The Heir of Mondolfo by Mary Wollstonecraft Shelley - HTML preview

THE HEIR OF MONDOLFO

In the beautiful and wild country near Sorrento, in the Kingdom of Naples, at the time it was governed by monarchs of the house of Anjou, there lived a territorial noble, whose wealth and power overbalanced that of the neighboring nobles. His castle, itself a stronghold, was built on a rocky eminence, toppling over the blue and lovely Mediterranean. The hills around were covered with ilex-forests, or subdued to the culture of the olive and vine. Under the sun no spot could be found more favored by nature.

If at eventide you had passed on the placid wave beneath the castellated rock that bore the name of Mondolfo, you would have imagined that all happiness and bliss must reside within its walls, which, thus nestled in beauty, overlooked a scene of such surpassing loveliness; yet if by chance you saw its lord issue from the portal, you shrunk from his frowning brow, you wondered what could impress on his worn cheek the combat of passions. More piteous sight was it to behold his gentle lady, who, the slave of his unbridled temper, the patient sufferer of many wrongs, seemed on the point of entering upon that only repose "where the wicked cease from troubling and the weary are at rest."[1] The Prince Mondolfo had been united early in life to a princess of the regal family of Sicily. She died in giving birth to a son. Many years subsequently, after a journey to the northern Italian states, he returned to his castle, married. The speech of his bride declared her to be a Florentine. The current tale was that he married her for love, and then hated her as the hindrance of his ambitious views. She bore all for the sake of her only child—a child born to its father's hate; a boy of gallant spirit, brave even to wildness. As he grew up, he saw with anger the treatment his mother received from the haughty Prince. He dared come forward as her defender; he dared oppose his boyish courage to his father's rage: the result was natural—he became the object of his father's dislike. Indignity was heaped on him; the vassals were taught to disobey him, the menials to scorn him, his very brother to despise him as of inferior blood and birth. Yet the blood of Mondolfo was his; and, though tempered by the gentle Isabel's more kindly tide, it boiled at the injustice to which he was a victim. A thousand times he poured forth the overflowings of his injured spirit in eloquent complaints to his mother. As her health decayed, he nurtured the project, in case of her death, of flying his paternal castle, and becoming a wanderer, a soldier of fortune. He was now thirteen. The Lady Isabel soon, with a mother's penetration, discovered his secret, and on her death-bed made him swear not to quit his father's protection until he should have attained the age of twenty. Her heart bled for the wretchedness that she foresaw would be his lot; but she looked forward with still greater horror to the picture her active fancy drew of her son at an early age wandering forth in despair, alone and helpless, suffering all the extremities of famine and wretchedness; or, almost worse, yielding to the temptations that in such a situation would be held out to him. She extracted this vow, and died satisfied that he would keep it. Of all the world, she alone knew the worth of her Ludovico—had penetrated beneath the rough surface, and become acquainted with the rich store of virtue and affectionate feeling that lay like unsunned ore in his sensitive heart.

Fernando hated his son. From his earliest boyhood he had felt the sentiment of aversion, which, far from endeavoring to quell, he allowed to take deep root, until Ludovico's most innocent action became a crime, and a system of denial and resistance was introduced that called forth all of sinister that there was in the youth's character, and engendered an active spirit of detestation in his father's mind. Thus Ludovico grew, hated and hating. Brought together through their common situation, the father and son, lord and vassal, oppressor and oppressed, the one was continually ready to exert his power of inflicting evil, the other perpetually on the alert to resist even the shadow of tyranny. After the death of his mother, Ludovico's character greatly changed. The smile that, as the sun, had then often irradiated his countenance, now never shone; suspicion, irritability, and dogged resolution, seemed his master-feelings. He dared his father to the worst, endured that worst, and prevented from flying by his sacred observance of his vow, nurtured all angry and even revengeful feelings till the cup of wrath seemed ready to overflow. He was loved by none, and loving none his good qualities expired, or slept as if they would never more awaken.

