These poems are attempts at a poetry somewhat equivalent to a Polaroid snapshot. In this sense, the poems have some of the qualities of Pop art in its breezy incorporation of many of the visual and verbal idioms of our popular culture. Indeed, how could it do otherwise, given the medium? But the poems also have some of the more endearing qualities of Polaroids: they are records of specific moments that are quick, highly visual, and taken from odd angles. I might add, and this may be...
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