Old Indian trails by Walter McClintock - HTML preview

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CHAPTER XL
SOCIETY OF BRAVE DOGS

My tepee was near the three dance lodges of the Brave Dog Society, which were somewhat apart from the others, near the center of the circle camp. There they kept their costumes and weapons and dressed for parades and dances. Day after day I watched them in their interesting customs.

As a society they had power, because of their reputation for bravery. Every one feared to oppose them. They did not maltreat people, but sometimes punished severely offenders against the public welfare. Their function in the tribal camp was primarily to preserve order.

The first evening of the camp, they rode round the circle shouting their orders to the people, saying:

“Let every one be quiet to-night. Young people must not act thoughtlessly or play pranks. The sacred woman has important ceremonies and should not be disturbed.”

For parades and dances out of doors, the Brave Dogs went forth in their best costumes. They marched by twos. Short Robe, their leader, wore a beaded suit of deerskin trimmed over shoulders and arms with black-tipped weasel-skins; also a large coyote-skin, with his head thrust through a slit in the middle of the skin and the tail hanging down his back. According to their society custom, he carried a rattle in his right hand and a blanket over his left arm. Sometimes in their parades, Short Robe’s youngest son, a boy of twelve, walked by his father’s side, wearing a miniature costume like the chief.

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SOCIETY OF BRAVE DOGS MARCHING THROUGH THE CAMP

In front is Short Robe, the head man, with his small son

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CHARACTERISTIC COSTUMES OF BRAVE DOGS

In the center is Lone Chief as a grizzly bear. The four others—Blood, Flat Tail, Mountain Chief, and Drags-His-Robe—were known as Old Men Comrades

Next in rank to Short Robe were two mounted men, Big Moon and Elk Horn. They were the assistant leaders, and wore war bonnets of selected eagle feathers. Their horses were painted with war pictures, representing the brave deeds of their riders.

Two members, Lone Chief and Cream Antelope, represented grizzly bears. They alone of the society carried bows and arrows. Their faces were painted with the “bear face” pattern—red all over, with black marks downward from the eyes and corners of the mouth. They wore headdresses of bearskin, with bear’s ears and two bear claws on top for horns; and on their arms were bands made of bearskin with bear claws attached. The lower part of their bodies was naked and painted with bright colors. They wore loin-cloths and beaded belts with daggers and short-sleeved shirts of soft-tanned skins covered with fringe.

Four other members were known as “Old Men Comrades.” They were Flat Tail, Mountain Chief, Drags-His-Robe, and Blood. They carried rattles and wore eagle feathers in their hair. Flat Tail had a beaver-skin cap, Mountain Chief a red band round his head and carried a skin shield decorated with clusters of eagle feathers. It was the duty of the Old Men Comrades to call the society together, to act as advisers in the ceremonies, also as heralds and to make announcements to the people.

The lay members wore whatever they pleased. They were mostly from prominent families, who were chosen because of their fine costumes; also because their relatives had property and could make liberal presents to the society. They were—Lazy Husband, Raven Eyes, Drags Behind, Makes-Cold-Weather, Bad Married, Big Spring, Bird Rattler, Bear Shoe, Three Bears, Two Spears, and Black Bear. In parades it was their custom to carry blankets over their left arms and rattles in their right hands. They painted their faces to correspond with the designs on their rattles. These rattles were looked upon as ceremonial objects and were all different. If a member wanted to withdraw from the society, he sold his rattle. Thus the transfer consisted in the purchase of a rattle.

In parades the four drummers walked behind, wearing blankets tied about their waists, beating on drums and singing. Some of the members carried sacred objects; Drags-His-Robe had a Medicine Pipe, Mountain Chief a Shield, and Big Moon, one of the mounted men, the War Bridle.

They all marched in time with the beating of drums and sang. A throng of women and children, the families of members, followed in the rear. Every now and then they stopped in their march, and, turning about, faced the drummers and danced backwards and forwards; then reversed and moved on. Sometimes they stopped to give a formal dance in front of the lodge of a prominent man. They seated themselves in a circle in their regular positions on both sides of the door. Short Robe, as chief of the society, was at the head with his son; and then the four Old Men Comrades. The two grizzly bears were at the other end of the circle, with the lay members between. The families of members stood near and helped in the singing.

In the dance they rose in their places. The two mounted men rode round and round the circle in opposite directions, forcing the dancers toward the center, and at last pretended to ride them down. This figure was used, because the founder of the society had a way of killing enemies by riding them down with his horse. Finally, all members who had performed the brave feat of unhorsing an enemy, took hold of the two mounted men and dragged them from their horses. Then they all danced together. When they were ready to stop, they held their rattles high in the air and the drummers their drums; they shouted and returned to their seats.

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BRAVE DOGS GIVING THEIR SOCIETY DANCE

Whenever the Brave Dogs stopped at a lodge and gave their dance, the owner was expected to give them a feast, They kept on dancing until food appeared. Any man of prominence dared not refuse, lest people think him stingy.

After their feasts, the head men of the society were accustomed to make speeches; and they all sang together accompanied by the beating of drums. One of their songs was: “It is bad to live to be old; it is better to die young, fighting bravely in battle.”

One evening, I saw the Brave Dogs marching through camp in the golden light of sunset. They went to the beating of drums, singing in unison and shaking their rattles, dressed in gorgeous costumes of wild animal skins and war bonnets, carrying weapons and their standards of black-tipped eagle feathers. Elk Horn, as herald, rode in advance, shouting their orders and warnings; and announced their society dance.

That night I saw the lodges of the Brave Dogs, glowing with light from inside fires. Their drums beat steadily and became louder and louder. Then people began to assemble, coming from all parts of the camp, until the dance lodge was thronged.

I stood outside, listening to the war-whoops and singing. The rhythmical beating of the drums increased until it reached a climax; then, with loud beating and shouts, would suddenly cease.

For a while I waited; then crawled under the canvas and found myself inside, among a crowd of women and children—the families of the Brave Dogs. But, they were so interested in the dance, they took no notice of my sudden appearance in their midst.

The dance was at its height and the Brave Dogs had laid aside their costumes and blankets. They looked savage and wild, with the red glow of the fire on painted faces and bodies. They wore only loin-cloths and moccasins. Some had bone whistles in their mouths on which they blew shrilly, others sang and gave war-whoops at intervals.

Short Robe as leader wore his large coyote-skin, with head thrust through a slit in the middle, the tail hanging down his back and almost touching the ground. Four of the dancers were covered with white clay and represented gray wolves. They carried long sticks decorated with eagle feathers. They imitated wolves driving buffalo, circling round the dancers. Their step was an alternate lifting of the feet, slow or fast, according to the beat of the drums.

The two grizzly bear dancers sat in a hole for a den. They wore the bear headdress, with bear’s ears and bear claws on top for double horns. Their faces were painted red with black streaks across the eyes and corners of the mouth, representing the “bear face.”

Whenever the spectators wanted to see them dance, they threw at them; but, like bears, they were lazy and stayed in their den until a point in the dance when the wolf dancers had herded the buffalo and were closing in; then the two bears rose slowly and entered the dance, driving back the wolves from the buffalo, after which they returned to their den and all the dancers sat down. This figure was repeated many times.

Before they separated, the Brave Dogs had a feast; and then marched through the camp, singing their society song and shouting:

“Let every one be quiet to-night. Do not disturb the sacred woman. All the young men should rest and be ready to help. To-morrow we will build the Sun Lodge and will make it a great day.”