William Blake & Jacob Boehme: Imagination, Experience & the Limitations of Reason by Kevin Fischer - HTML preview

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K E V I N F I S C H E R

 

he also writes in The Laocoön, ‘Christianity is Art’: ‘A Poet a Painter a Musician an Architect: the Man/Or Woman who is not one of these is not a Christian.’ This view unites the truly creative with Christ, for ‘Jesus

 

his Apostles & Disciples were all Artists’.30 While Boehme’s visionary scheme—the emergence of the divine from the unfathomable Abyss, the activities of the seven properties and three principles, and so on—is too complex and interwoven to discuss in detail here, it can be noted that in this scheme he gives the creative spirit individual, personal form. His visionary system is not a set of ideas, a logical construct; nor is it a simple or direct description of the movements of divinity; nor is it a statement of what divinity is or is not—rather, it is an imaginative medium for approaching the divine. In this sense it can be argued that in his work Boehme created his own individual art form. As he wrote, ‘A true Christian is a continual making word in God’s voice’. His vision is dynamic and imaginative, and in keeping with his view that reality is not fixed, finished, and unchanging, and thus capable of being fully and finally understood and explained. Rather, it is ongoing, evolving, ever-expanding. As he wrote of the nature of spiritual enquiry in the Aurora:

 

 

 

the Being of God, is like a Wheel, wherein many wheeles are made one in another, upward, downward, crosse-ways, and yet continually turn all of them together . . .. When a man beholdeth the wheel, he highly marvaileth at it, and cannot at once in its turning learn to conceive and apprehend it: but the more he beholdeth the wheel, the more he learneth its Form or frame; and the more he learneth, the greater Longing he hath to the Wheel; for he continually seeth somewhat, that is more and more wonderfull, so that a man can neither behold it or learn it Enough.31

 

 

Reality is inexhaustible, and, when imaginatively engaged with, continually reveals new possibilities. In accord with this, Boehme’s writings embrace and nurture a progressive, ever-deepening and creative understanding. Blake’s work similarly represents a new development and creation of spiritual understanding. Both stress the need for each individual to encounter and interpret anew the truths that, in Blake’s words, ‘reside in the human breast’.32 Boehme too speaks of this: ‘One always understands otherwise than another, according