As I read in Mr. Hollister’s chapter on Mount Vernon of Washington’s long absence from the home he loved and of the eagerness with which he returned to it after the tumultuous years of the Revolutionary War, I was caught by the fancy that lovers of books have recently gone through a somewhat parallel experience. Dragged away by the Great War from the books they cared for, plunged into continual war reading, they now find, to their infinite relief, that they are getting home again—back to Mount Vernon, as it were. And it seems to me the change could not better be exemplified than in this charming, gentle book of Famous Colonial Houses.
While we were fighting to preserve the heritage and the traditions left us by Washington, Jefferson, Carroll of Carrollton, and other great figures of their time, whom we find in these pages, we were too busily engaged to give much thought to the origins of the things we fought to save. Not that the forefathers of the nation were forgotten, but that historic men were, in that time of stress, overshadowed by historic principles laid down by them. We put them aside tenderly, as books are put aside when the sword is taken up. Yet now that we have vindicated in battle the freedom that they gave us, we find them more than ever with us. For a just war fought through to victory sheds glory not only upon the men who fought it and the nation for which they fought, but also upon the nation’s ancient heroes, whose stature is increased with that of their country. Wherefore this book, telling tales of old houses in which early American history was made, and of men who made the houses and the history, is even more welcome today than it would have been before the Great War.
It is welcome, too, for another partially extrinsic reason.
In the face of mutterings of anarchy—that Russian importation which is so much less satisfactory than the caviar—there is reassurance in these sturdy calm old mansions which are the monuments of the sturdy calm old patriots who raised them—men having a rare sense of proportion which they exercised not only in building their houses but in building the nation on lines equally clean, sound and beautiful. Fancy a shaggy Bolshevik, his mouth full of broken English, his head full of sophistry, and his heart full of greed for the possessions of others, being led up Mount Vernon, Monticello or Doughoregan Manor! Could any contrast make a picture more grotesque? Could there be conceived a background more serenely sane, more perfectly American, against which to display the distortion of this foreign madness? Every stone and brick and timber of such houses preaches a sermon on Americanism.
It is a sermon not only for aliens, but for all of us. We should all see these houses, or if we cannot see them, we should know them as some of them are made known to us in this book. Our land is a better land for having them within its borders, and we will be better citizens for an acquaintance with them.
The day on which I went to Monticello was beautiful, yet, save my companion, no one else was there. I wonder how many of the politicians who, with the vox humana stop pulled out, acclaim the name of Jefferson as founder of the Democratic Party, have made the short pilgrimage from Washington to Charlottesville to visit the house he lived in and the grave where he is buried.
In curious contrast to the large investment of the nation in National Parks, is its apparent indifference in the matter of the homes of its historic figures. Not one of the houses dealt with by Mr. Hollister in this book is the property of the nation. Two of them are, to be sure, houses which, though their story is interesting, are not involved with national history; and some of the others are not of sufficient importance, from the purely historical point of view, to make them national monuments of the first order. But two are, on the other hand, the homes of early presidents, and neither of these is owned by the nation. For all practical purposes Mount Vernon is as free to the public as though the nation did own it, but the fact remains that the title to it is vested in a society; while as for Monticello, it is owned by a private individual, not a descendant of Jefferson, into whose hands it came by inheritance from a forebear said to have secured it in a not too creditable way. It is difficult to understand why the State of Virginia or the Nation has not bought the place, which, I am told, the owner has declared his willingness to part with—at a price.
The census of the twelve houses described and pictured in this book is worth completing. One, Mount Vernon, is, as I have said, owned by an organization of patriotic women; two are owned by their municipalities and are cared for by patriotic organizations; one only is the home of a lineal descendant and namesake of the builder—though three others belong to persons having in their veins blood of the first masters of their houses. And one—a most interesting, but not historic house—is a poor battered tenement. Seven of the houses are situated in Northern States, one in a Border State, and four are in the South. The builders of two of the houses, the first and third Presidents of the United States, are buried on the grounds nearby, and in one case the builder is buried under the chancel of a private chapel, a part of the house itself.
These historic houses may well be regarded as taking the place with us of the crown jewels of an empire. I am thankful to have seen eight of the twelve. For, like one of Goldsmith’s characters, “I love everything that’s old—old friends, old times, old manors, old books, old wine.”
Therefore I find myself particularly pleased at being associated with this book, though in so slight a way. The two men who created it—for in this case the author and the artist surely stand on equal footing—are my old friends. Obviously, the book is one of old times and old manors, and if that does not make it an old book, what could? Only the old wine is lacking to complete the quintet. And even that may some day be accessible again. Who knows?
—Julian Street.
NORFOLK, CONN.,
September, 1921.