The Dragon in Medieval East Christian and Islamic Art by Sara Kuehn, Sebastian Günther, et al - HTML preview

PLEASE NOTE: This is an HTML preview only and some elements such as links or page numbers may be incorrect.
Download the book in PDF, ePub, Kindle for a complete version.

chapter three

are portrayed with their heads turned back and

of the creatures are entwined with the contiguous

their tails intertwined The well-wishing Arabic

addorsed dragons’ tails (fig 36) They are por-

inscriptions are typical of Western Central Asian

trayed with their inner forelegs raised, their wide-

metalwork In the medieval Islamic world inscrip-

open jaws revealing the tongues and the upswept,

tions bestowing blessings on the owner were often

curved wings with tightly curled tip projecting

combined with figural decorations of a symbolic

from the haunches The dragons’ hide is covered

or magical intention,117 in order to magnify the

with scales, the tails knotted at mid-section to

overall apotropaic function intended to benefit

form a figure of eight Importantly, the taper-

the maker and owner of the objects Not least

ing tail tips transform into small dragon heads

because of the epigraphic bands which are typi-

which appear to grasp or snap at the serpentine

cal of Khurasani metalwork, the tray has been

coils 119 An epigraphic frieze around the shoulder

attributed to the first half of thirteenth-century

invokes blessings such as glory, prosperity, per-

northeastern Iran; however on the basis of the

fect health, good fortune, felicity, etc , upon the

creatures’ entwined tails an Anatolian or Jazīran

owner It is notable that the paired dragons have

provenance has recently been suggested 118

close analogies to the dragon figures carved in low

A related composition also fills the inner band

relief on three relief-carved stone panels from

of three zigzag bands that circumscribe the conical

the now destroyed city walls, gates or citadel of

base of a thirteenth-century copper alloy candle-

Konya (618/1221) (fig 60) Like their monumen-

stick base, inlaid with silver, which is preserved

tal cousins, the miniature versions of the dragons

in the Metropolitan Museum of Art, New york

on the candlestick base may wel have conveyed an

It comprises bilateral compositions of con fronted

impression of might and good fortune, thus aug-

pairs of quadruped dragons in profile The tail tips

menting the impact of the epigraphic blessings

117 Cf Kerner, 2004, pp 218–9 and ns 79, 80

the piece was in the collection of N Anavian

118

119

Ivanov, 2004, p 174 The tray is published in the exhi-

Cf d’Avennes, 1877, pl 161–5, fig 3; Dimand, 1926,

bition catalogue Islam and the Medieval West, 1975, cat no

p 197, fig 5

58 Dimensions 8 inch square At the time of publication

dragons and the powers of the earth

49