: he died after a year's pontificate. The morning after his death his physician's door was found decorated with garlands of flowers, bearing this inscription: "To the liberator of his country." Giulio di Medici and Pompeo Colonna were again rival candidates. Intrigues recommenced, and the Conclave was once more so divided that at one time the cardinals thought they could only escape the difficulty in which they were placed by doing what they had done before, and electing a third competitor; they were even talking about Cardinal Orsini, when Giulio di Medici, one of the rival candidates, hit upon a very ingenious expedient. He wanted only five votes; five of his partisans each offered to bet five of Colonna's a hundred thousand ducats to ten thousand against the election of Giulio di Medici. At the very first ballot after the wager, Giulio di Medici got the five votes he wanted; no objection could be made, the cardinals had not been bribed; they had made a bet, that was all. Thus it happened, on the 18th of November, 1523, Giulio di Medici was proclaimed pope under the name of Clement VII. The same day, he generously paid the five hundred thousand ducats which his five partisans had lost. It was under this pontificate, and during the seven months in which Rome, conquered by the Lutheran soldiers of the Constable of Bourbon, saw holy things subjected to the most frightful profanations, that Francesco Cenci was born. He was the son of Monsignor Nicolo Cenci, afterwards apostolic treasurer during the pontificate of Pius V. Under this venerable prelate, who occupied himself much more with the spiritual than the temporal administration of his kingdom, Nicolo Cenci took advantage of his spiritual head's abstraction of worldly matters to amass a net revenue of a hundred and sixty thousand piastres, about f32,000 of our money. Francesco Cenci, who was his only son, inherited this fortune. His youth was spent under popes so occupied with the schism of Luther that they had no time to think of anything else. The result was, that Francesco Cenci, inheriting vicious instincts and master of an immense fortune which enabled him to purchase immunity, abandoned himself to all the evil passions of his fiery and passionate temperament. Five times during his profligate career imprisoned for abominable crimes, he only succeeded in procuring his liberation by the payment of two hundred thousand piastres, or about one million francs. It should be explained that popes at this time were in great need of money.

 The lawless profligacy of Francesco Cenci first began seriously to attract public attention under the pontificate of Gregory XIII. This reign offered marvellous facilities for the development of a reputation such as that which this reckless Italian Don Juan seemed bent on acquiring. Under the Bolognese Buoncampagno, a free hand was given to those able to pay both assassins and judges. Rape and murder were so common that public justice scarcely troubled itself with these trifling things, if nobody appeared to prosecute the guilty parties. The good Gregory had his reward for his easygoing indulgence; he was spared to rejoice over the Massacre of St. Bartholomew.

 Francesco Cenci was at the time of which we are speaking a man of forty-four or forty-five years of age, about five feet four inches in height, symmetrically proportioned, and very strong, although rather thin; his hair was streaked with grey, his eyes were large and expressive, although the upper eyelids drooped somewhat; his nose was long, his lips were thin, and wore habitually a pleasant smile, except when his eye perceived an enemy; at this moment his features assumed a terrible expression; on such occasions, and whenever moved or even slightly irritated, he was seized with a fit of nervous trembling, which lasted long after the cause which provoked it had passed. An adept in all manly exercises and especially in horsemanship, he sometimes used to ride without stopping from Rome to Naples, a distance of forty-one leagues, passing through the forest of San Germano and the Pontine marshes heedless of brigands, although he might be alone and unarmed save for his sword and dagger. When his horse fell from fatigue, he bought another; were the owner unwilling to sell he took it by force; if resistance were made, he struck, and always with the point, never the hilt. In most cases, being well known throughout the Papal States as a freehanded person, nobody tried to thwart him; some yielding through fear, others from motives of interest. Impious, sacrilegious, and atheistical, he never entered a church except to profane its sanctity. It was said of him that he had a morbid appetite for novelties in crime, and that there was no outrage he would not commit if he hoped by so doing to enjoy a new sensation.