His father had intended him for the Church; and Ludovico, until he was sixteen, wore the priestly garb. That period past, he cast it aside, and appeared habited as a cavalier of those days, and in short words told his parent that he refused to comply with his wishes; that he should dedicate himself to arms and enterprise. All that followed this declaration—menace, imprisonment, and even ignominy—he bore, but he continued firm; and the haughty Fernando was obliged to submit his towering will to the firmer will of a stripling. And now, for the first time, while rage seemed to burst his heart, he felt to its highest degree the sentiment of hatred; he expressed this passion—words of contempt and boundless detestation replied; and the bystanders feared that a personal encounter would ensue. Once Fernando put his hand on his sword, and the unarmed Ludovico drew in and collected himself, as if ready to spring and seize the arm that might be uplifted against him. Fernando saw and dreaded the mad ferocity his son's eye expressed. In all personal encounters of this kind the victory rests not with the strong, but the most fearless. Fernando was not ready to stake his own life, or even with his own hand to shed his son's blood; Ludovico, not as aggressor, but in self-defense, was careless of the consequences of an attack—he would resist to the death; and this dauntless feeling gave him an ascendency his father felt and could not forgive.

From this time Fernando's conduct toward his son changed. He no longer punished, imprisoned, or menaced him. This was usage for a boy, but the Prince felt that they were man to man, and acted accordingly. He was the gainer by the change; for he soon acquired all the ascendency that experience, craft, and a court education, must naturally give him over a hot-headed youth, who, nerved to resist all personal violence, neither saw nor understood a more covert mode of proceeding. Fernando hoped to drive his son to desperation. He set spies over him, paid the tempters that were to lead him to crime, and by a continued system of restraint and miserable thwarting hoped to reduce him to such despair that he would take refuge in any line of conduct that promised freedom from so irksome and degrading a slavery. His observance of his vow saved the youth; and this steadiness of purpose gave him time to read and understand the motives of the tempters. He saw his father's master-hand in all, and his heart sickened at the discovery.

He had reached his eighteenth year. The treatment he had endured and the constant exertion of fortitude and resolution had already given him the appearance of manhood. He was tall, well made, and athletic. His person and demeanor were more energetic than graceful, and his manners were haughty and reserved. He had few accomplishments, for his father had been at no pains for his education; feats of horsemanship and arms made up the whole catalogue. He hated books, as being a part of a priest's insignia; he was averse to all occupation that brought bodily repose with it. His complexion was dark—hardship had even rendered it sallow; his eyes, once soft, now glared with fierceness; his lips, formed to express tenderness, were now habitually curled in contempt; his dark hair, clustering in thick curls round his throat, completed the wild but grand and interesting appearance of his person.

It was winter, and the pleasures of the chase began. Every morning the huntsmen assembled to attack the wild-boars or stags which the dogs might arouse in the fastnesses of the Apennines. This was the only pleasure that Ludovico ever enjoyed. During these pursuits he felt himself free. Mounted on a noble horse, which he urged to its full speed, his blood danced in his veins, and his eyes shone with rapture as he cast his eagle glance to heaven; with a smile of ineffable disdain, he passed his false friends or open tormentors, and gained a solitary precedence in the pursuit.

The plain at the foot of Vesuvius and its neighboring hills was stripped bare by winter; the full stream rushed impetuously from the hills; and there was mingled with it the baying of the dogs and the cries of the hunters; the sea, dark under a lowering sky, made a melancholy dirge as its waves broke on the shore; Vesuvius groaned heavily, and the birds answered it by wailing shrieks; a heavy sirocco hung upon the atmosphere, rendering it damp and cold. This wind seems at once to excite and depress the human mind: it excites it to thought, but colors those thoughts, as it does the sky, with black. Ludovico felt this; but he tried to surmount the natural feelings with which the ungenial air filled him.

