The Athelings or the Three Gifts: Volume 1 by Mrs. Oliphant - HTML preview

PLEASE NOTE: This is an HTML preview only and some elements such as links or page numbers may be incorrect.
Download the book in PDF, ePub, Kindle for a complete version.

 

CHAPTER XI.
 
THE BEST ROOM.

THE music, we are grieved to say, was not at all worth listening to—it would not have disturbed Bell and Beau had the two little beds been on the top of the piano. Though Marian with a careless hand ran over three or four notes, the momentary sound did not disturb the brown study of Mrs Atheling, and scarcely roused Susan, nodding and dozing, as she mended stockings by the kitchen fire. We are afraid this same practising was often an excuse for half an hour’s idleness and dreaming. Sweet idleness! happy visions! for it certainly was so to-night.

The best room was of the same size exactly as the family sitting-room, but looked larger by means of looking prim, chill, and uninhabited—and it was by no means crowded with furniture. The piano in one corner and a large old-fashioned table in another, with a big leaf of black and bright mahogany folded down, were the only considerable articles in the room, and the wall looked very blank with its array of chairs. The sofa inclined towards the unlighted fire, and the round table stood before it; but you could not delude yourself into the idea that this at any time could be the family hearth. Mrs Atheling “kept no company;” so, like other good people in the same condition, she religiously preserved and kept in order the company-room; and it was a comfort to her heart to recollect that in this roomy house there was always an orderly place where strangers could be shown into, although the said strangers never came.

The one candle had been placed drearily among the little coloured glass vases on the mantel-shelf; but the moonlight shone broad and full into the window, and, pouring its rays over the whole visible scene without, made something grand and solemn even of this genteel and silent Bellevue. The tranquil whiteness on these humble roofs—the distinctness with which one branch here and there, detached and taken possession of by the light, marked out its half-developed buds against the sky—the strange magic which made that faint ascending streak of smoke the ethereal plaything of these moonbeams—and the intense blackness of the shadow, deep as though it fell from one of the pyramids, of these homely garden-walls—made a wonderful and striking picture of a scene which had not one remarkable feature of its own; and the solitary figure crossing the road, all enshrined and hallowed in this silvery glory, but itself so dark and undistinguishable, was like a figure in a vision—an emblematic and symbolical appearance, entering like a picture to the spectator’s memory. The two girls stood looking out, with their arms entwined, and their fair heads close together, as is the wont of such companions, watching the wayfarer, whose weary footstep was inaudible in the great hush and whisper of the night.

“I always fancy one might see ghosts in moonlight,” said Marian, under her breath. Certainly that solitary passenger, with all the silvered folds of his dress, and the gliding and noiseless motion of his progress, was not entirely unlike one.

“He looks like a man in a parable,” said Agnes, in the same tone. “One could think he was gliding away mysteriously to do something wrong. See, now, he has gone into the shadow. I cannot see him at all—he has quite disappeared—it is so black. Ah! I shall think he is always standing there, looking over at us, and plotting something. I wish Charlie would come home—how long he is!”

“Who would plot anything against us?” said innocent Marian, with her fearless smile. “People do not have enemies now as they used to have—at least not common people. I wish he would come out again, though, out of that darkness. I wonder what sort of man he could be.”

But Agnes was no longer following the man; her eye was wandering vaguely over the pale illumination of the sky. “I wonder what will happen to us all?” said Agnes, with a sigh—sweet sigh of girlish thought that knew no care! “I think we are all beginning now, Marian, every one of us. I wonder what will happen—Charlie and all?”

“Oh, I can tell you,” said Marian; “and you first of all, because you are the eldest. We shall all be famous, Agnes, every one of us; all because of you.”

“Oh, hush!” cried Agnes, a smile and a flush and a sudden brightness running over all her face; “but suppose it should be so, you know, Marian—only suppose it for our own pleasure—what a delight it would be! It might help Charlie on better than anything; and then what we could do for Bell and Beau! Of course it is nonsense,” said Agnes, with a low laugh and a sigh of excitement, “but how pleasant it would be!”

“It is not nonsense at all; I think it is quite certain,” said Marian; “but then people would seek you out, and you would have to go and visit them—great people—clever people. Would it not be odd to hear real ladies and gentlemen talking in company as they talk in books?”

“I wonder if they do,” said Agnes, doubtfully. “And then to meet people whom we have heard of all our lives—perhaps Bulwer even!—perhaps Tennyson! Oh, Marian!”

“And to know they were very glad to meet you,” exclaimed the sister dreamer, with another low laugh of absolute pleasure: that was very near the climax of all imaginable honours—and for very awe and delight the young visionaries held their breath.

“And I think now,” said Marian, after a little interval, “that perhaps it is better Charlie should be a lawyer, for he would have so little at first in papa’s office, and he never could get on, more than papa; and you would not like to leave all the rest of us behind you, Agnes? I know you would not. But I hope Charlie will never grow like Mr Foggo, so old and solitary; to be poor would be better than that.”

“Then I could be Miss Willsie,” said Agnes, “and we should live in a little square house, with two bits of lawn and two fir-trees; but I think we would not call it Killiecrankie Lodge.”

Over this felicitous prospect there was a great deal of very quiet laughing—laughing as sweet and as irrepressible as any other natural music, but certainly not evidencing any very serious purpose on the part of either of the young sisters to follow the example of Miss Willsie. They had so little thought, in their fair unconscious youth, of all the long array of years and changes which lay between their sweet estate and that of the restless kind old lady, the mistress of Mr Foggo’s little square house.

“And then, for me—what should I do?” said Marian. There were smiles hiding in every line of this young beautiful face, curving the pretty eyebrow, moving the soft lip, shining shy and bright in the sweet eyes. No anxiety—not the shadow of a shade—had ever crossed this young girl’s imagination touching her future lot. It was as rosy as the west and the south, and the cheeks of Maud in Mr Tennyson’s poem. She had no thought of investigating it too closely; it was all as bright as a summer day to Marian, and she was ready to spend all her smiles upon the prediction, whether it was ill or well.

“Then I suppose you must be married, May. I see nothing else for you,” said Agnes, “for there could not possibly be two Miss Willsies; but I should like to see, in a fairy glass, who my other brother was to be. He must be clever, Marian, and it would be very pleasant if he could be rich, and I suppose he ought to be handsome too.”

“Oh, Agnes! handsome of course, first of all!” cried Marian, laughing, “nobody but you would put that last.”

“But then I rather like ugly people, especially if they are clever,” said Agnes; “there is Charlie, for example. If he was very ugly, what an odd couple you would be!—he ought to be ugly for a balance—and very witty and very pleasant, and ready to do anything for you, May. Then if he were only rich, and you could have a carriage, and be a great lady, I think I should be quite content.”

“Hush, Agnes! mamma will hear you—and now there is Charlie with a book,” said Marian. “Look! he is quite as mysterious in the moonlight as the other man—only Charlie could never be like a ghost—and I wonder what the book is. Come, Agnes, open the door.”

This was the conclusion of the half-hour’s practising; they made grievously little progress with their music, yet it was by no means an unpleasant half-hour.