 At the age of about forty-five he had married a very rich woman, whose name is not mentioned by any chronicler. She died, leaving him seven children--five boys and two girls. He then married Lucrezia Petroni, a perfect beauty of the Roman type, except for the ivory pallor of her complexion. By this second marriage he had no children.

 As if Francesco Cenci were void of all natural affection, he hated his children, and was at no pains to conceal his feelings towards them: on one occasion, when he was building, in the courtyard of his magnificent palace, near the Tiber, a chapel dedicated to St. Thomas, he remarked to the architect, when instructing him to design a family vault, "That is where I hope to bury them all." The architect often subsequently admitted that he was so terrified by the fiendish laugh which accompanied these words, that had not Francesco Cenci's work been extremely profitable, he would have refused to go on with it.

 As soon as his three eldest boys, Giacomo, Cristoforo, and Rocco, were out of their tutors' hands, in order to get rid of them he sent them to the University of Salamanca, where, out of sight, they were out of mind, for he thought no more about them, and did not even send them the means of subsistence. In these straits, after struggling for some months against their wretched plight, the lads were obliged to leave Salamanca, and beg their way home, tramping barefoot through France and Italy, till they made their way back to Rome, where they found their father harsher and more unkind than ever.

 This happened in the early part of the reign of Clement VIII, famed for his justice. The three youths resolved to apply to him, to grant them an allowance out of their father's immense income. They consequently repaired to Frascati, where the pope was building the beautiful Aldobrandini Villa, and stated their case. The pope admitted the justice of their claims, and ordered Francesco, to allow each of them two thousand crowns a year. He endeavoured by every possible means to evade this decree, but the pope's orders were too stringent to be disobeyed. About this period he was for the third time imprisoned for infamous crimes. His three sons them again petitioned the pope, alleging that their father dishonoured the family name, and praying that the extreme rigour of the law, a capital sentence, should be enforced in his case. The pope pronounced this conduct unnatural and odious, and drove them with ignominy from his presence. As for Francesco, he escaped, as on the two previous occasions, by the payment of a large sum of money.

 It will be readily understood that his sons' conduct on this occasion did not improve their father's disposition towards them, but as their independent pensions enabled them to keep out of his way, his rage fell with all the greater intensity on his two unhappy daughters. Their situation soon became so intolerable, that the elder, contriving to elude the close supervision under which she was kept, forwarded to the pope a petition, relating the cruel treatment to which she was subjected, and praying His Holiness either to give her in marriage or place her in a convent. Clement VIII took pity on her; compelled Francesco Cenci to give her a dowry of sixty thousand crowns, and married her to Carlo Gabrielli, of a noble family of Gubbio. Francesco driven nearly frantic with rage when he saw this victim released from his clutches.

 About the same time death relieved him from two other encumbrances: his sons Rocco and Cristoforo were killed within a year of each other; the latter by a bungling medical practitioner whose name is unknown; the former by Paolo Corso di Massa, in the streets of Rome. This came as a relief to Francesco, whose avarice pursued his sons even after their death, far he intimated to the priest that he would not spend a farthing on funeral services. They were accordingly borne to the paupers' graves which he had caused to be prepared for them, and when he saw them both interred, he cried out that he was well rid of such good-for-nothing children, but that he should be perfectly happy only when the remaining five were buried with the first two, and that when he had got rid of the last he himself would burn down his palace as a bonfire to celebrate the event.

 But Francesco took every precaution against his second daughter, Beatrice Cenci, following the example of her elder sister. She was then a child of twelve or thirteen years of age, beautiful and innocent as an angel. Her long fair hair, a beauty seen so rarely in Italy, that Raffaelle, believing it divine, has appropriated it to all his Madonnas, curtained a lovely forehead, and fell in flowing locks over her shoulders. Her azure eyes bore a heavenly expression; she was of middle height, exquisitely proportioned; and during the rare moments when a gleam of happiness allowed her natural character to display itself, she was lively, joyous, and sympathetic, but at the same time evinced a firm and decided disposition. To make sure of her custody, Francesco kept her shut up in a remote apartment of his palace, the key of which he kept in his own possession. There, her unnatural and inflexible gaoler daily brought her some food. Up to the age of thirteen, which she had now reached, he had behaved to her with the most extreme harshness and severity; but now, to poor Beatrice's great astonishment, he all at once became gentle and even tender. Beatrice was a child no longer; her beauty expanded like a flower; and Francesco, a stranger to no crime, however heinous, had marked her for his own.