The temperature of the air changed as the day advanced. The clouded sky spent itself in snow, which fell in abundance; it then became clear, and sharp frost succeeded. The aspect of earth was changed. Snow covered the ground and lay on the leafless trees, sparkling, white, and untrod. Early in the morning a stag had been roused, and, as he was coursed along the plain skirting the hills, the hunters went at speed. All day the chase endured. At length the stag, who from the beginning had directed his course toward the hills, began to ascend them, and, with various windings and evolutions, almost put the hounds to fault. Day was near its close when Ludovico alone followed the stag, as it made for the edge of a kind of platform of the mountain, which, isthmus-like, was connected with the hill by a small tongue of land, and on three sides was precipitous to the plain below. Ludovico balanced his spear, and his dogs drew in, expecting that the despairing animal would there turn to bay. He made one bound, which conducted him to the very brow of the precipice—another, and he was seen no more. He sprang downward, expecting more pity from the rocks beneath than from his human adversary. Ludovico was fatigued by the chase and angry at the escape of his prey. He sprang from his horse, tied him to a tree, and sought a path by which he might safely descend to the plain. Snow covered and hid the ground, obliterating the usual traces that the flocks or herds might have left as they descended from their pastures on the hills to the hamlets beneath; but Ludovico had passed his boyhood among mountains: while his hunting-spear found sure rest on the ground, he did not fear, or while a twig afforded him sufficient support as he held it, he did not doubt to secure his passage; but the descent was precipitous, and necessary caution obliged him to be long. The sun approached the horizon, and the glow of its departure was veiled by swift-rising clouds which the wind blew upward from the sea—a cold wind, which whirled the snow from its resting-place and shook it from the trees. Ludovico at length arrived at the foot of the precipice. The snow reflected and enhanced the twilight, and he saw four deep marks that must have been made by the deer. The precipice was high above, and its escape appeared a miracle. It must have escaped; but those were the only marks it had left. Around lay a forest of ilex, beset by thick, entangled underwood, and it seemed impossible that any animal so large as the stag in pursuit could have broken its way through the apparently impenetrable barrier it opposed. The desire to find his quarry became almost a passion in the heart of Ludovico. He walked round to seek for an opening, and at last found a narrow pathway through the forest, and some few marks seemed to indicate that the stag must have sought for refuge up the glen. With a swiftness characteristic even of his prey, Ludovico rushed up the pathway, and thought not of how far he ran, until, breathless, he stopped before a cottage that opposed itself to his further progress. He stopped and looked around. There was something singularly mournful in the scene. It was not dark, but the shades of evening seemed to descend from the vast woof of cloud that climbed the sky from the west. The black and shining leaves of the ilex and those of the laurel and myrtle underwood were strongly contrasted with the white snow that lay upon them. A breeze passed among the boughs, and scattered the drift that fell in flakes, and disturbed by fits the silence around; or, again, a bird twittered, or flew with melancholy flap of wing, beneath the trees to its nest in some hollow trunk. The house seemed desolate; its windows were glassless, and small heaps of snow lay upon the sills. There was no print of footing on the equal surface of the path that led right up to the door, yet a little smoke now and then struggled upward from its chimney, and, on paying fixed attention, Prince Ludovico thought he heard a voice. He called, but received no answer. He put his hand on the latch; it yielded, and he entered. On the floor, strewed with leaves, lay a person sick and dying; for, though there was a slight motion in the eyes that showed that life had not yet deserted his throne, the paleness of the visage was that of death only. It was an aged woman, and her white hair showed that she descended to no untimely grave. But a figure knelt beside her which might have been mistaken for the angel of heaven waiting to receive and guide the departing soul to eternal rest, but for the sharp agony that was stamped on the features, and the glazed but earnest gaze of her eye. She was very young, and beautiful as the star of evening. She had apparently despoiled herself to bestow warmth on her dying friend, for her arms and neck were bare but for the quantity of dark and flowing hair that clustered on her shoulders. She was absorbed in one feeling, that of watching the change in the sick person. Her cheeks, even her lips, were pale; her eyes seemed to gaze as if her whole life reigned in their single perception. She did not hear Ludovico enter, or, at least, she made no sign that indicated that she was conscious of it. The sick person murmured; as she bent her head down to catch the sound, she replied, in an accent of despair:

"I can get no more leaves, for the snow is on the ground; nor have I any other earthly thing to place over you."

"Is she cold?" said Ludovico, creeping near, and bending down beside the afflicted girl.

"Oh, very cold!" she replied, "and there is no help."

Ludovico had gone to the chase in a silken mantle lined with the choicest furs: he had thrown it off, and left it with his horse that it might not impede his descent. He hastened from the cottage, he ran down the lane, and, following the marks of his footsteps, he arrived where his steed awaited him. He did not again descend by the same path, reflecting that it might be necessary for him to seek assistance for the dying woman. He led his horse down the bill by a circuitous path, and, although he did this with all possible speed, night closed in, and the glare of the snow alone permitted him to see the path that he desired to follow. When he arrived at the lane he saw that the cottage, before so dark, was illuminated, and, as he approached, he heard the solemn hymn of death as it was chanted by the priests who filled it. The change had taken place, the soul had left its mortal mansion, and the deserted ruin was attended with more of solemnity than had been paid to the mortal struggle. Amid the crowd of priests Ludovico entered unperceived, and he looked around for the lovely female he had left. She sat, retired from the priests, on a heap of leaves in a corner of the cottage. Her clasped hands lay on her knees, her head was bent downward, and every now and then she wiped away her fast-falling tears with her hair. Ludovico threw his cloak over her. She looked up, and drew the covering round her, more to hide her person than for the sake of warmth, and then, again turning away, was absorbed in her melancholy thoughts.

