Peter Ruff and the Double Four by E. Phillips Oppenheim - HTML preview

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 I.7. The Demand Of The Double-Four

 

It was about this time that Peter Ruff found among his letters one morning a highly-scented little missive, addressed to him in a handwriting with which he had once been familiar. He looked at it for several moments before opening it. Even as the paper cutter slid through the top of the envelope, he felt that he had already divined the nature of its contents.

FRIVOLITY THEATRE March 10th

MY DEAR Mr. RUFF:

I expect that you will be surprised to hear from me again, but I do hope that you will not be annoyed. I know that I behaved very horridly a little time ago, but it was not altogether my fault, and I have been more sorry for it than I can tell you - in fact, John and I have never been the same since, and for the present, at any rate, I have left him and gone on the stage. A lady whom I knew got me a place in the chorus here, and so far I like it immensely.

Won't you come and meet me after the show to-morrow night, and I will tell you all about it? I should like so much to see you again. MAUD.

Peter Ruff placed this letter in his breast-coat pocket, and withheld it from his secretary's notice. He felt, however, very little pleasure at the invitation it conveyed. He hesitated for some time, in fact, whether to accept it or not. Finally, after his modest dinner that evening, he bought a stall for the Frivolity and watched the piece. The girl he had come to see was there in the second row of the chorus, but she certainly did not look her best in the somewhat scant costume required by the part. She showed no signs whatever of any special ability - neither her dancing nor her singing seemed to entitle her to any consideration. She carried herself with a certain amount of self-consciousness, and her eyes seemed perpetually fixed upon the occupants of the stalls. Peter Ruff laid down his glasses with something between a sigh and a groan. There was something to him inexpressibly sad in the sight of his old sweetheart so transformed, so utterly changed from the prim, somewhat genteel young person who had accepted his modest advances with such ladylike diffidence. She seemed, indeed, to have lost those very gifts which had first attracted him. Nevertheless, he kept his appointment at the stage-door.

She was among the first to come out, and she greeted him warmly - almost noisily. With her new profession, she seemed to have adopted a different and certainly more flamboyant deportment.

"I thought you'd come to-night," she declared, with an arch look. "I felt certain I saw you in the stalls. You are going to take me to supper, are n't you? Shall we go to the Milan?"

Peter Ruff assented without enthusiasm, handed her into a hansom, and took his place beside her. She wore a very large hat, untidily put on; some of the paint seemed still to be upon her face; her voice, too, seemed to have become louder, and her manner more assertive. There were obvious indications that she no longer considered brandy and soda an unladylike beverage. Peter Ruff was not pleased with himself or proud of his companion.

"You'll take some wine?" he suggested, after he had ordered, with a few hints from her, a somewhat extensive supper.

"Champagne," she answered, decidedly. "I've got quite used to it, nowadays," she went on. "I could laugh to think how strange it tasted when you first took me out."

"Tell me," Peter Ruff said, "why you have left your husband?" She laughed.

"Because he was dull and because he was cross," she answered, "and because the life down at Streatham was simply intolerable. I think it was a little your fault, too," she said, making eyes; at him across the table. "You gave me a taste of what life was like outside Streatham, and I never forgot it."

Peter Ruff did not respond - he led the conversation, indeed, into other channels. On the whole, the supper was scarcely a success. Maud, who was growing to consider herself something of a Bohemian, and who certainly looked for some touch of sentiment on the part of her old admirer, was annoyed by the quiet deference with which he treated her. She reproached him with it once, bluntly.

"Say," she exclaimed, "you don't seem to want to be so friendly as you did! You haven't forgiven me yet, I suppose?"

Peter Ruff shook his head.

"It is not that," he said, "but I think that you have scarcely done a wise thing in leaving your husband. I cannot think that this life on the stage is good for you."

She laughed, scornfully.

"Well," she said, "I never thought to have you preaching at me!"

They finished their supper. Maud accepted a cigarette and did her best to change her companion's mood. She only alluded once more to her husband.

"I don't see how I could have stayed with him, anyhow," she said. "You know, he's been put back - he only gets two pounds fifteen a week now. He couldn't expect me to live upon that."

"Put back?" Peter Ruff repeated. She nodded.

"He seemed to have a lot of bad luck this last year," she said. "All his cases went wrong, and they don't think so much of him at Scotland Yard as they did. I am not sure that he hasn't begun to drink a little."

"I am sorry to hear it," Peter Ruff said, gravely.

"I don't see why you should be," she answered, bluntly. "He was no friend of yours, nor isn't now. He may not be so dangerous as he was, but if ever you come across him, you take my tip and be careful. He means to do you a mischief some day, if he can. I am not sure," she added, "that he doesn't believe that it was partly your fault about my leaving home."

"I should be sorry for him to think that," Peter Ruff answered. "While we are upon the subject, can't you tell me exactly why your husband dislikes me so?"

"For one thing, because you have been up against him in several of his cases, and have always won."

"And for the other?"

"Well," she said, doubtfully, "he seems to connect you in his mind, somehow, with a boy who was in love with me once - Mr. Spencer Fitzgerald - you know who I mean."

Ruff nodded.

"He still has that in his mind, has he?" he remarked.

"Oh, he's mad!" she declared. "However, don't let us talk about him any more." The lights were being put out. Peter Ruff paid his bill and they rose together. "Come down to the fiat for an hour or so," she begged, taking his arm. "I have a dear little place with another girl - Carrie Pearce. I'll sing to you, if you like. Come down and have one drink, anyhow."

Peter Ruff shook his head firmly.

"I am sorry," he said, "but you must excuse me. In some ways, I am very old- fashioned," he added. "I never sit up late, and I hate music."

"Just drive as far as the door with me, then," she begged. Peter Ruff shook his head.

"You must excuse me," he said, handing her into the hansom. "And, Maud," he added - "if I may call you so - take my advice: give it up - go back to your husband and stick to him - you'll be better off in the long run."

She would have answered him scornfully, but there was something impressive in the crisp, clear words - in his expression, too, as he looked into her eyes. She threw herself back in a corner of the cab with an affected little laugh, and turned her head away from him.

Peter Ruff walked back into the cloak-room for his coat and hat, and sighed softly to himself. It was the end of the one sentimental episode of his life!

It had been the study of Peter Ruff's life, so far as possible, to maintain under all circumstances an equable temperament, to refuse to recognize the meaning of the word "nerves," and to be guided in all his actions by that profound common sense which was one of his natural gifts. Yet there were times when, like any other ordinary person, he suffered acutely from presentiments. He left his rooms, for instance, at five o'clock on the afternoon of the day following his supper with Maud, suffering from a sense of depression for which he found it altogether impossible to account. It was true that the letter which he had in his pocket, the appointment which he was on his way to keep, were both of them probable sources of embarrassment and annoyance, if not of danger. He was being invited, without the option of refusal, to enter upon some risky undertaking which would yield him neither fee nor reward. Yet his common sense told him that it was part of the game. In Paris, he had looked upon his admittance into the order of the " Double-Four" as one of the stepping-stones to success in his career.

Through them he had gained knowledge which he could have acquired in no other way. Through them, for i