 Brought up as she had been, uneducated, deprived of all society, even that of her stepmother, Beatrice knew not good from evil: her ruin was comparatively easy to compass; yet Francesco, to accomplish his diabolical purpose, employed all the means at his command. Every night she was awakened by a concert of music which seemed to come from Paradise. When she mentioned this to her father, he left her in this belief, adding that if she proved gentle and obedient she would be rewarded by heavenly sights, as well as heavenly sounds. One night it came to pass that as the young girl was reposing, her head supported on her elbow, and listening to a delightful harmony, the chamber door suddenly opened, and from the darkness of her own room she beheld a suite of apartments brilliantly illuminated, and sensuous with perfumes; beautiful youths and girls, half clad, such as she had seen in the pictures of Guido and Raffaelle, moved to and fro in these apartments, seeming full of joy and happiness: these were the ministers to the pleasures of Francesco, who, rich as a king, every night revelled in the orgies of Alexander, the wedding revels of Lucrezia, and the excesses of Tiberius at Capri. After an hour, the door closed, and the seductive vision vanished, leaving Beatrice full of trouble and amazement.

 The night following, the same apparition again presented itself, only, on this occasion, Francesco Cenci, undressed, entered his daughter's roam and invited her to join the fete. Hardly knowing what she did, Beatrice yet perceived the impropriety of yielding to her father's wishes: she replied that, not seeing her stepmother, Lucrezia Petroni, among all these women, she dared not leave her bed to mix with persons who were unknown to her. Francesco threatened and prayed, but threats and prayers were of no avail. Beatrice wrapped herself up in the bedclothes, and obstinately refused to obey.

 The next night she threw herself on her bed without undressing. At the accustomed hour the door opened, and the nocturnal spectacle reappeared. This time, Lucrezia Petroni was among the women who passed before Beatrice's door; violence had compelled her to undergo this humiliation. Beatrice was too far off to see her blushes and her tears. Francesco pointed out her stepmother, whom she had lacked for in vain the previous evening; and as she could no longer make any opposition, he led her, covered with blushes and confusion, into the middle of this orgy.

 Beatrice there saw incredible and infamous things....

 Nevertheless, she resisted a long time: an inward voice told her that this was horrible; but Francesco had the slaw persistence of a demon. To these sights, calculated to stimulate her passions, he added heresies designed to warp her mind; he told her that the greatest saints venerated by the Church were the issue of fathers and daughters, and in the end Beatrice committed a crime without even knowing it to be a sin.

 His brutality then knew no bounds. He forced Lucrezia and Beatrice to share the same bed, threatening his wife to kill her if she disclosed to his daughter by a single word that there was anything odious in such an intercourse. So matters went on for about three years.

 At this time Francesco was obliged to make a journey, and leave the women alone and free. The first thing Lucrezia did was to enlighten Beatrice an the infamy of the life they were leading; they then together prepared a memorial to the pope, in which they laid before him a statement of all the blows and outrages they had suffered. But, before leaving, Francesco Cenci had taken precautions; every person about the pope was in his pay, or hoped to be. The petition never reached His Holiness, and the two poor women, remembering that Clement VIII had on a farmer occasion driven Giacomo, Cristaforo, and Rocco from his presence, thought they were included in the same proscription, and looked upon themselves as abandoned to their fate.