Ludovico gazed on her in pity. For the first time since his mother's death, tears filled his eyes, and his softened countenance beamed with tender sympathy. He said nothing, but he continued to look on as a wish arose in his mind that he might wipe the tears that one by one fell from the shrouded eyes of the unfortunate girl. As he was thus engaged, he heard his name called by one of the attendants of the castle, and, throwing the few pieces of gold he possessed into the lap of the sufferer, he suddenly left the cottage, and, joining the servant who had been in search of him, rode rapidly toward his home.

As Ludovico rode along, and the first emotions of pity having, as it were, ceased to throb in his mind, these feelings merged into the strain of thought in which he habitually indulged, and turned its course to something new.

"I call myself wretched," he cried—"I, the well clad and fed, and this lovely peasant-girl, half famished, parts with her necessary clothing to cover the dying limbs of her only friend. I also have lost my only friend, and that is my true misfortune, the cause of all my real misery—sycophants would assume that name—spies and traitors usurp that office. I have cast these aside—shaken them from me as you bough shakes to earth its incumbrance of snow, not as cold as their iced hearts, but I am alone—solitude gnaws my heart and makes me savage—miserable—worthless."

Yet, although he thought in this manner, the heart of Ludovico was softened by what he had seen, and milder feelings pressed upon him. He had felt sympathy for one who needed it; he had conferred a benefit on the necessitous, tenderness molded his lips to a smile, and the pride of utility gave dignity to the fire of his eye. The people about him saw the change, and, not meeting with the usual disdain of his manner, they also became softened, and the alteration apparent in his character seemed ready to effect as great a metamorphosis in his external situation. But the time was not come when this change would become permanent.

On the day that succeeded to this hunt, Prince Fernando removed to Naples, and commanded his son to accompany him. The residence at Naples was peculiarly irksome to Ludovico. In the country he enjoyed comparative freedom. Satisfied that he was in the castle, his father sometimes forgot him for days together; but it was otherwise here. Fearful that he should form friends and connections, and knowing that his commanding figure and peculiar manners excited attention and often curiosity, he kept him ever in sight; or, if he left him for a moment, he first made himself sure of the people around him, and left such of his own confidants whose very presence was venom to the eye of Ludovico. Add to which, Prince Mondolfo delighted to insult and browbeat his son in public, and, aware of his deficiencies in the more elegant accomplishments, he exposed him even to the derision of his friends. They remained two months at Naples, and then returned to Mondolfo.

It was spring; the air was genial and spirit-stirring. The white blossoms of the almond-trees and the pink ones of the peach just began to be contrasted with the green leaves that shot forth among them. Ludovico felt little of the exhilarating effects of spring. Wounded in his heart's core, he asked nature why she painted a sepulcher; he asked the airs why they fanned the sorrowful and the dead. He wandered forth to solitude. He rambled down the path that led to the sea; he sat on the beach, watching the monotonous flow of the waves; they danced and sparkled; his gloomy thoughts refused to imbibe cheerfulness from wave or sun.

A form passed near him—a peasant-girl, who balanced a pitcher, urn-shaped, upon her head; she was meanly clad, but she attracted Ludovico's regard, and when, having approached the fountain, she took her pitcher and turned to fill it, he recognized the cottager of the foregoing winter. She knew him also, and, leaving her occupation, she approached him and kissed his hand with that irresistible grace that southern climes seem to instill into the meanest of their children. At first she hesitated, and began to thank him in broken accents, but words came as she spoke, and Ludovico listened to her eloquent thanks—the first he had heard addressed to him by any human being. A smile of pleasure stole over his face—a smile whose beauty sank deep into the gazer's heart. In a minute they were seated on the bank beside the fountain, and Viola told the story of her poverty-stricken youth—her orphan lot—the death of her best friend—and it was now only the benign climate which, in diminishing human wants, made her appear less wretched than then. She was alone in the world—living in that desolate cottage—providing for her daily fare with difficulty. Her pale cheek, the sickly languor that pervaded her manner, gave evidence of the truth of her words; but she did not weep, she spoke words of good heart, and it was only when she alluded to the benefaction of Ludovico that her soft dark eyes swam with tears.

