The Dragon in Medieval East Christian and Islamic Art by Sara Kuehn, Sebastian Günther, et al - HTML preview

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chapter eight

eclipse monster were identified with the lunar

Candimā-sutta, “Discourse on the Moon”) the

nodes, which play a crucial role in the eclipses 61

Buddha reprimands Rāhu and directs him to

At the beginning of celestial motion the head

release the Moon at once which Rāhu does, know-

or forepart, Rāhu, that is to say the ascending

ing that otherwise his head will be split into seven

node of the Moon’s orbit upon the ecliptic, was

pieces 69 The Buddha thus delivers the Moon (the

in Gemini and Ketu, the tail or hindpart of the

god dwelling in the Moon), who had appealed

bisected serpent-monster, in other words the

to him for refuge, from Rāhu’s clutches 70 The

descending node, was in Sagittarius ( al-qaws,

contextual and conceptual metamorphoses of the

lit “bow”), often represented as an armed cen-

motif thus attest to a mechanism of continuity of

taur 62 The 180° extent of the dragon reflects the

these essential thought systems which governed

fact that the nodes occupy diametrically opposite

the Central Asian world and beyond

points of the ecliptic Hence the dragon’s body is

yet even when the scientific causes were clear,

conceived as arched across the sky 63

the mythological interpretation of the phenom-

The demon of the eclipses Rāhu is well-known

enon survives This fact and the ensuing syncre-

not only in the Brahmanic tradition, but also in

tism is expounded by Hartner:

Buddhism 64 In the Buddhist Jātaka stories of the

We might suppose that clear insight into the

previous births of Gautama Buddha, which were

physical causes of eclipses could have thrown

familiar throughout the Central Asian region,

mythological tradition into the background But

repeated reference is made to the Moon gripped

this has not been the case What we observe is

between Rāhu’s jaws, or being liberated from the

that mythological and astronomical elements

latter 65 Thus, in the Gandhāra Jātaka, the king of

contract an intimate fusion The nodes of the

Gandhāra chose to become an ascetic after observ-

moon’s orbit are simply identified with the eclipse

ing a lunar eclipse, explaining that:

monster itself: with the Hindus, Rāhu becomes

the ascending, Ketu the descending node; with

Taking the moon’s orb seized by Rāhu as my

Persians and Arabs, the head and tail of the

theme I forsook my great kingdom and took the

Djawzahr play the same role 71

religious life

In Islamic astronomy the Persian gōchihr, called

because:

al-jawzahar or al-tinnīn (also azhdahā, “the giant

There is the moon’s pure orb become dark by

dragon”), was sometimes represented as a bi-

trouble from outside; now this kingdom is a

partite or double-headed dragon It is the cir-

trouble to me: I will take the religious life so

cumpolar constellation Draco, “represented as

that the kingdom does not make me dark as Rāhu

a very long serpent with many convolutions; it

does the moon’s orb 66

is coiled around the north pole of the ecliptic,”72

In the Buddhacarita Siddhārtha’s son is called

which is sometimes metaphorically applied to

Rāhula “with the face of Rāhu’s adversary ”67

the Milky Way 73 The Viṣṇudharmottara Purāṅa

It is of note that in some Pali texts the demon

(III 67) describes how the first sacred waist band

Rāhu is said not to devour the Sun and the Moon,

or girdle ( ayyaṅga which is closely related to

“but merely to caress them with his hand ”68 In

the Iranian aiwiyaonghen that is worn by every

the well-known story of the Candrasūtra (Pali

devout Zoroastrian) was presented to the sun god

61

67

Cf Hartner, 1938, p 131, and idem, “Al-Djawzahar,”

Johnston, 1936, repr 2004, p 29 Cf Santoro, 2006,

EI² II, 501b

p 547 The concept is evoked in yet another line: “Deliver

62 Brunner, “Astronomy and Astrology in the Sasanian

Rāhula from grief for his parent as the full moon from eclipse

Period,” EIr, II, p 867 The dragon head projecting from the

by Rāhu ” See Johnston, 1936, repr 2004, p 129

68

centaur’s tail represents the descending node’s exaltation in

Malalasekera, G P , Dictionary of Pāli Proper Names, 2

Sagittarius; however, although the latter is the dragon’s “tail”