 When matters were in this state, Giacomo, taking advantage of his father's absence, came to pay them a visit with a friend of his, an abbe named Guerra: he was a young man of twenty-five or twenty-six, belonging to one of the most noble families in Rome, of a bold, resolute, and courageous character, and idolised by all the Roman ladies for his beauty. To classical features he added blue eyes swimming in poetic sentiment; his hair was long and fair, with chestnut beard and eyebrows; add to these attractions a highly educated mind, natural eloquence expressed by a musical and penetrating voice, and the reader may form some idea of Monsignor the Abbe Guerra.

 No sooner had he seen Beatrice than he fell in love with her. On her side, she was not slow to return the sympathy of the young priest. The Council of Trent had not been held at that time, consequently ecclesiastics were not precluded from marriage. It was therefore decided that on the return of Francesco the Abbe Guerra should demand the hand of Beatrice from her father, and the women, happy in the absence of their master, continued to live on, hoping for better things to come.

 After three or four months, during which no one knew where he was, Francesco returned. The very first night, he wished to resume his intercourse with Beatrice; but she was no longer the same person, the timid and submissive child had become a girl of decided will; strong in her love for the abbe, she resisted alike prayers, threats, and blows.

 The wrath of Francesco fell upon his wife, whom he accused of betraying him; he gave her a violent thrashing. Lucrezia Petroni was a veritable Roman she-wolf, passionate alike in love and vengeance; she endured all, but pardoned nothing. Some days after this, the Abbe Guerra arrived at the Cenci palace to carry out what had been arranged. Rich, young, noble, and handsome, everything would seem to promise him success; yet he was rudely dismissed by Francesco. The first refusal did not daunt him; he returned to the charge a second time and yet a third, insisting upon the suitableness of such a union. At length Francesco, losing patience, told this obstinate lover that a reason existed why Beatrice could be neither his wife nor any other man's. Guerra demanded what this reason was. Francesco replied:

 "Because she is my mistress."

 Monsignor Guerra turned pale at this answer, although at first he did not believe a word of it; but when he saw the smile with which Francesco Cenci accompanied his words, he was compelled to believe that, terrible though it was, the truth had been spoken.

 For three days he sought an interview with Beatrice in vain; at length he succeeded in finding her. His last hope was her denial of this horrible story: Beatrice confessed all. Henceforth there was no human hope for the two lovers; an impassable gulf separated them. They parted bathed in tears, promising to love one another always.

 Up to that time the two women had not formed any criminal resolution, and possibly the tragical incident might never have happened, had not Frances one night returned into his daughter's room and violently forced her into the commission of fresh crime.

 Henceforth the doom of Francesco was irrevocably pronounced.

 As we have said, the mind of Beatrice was susceptible to the best and the worst influences: it could attain excellence, and descend to guilt. She went and told her mother of the fresh outrage she had undergone; this roused in the heart of the other woman the sting of her own wrongs; and, stimulating each other's desire for revenge, they, decided upon the murder of Francesco.

 Guerra was called in to this council of death. His heart was a prey to hatred and revenge. He undertook to communicate with Giacomo Cenci, without whose concurrence the women would not act, as he was the head of the family, when his father was left out of account.

 Giacomo entered readily into the conspiracy. It will be remembered what he had formerly suffered from his father; since that time he had married, and the closefisted old man had left him, with his wife and children, to languish in poverty. Guerra's house was selected to meet in and concert matters.

 Giacomo hired a sbirro named Marzio, arid Guerra a second named Olympio. Both these men had private reasons for committing the crime--one being actuated by love, the other by hatred. Marzio, who was in the service of Giacomo, had often seen Beatrice, and loved her, but with that silent and hopeless love which devours the soul. When he conceived that the proposed crime would draw him nearer to Beatrice, he accepted his part in it without any demur.