The youth visited her cottage the next day. He rode up the lane, now grass-grown and scented by violets, which Viola was gathering from the banks. She presented her nosegay to him. They entered the cottage together. It was dilapidated and miserable. A few flowers placed in a broken vase was a type only of poor Viola herself—a lovely blossom in the midst of utter poverty; and the rose-tree that shaded the window could only tell that sweet Italy, even in the midst of wretchedness, spares her natural wealth to adorn her children.

Ludovico made Viola sit down on a bench by the window, and stood opposite to her, her flowers in his hand, listening. She did not talk of her poverty, and it would be difficult to recount what was said. She seemed happy and smiled and spoke with a gleeful voice, which softened the heart of her friend, so that he almost wept with pity and admiration. After this, day by day, Ludovico visited the cottage and bestowed all his time on Viola. He came and talked with her, gathered violets with her, consoled and advised her, and became happy. The idea that he was of use to a single human being instilled joy into his heart; and yet he was wholly unconscious how entirely he was necessary to the happiness of his protégée. He felt happy beside her, he was delighted to bestow benefits on her, and to see her profit by them; but he did not think of love, and his mind, unawakened to passion, reposed from its long pain without a thought for the future. It was not so with the peasant-girl. She could not see his eyes bent in gentleness on her, his mouth lighted by its tender smile, or listen to his voice as he bade her trust in him, for that he would be father, brother, all to her, without deeply, passionately loving him. He became the sun of her day, the breath of her life—her hope, joy, and sole possession. She watched for his coming, she watched him as he went, and for a long time she was happy. She would not repine that he replied to her earnest love with calm affection only—she was a peasant, he a noble—and she could claim and expect no more; he was a god—she might adore him; and it were blasphemy to hope for more than a benign acceptation of her worship.

Prince Mondolfo was soon made aware of Ludovico's visits to the cottage of the forest, and he did not doubt that Viola had become the mistress of his son. He did not endeavor to interrupt the connection, or put any bar to his visits. Ludovico, indeed, enjoyed more liberty than ever, and his cruel father confined himself alone to the restricting of him more than ever in money. His policy was apparent: Ludovico had resisted every temptation of gambling and other modes of expense thrown in his way. Fernando had long wished to bring his son to a painful sense of his poverty and dependence, and to oblige him to seek the necessary funds in such a career as would necessitate his desertion of the paternal roof. He had wound many snares around the boy, and all were snapped by his firm but almost unconscious resistance; but now, without seeking, without expectation, the occasion came of itself which would lead him to require far more than his father had at any time allowed him, and now that allowance was restricted, yet Ludovico did not murmur—and until now he had had enough.

A long time Fernando abstained from all allusion to the connection of his son; but one evening, at a banquet, gayety overcame his caution—a gayety which ever led him to sport with his son's feelings, and to excite a pain which might repress the smile that his new state of mind ceased to make frequent visits to his countenance.

"Here," cried Fernando, as he filled a goblet—"here, Ludovico, is to the health of your violet-girl!" and he concluded his speech with some indecorous allusion that suffused Ludovico's cheek with red. Without replying he arose to depart.

"And whither are you going, sir?" cried his father. "Take you cup to answer my pledge, for, by Bacchus! none that sit at my table shall pass it uncourteously by."