vols , 1938, repr 1974, vol 2, pp 735–7, cited after Strong,

(dhanab) and not its “head” (raʾs), and hence the representa-

1992, p 156

69

tion of the “head” is an iconographic inconsistency, it has

Idem, p 156 The Candrasūtra was also translated into

come to symbolise the astrological association Hartner,

ancient Uighur, see Zieme, 2000, pp 65–80

70

1973–4, p 110

Waldschmidt, 1970

63

71

Bundahishn 5 4, p 49 13–5, cited after Brunner,

Hartner, 1938, p 131

72

“Astronomy and Astrology in the Sasanian Period,” EIr,

Al-Bīrūnī, Kitāb al-Tafhīm, tr and ed Wright, 1934,

p 867

p 71

64

73

Cf Santoro, 2006, p 547

MacKenzie, 1964, pp 521–2, n 53, 525 The Mystical

65 Cf eadem, p 547

and Visionary Treatises of Suhrawardi, tr Thackston, 1982,

66 Cowell, 1897, repr 2000, vol 3, pp 222–3

p 113, n 42

the dragon and astrology

139

by the king of serpents, Vāsuki, and represented

the period of the Prophet Muḥammad’s resi-

the starry band of the Milky Way 74 In a verse of

dence in Medina 80 On this occasion the Prophet

the late eleventh-century Iranian poet Labībī the

is reported to have said “that he had never been

seven heads of the dragon represent the heavenly

so greatly filled with fear,” and the commentaries

spheres and the universe 75

add to this, “that he thought that the Hour had

Together with the acculturation of astronomi-

come, and to illustrate it he is reported to have

cal knowledge, astrological iconography emerged

said that he saw Paradise and Hell so close to him

in the form of visual conceptualisations that were

that he could have gathered a bunch of grapes

regularly featured in medieval imagery These

from the land of the blessed, had he stretched

were emblematically transferred onto architec-

out his hand ”81 According to Abū Saʿīd al-Sijzī’s

tural sculpture as well as portable objects, in

comprehensive tenth-century astrological com-

particular metalwork and ceramics Astrological

pilation on the “Conjunctions and Revolutions

considerations also had a profound bearing on

of the years of the World” which was based on

the artistic conventions of the iconography of the

earlier sources, a solar eclipse indeed indicated

dragon Its representation in medieval Islamic

the death of Muḥammad as well as the accession

astrology has been addressed in a number of

of the first caliph Abū Bakr 82

studies, foremost among which remains Hart-

The significance accorded to the eclipse is

ner’s, in which he demonstrates the influence of

reflected in the bi-partite “dragon” that was seen

the conceptualisation of the two “lunar nodes”

as temporarily “devouring” the Sun and the Moon

(al-ʿuqdatāni) on Islamic artisans 76

at certain irregular intervals, and then disgorg-

As seen in sources that pre-date the Islamic

ing or “delivering,” them – since the two planets

period, the crucial aspect of al-jawzahar is that

always appear to emerge unscathed from their

it consists of two nodes of the Moon’s orbit or

temporary eclipse by the “dragon ” This non-

“points at which (the) two [great] circles of the

Ptolemaic concept played a prominent role in

sphere intersect,”77 in other words the two points

astrological associations whereby the two nodes

where the course of the Moon crosses the plane of

were treated as though they were real celestial

the ecliptic from south to north: the “head of the

bodies, in other words extra, albeit invisible,

dragon” (raʾs al-tinnīn) is formed by the ascending

“planets,” or fictitious nodes 83 They were con-

node of the Moon’s orbit, and, correspondingly,

ceived as an eighth and a ninth planet, the only

the “tail of the dragon” (dhanab al-tinnīn) by the

difference between them and the original seven

descending node 78 This associates it with both

planets being that contrary to the others their

solar and lunar eclipses; the latter were attributed

movement was westwards or “retrograde,” rather

to the occurrence of a conjunction, or opposition,

than eastwards 84

of the Sun and Moon (New Moon or Full Moon,

Ghaznawid and Ghurid military campaigns

respectively) in or near the lunar nodes

in India brought not only extensive booty, but

In medieval Islam especially, the astrologi-

resulted at the same time in an influx of scholars,

cal influence of the eclipse of the Sun is consid-

craftsmen and a variety of artisans, all of whom

ered one of the foremost signs of the impending

came with their own indigenous iconographies,

destruction of the world 79 In the Qurʾān the latter

contributing perhaps to the diffusion of the ico-

is repeatedly described among the signs of per-

nography of al-jawzahar The great scholar Abū

turbations of heavenly bodies ( sūra 75, 8–9; and

Rayḥān Muḥammad ibn Aḥmad al-Bīrūnī had

81, 1) Early Islamic tradition frequently describes

accompanied sulṭān Maḥmūd, possibly as offi-

the occurrence of an eclipse of the Sun during

cial astrologer, on several of his military expedi-

74

79

Carter, 1981, p 80 and n 27

Wensinck, 1923, p 193

75

80

M Dabīrsīāqī, Ganj-i bāz yāfta, Tehran, 2535/1355 Sh ,

Al-Bukhārī, Mawāqīt al-Ṣalāt, b 51, cited by Wensinck,

1976, cited after Khāleqī-Moṭlaq, “Aždahā II,” EIr

1923, p 193 and n 6

76

81

Hartner, 1938, and idem, “Al-Djawzahar,” EI² II, 501b

Al-Bukhārī, Kitāb al-ʿItq, b 3, cited by Wensinck, 1923,

Cf Öney, 1969a, pp 193–216; Otto-Dorn, 1978–9, pp 125–

p 193 and n 7

82

36; Azarpay, 1978, pp 363–74

Al-Sijzī, Kitāb al-qirānāt wa taḥāwīl sinī al-ʿālam, as

77 See the definition of al-jawzahar in Abū ʿAbd Allāh

cited in Pingree, 1968, pp 70–127, 118–9 (the table of the

Muḥam mand al-Khwārizmī’s Mafātīḥ al-ʿUlūm, cited after

horoscope of the solar eclipse foreboding the death of the

Hartner, 1938, p 120

Prophet)

78

83

Cf Kharegat, 1914, pp 126–8; MacKenzie, 1964,

Beck, 2004, p 161 and n 29

84

p 515

Idem, p 161

140