 As for Olympio, he hated Francesco, because the latter had caused him to lose the post of castellan of Rocco Petrella, a fortified stronghold in the kingdom of Naples, belonging to Prince Colonna. Almost every year Francesco Cenci spent some months at Rocco Petrella with his family; for Prince Colonna, a noble and magnificent but needy prince, had much esteem for Francesco, whose purse he found extremely useful. It had so happened that Francesco, being dissatisfied with Olympio, complained about him to Prince Colonna, and he was dismissed. After several consultations between the Cenci family, the abbe and the sbirri, the following plan of action was decided upon.

 The period when Francesco Cenci was accustomed to go to Rocco Petrella was approaching: it was arranged that Olympio, conversant with the district and its inhabitants, should collect a party of a dozen Neapolitan bandits, and conceal them in a forest through which the travellers would have to pass. Upon a given signal, the whole family were to be seized and carried off. A heavy ransom was to be demanded, and the sons were to be sent back to Rome to raise the sum; but, under pretext of inability to do so, they were to allow the time fixed by the bandits to lapse, when Francesco was to be put to death. Thus all suspicions of a plot would be avoided, and the real assassins would escape justice. This well-devised scheme was nevertheless unsuccessful. When Francesco left Rome, the scout sent in advance by the conspirators could not find the bandits; the latter, not being warned beforehand, failed to come down before the passage of the travellers, who arrived safe and sound at Rocco Petreila. The bandits, after having patrolled the road in vain, came to the conclusion that their prey had escaped, and, unwilling to stay any longer in a place where they had already spent a week, went off in quest of better luck elsewhere.

 Francesco had in the meantime settled down in the fortress, and, to be more free to tyrannise over Lucrezia and Beatrice, sent back to Rome Giacomo and his two other sons. He then recommenced his infamous attempts upon Beatrice, and with such persistence, that she resolved herself to accomplish the deed which at first she desired to entrust to other hands.

 Olympio and Marzio, who had nothing to fear from justice, remained lurking about the castle; one day Beatrice saw them from a window, and made signs that she had something to communicate to them. The same night Olympio, who having been castellan knew all the approaches to the fortress, made his way there with his companion. Beatrice awaited them at a window which looked on to a secluded courtyard; she gave them letters which she had written to her brother and to Monsignor Guerra. The former was to approve, as he had done before, the murder of their father; for she would do nothing without his sanction. As for Monsignor Guerra, he was to pay Olympio a thousand piastres, half the stipulated sum; Marzio acting out of pure love for Beatrice, whom he worshipped as a Madonna; which observing, the girl gave him a handsome scarlet mantle, trimmed with gold lace, telling him to wear it for love of her. As for the remaining moiety, it was to be paid when the death of the old man had placed his wife and daughter in possession of his fortune.

 The two sbirri departed, and the imprisoned conspirators anxiously awaited their return. On the day fixed, they were seen again. Monsignor Guerra had paid the thousand piastres, and Giacomo had given his consent. Nothing now stood in the way of the execution of this terrible deed, which was fixed for the 8th of September, the day of the Nativity of the Virgin; but Signora Lucrezia, a very devout person, having noticed this circumstance, would not be a party to the committal of a double sin; the matter was therefore deferred till the next day, the 9th.

 That evening, the 9th of September, 1598, the two women, supping with the old man, mixed some narcotic with his wine so adroitly that, suspicious though he was, he never detected it, and having swallowed the potion, soon fell into a deep sleep.

 The evening previous, Marzio and Olympio had been admitted into the castle, where they had lain concealed all night and all day; for, as will be remembered, the assassination would have been effected the day before had it not been for the religious scruples of Signora Lucrezia Petroni. Towards midnight, Beatrice fetched them out of their hiding-place, and took them to her father's chamber, the door of which she herself opened. The assassins entered, and the two women awaited the issue in the room adjoining.

 After a moment, seeing the sbirri reappear pale and nerveless, shaking their heads without speaking, they at once inferred that nothing had been done. "What is the matter?" cried Beatrice; "and what hinders you?"

 "It is a cowardly act," replied the assassins, "to kill a poor old man in his sleep. At the thought of his age, we were struck with pity."