Ludovico, still standing, filled his cup and raised it as he was about to speak and retort to his father's speech, but the memory of his words and the innocence of Viola pressed upon him and filled his heart almost to bursting. He put down his cup, pushed aside the people who sought to detain him, and left the castle, and soon the laughter of the revelers was no more heard by him, though it had loudly rung and was echoed through the lofty halls. The words of Fernando had awakened a strange spirit in Ludovico. "Viola! Can she love me? Do I love her?" The last question was quickly answered. Passion, suddenly awake, made every artery tingle by its thrilling presence. His cheeks burned and his heart danced with strange exultation as he hastened toward the cottage, unheeding all but the universe of sensation that dwelt within him. He reached its door. Blank and dark the walls rose before him, and the boughs of the wood waved and sighed over him. Until now he had felt impatience alone—the sickness of fear—fear of finding a cold return to his passion's feeling now entered his heart; and, retreating a little from the cottage, he sat on a bank, and hid his face in his hands, while passionate tears gushed from his eyes and trickled from between his fingers. Viola opened the door of her cottage; Ludovico had failed in his daily visit, and she was unhappy. She looked on the sky—the sun had set, and Hesperus glowed in the west; the dark ilex-trees made a deep shade, which was broken by innumerable fire-flies, which flashed now low on the ground, discovering the flowers as they slept hushed and closed in night, now high among the branches, and their light was reflected by the shining leaves of ilex and laurel. Viola's wandering eye unconsciously selected one and followed it as it flew, and ever and anon cast aside its veil of darkness and shed a wide pallor around its own form. At length it nestled itself in a bower of green leaves formed by a clump of united laurels and myrtles; and there it stayed, flashing its beautiful light, which, coming from among the boughs, seemed as if the brightest star of the heavens had wandered from its course, and, trembling at its temerity, sat panting on its earthly perch. Ludovico sat near the laurel—Viola saw him—her breath came quick—she spoke not—but stepped lightly to him—and looked with such mazed ecstasy of thought that she felt, nay, almost heard, her heart beat with her emotion. At length she spoke—she uttered his name, and he looked up on her gentle face, her beaming eyes and her sylph-like form bent over him. He forgot his fears, and his hopes were soon confirmed. For the first time he pressed the trembling lips of Viola, and then tore himself away to think with rapture and wonder on all that had taken place.

Ludovico ever acted with energy and promptness. He returned only to plan with Viola when they might be united. A small chapel in the Apennines, sequestered and unknown, was selected; a priest was easily procured from a neighboring convent and easily bribed to silence. Ludovico led back his bride to the cottage in the forest. There she continued to reside; for worlds he would not have had her change her habitation; all his wealth was expended in decorating it; yet his all only sufficed to render it tolerable. But they were happy. The small circlet of earth's expanse that held in his Viola was the universe to her husband. His heart and imagination widened and filled it until it encompassed all of beautiful, and was inhabited by all of excellent, this world contains. She sang to him; he listened, and the notes built around him a magic bower of delight. He trod the soil of paradise, and its winds fed his mind to intoxication. The inhabitants of Mondolfo could not recognize the haughty, resentful Ludovico in the benign and gentle husband of Viola. His father's taunts were unheeded, for he did not hear them. He no longer trod the earth, but, angel-like, sustained by the wings of love, skimmed over it, so that he felt not its inequalities nor was touched by its rude obstacles. And Viola, with deep gratitude and passionate tenderness, repaid his love. She thought of him only, lived for him, and with unwearied attention kept alive in his mind the first dream of passion.

Thus nearly two years passed, and a lovely child appeared to bind the lovers with closer ties, and to fill their humble roof with smiles and joy.

Ludovico seldom went to Mondolfo; and his father, continuing his ancient policy, and glad that in his attachment to a peasant-girl he had relieved his mind from the fear of brilliant connections and able friends, even dispensed with his attendance when he visited Naples. Fernando did not suspect that his son had married his low-born favorite; if he had, his aversion for him would not have withheld him from resisting so degrading an alliance; and, while his blood flowed in Ludovico's veins, he would never have avowed offspring who were contaminated by a peasant's less highly-sprung tide.

Ludovico had nearly completely his twentieth year when his elder brother died. Prince Mondolfo at that time spent four months at Naples, endeavoring to bring to a conclusion a treaty of marriage he had entered into between his heir and the daughter of a noble Neapolitan house, when this death overthrew his hopes, and he retired in grief and mourning to his castle. A few weeks of sorrow and reason restored him to himself. He had loved even this favored eldest son more as the heir of his name and fortune than as his child; and the web destroyed that he had woven for him, he quickly began another.

Ludovico was summoned to his father's presence. Old habit yet rendered such a summons momentous; but the youth, with a proud smile, threw off these boyish cares, and stood with a gentle dignity before his altered parent.

"Ludovico," said the Prince, "four years ago you refused to take a priest's vows, and then you excited my utmost resentment; now I thank you for that resistance."

A slight feeling of suspicion crossed Ludovico's mind that his father was about to cajole him for some evil purpose. Two years before he would have acted on such a thought, but the habit of happiness made him unsuspicious. He bent his head gently.

"Ludovico," continued his father, while pride and a wish