One Good Turn Deserves Another - Heinsian Downhill Skiing by Gary Heins - HTML preview

PLEASE NOTE: This is an HTML preview only and some elements such as links or page numbers may be incorrect.
Download the book in PDF, ePub, Kindle for a complete version.

cials from having to replace broken bamboo all day; but then it re-

quires the racers to have highly specialized ski-pole grips better for

bashing than for all-around pole-planting. . . . Then, super giant

slalom and the downhill event require too much ski for comfortable

all-around free skiing, and you need a mountain all to yourself to

practice for these events because of the dangerous high speeds. But

good ole giant slalom---now here's something we can all have fun

with, especially on easy beginner or low-intermediate slopes, for

almost all levels of skiers including experts---and it's something

you can get ready for while you're free-skiing the easier terrain.

The elite amateurs race one skier at a time, often running the course

twice, in any of the four events, and the elite amateur courses tend

to be steeper than what you would want for the general public; but

pro ski racers are more fun to watch in my book, even on less-steep

Who&WhatTurn, When&Where&Why---Not Just How! --- 205

courses, as they race two racers side-by-side in either Slalom or GS,

and they've got to spend all day trying to eliminate each other---

and they add a couple of scary six-foot drop-offs, or pro-bumps, to

make it more exciting yet. So the general public can have fun with

the pro format in an easy not-too-steep giant slalom---about the

only thing lacking in a recreational civilian course is the six-foot

drop-offs, but I've seen some pretty exciting events for good

league-type racers with measly two-foot drop-offs.

To me, there's no prettier sight than seeing two good skiers

going head-to-head in synch with each other side-by-side dogging

each other about their mothers and what-not while the announcer

calls the race over the PA system louder than the Kentucky Derby.

Yet, done right, even wedge turners can take their time through

some of these fun courses; cautious Moms and their kids can go

head-to-head dogging each other---although, if I were a Mom, I'd

think twice about dogging my kid about his Mom. I haven't seen

enough pro ski racing on television in recent years---it has a fun

rodeo rough-stock atmosphere, which makes the Olympics and FIS

World Cup almost seem sterile in my book.

When I say "done right," there are a few things a ski area needs

to do right to make a recreational race course safe, the ones for

anyone to jump into just for fun. Roped off from non-racers, it

should be set up fairly straight with fairly diluted turns, nothing

too cranky, on either green-circle terrain or no more than low-in-

termediate steepness. One thing some ski areas forget to consider:

you should be able to see the whole course from the top at the

starting gates . . . to the finish line below: this means a consistent

pitch the whole way or maybe even a slightly dish-shaped slope

that goes from slightly steep . . . to flat---a knob-shaped course that

starts our flat and suddenly drops out from under you with a

steeper pitch after you've got your speed up is pretty unreasonable

for the unsuspecting general public. It's okay to use steeper slopes

for serious ski-racing, with a few surprises or cranky turns thrown

in, but this shouldn't be the case for run recreational race courses

that anyone can enter. It's not only important for the skier to be

able to study the course from the top, but also so they can see if

there are any down skiers laying in the course.

One prominent writer in Jackson Hole one Saturday evening

was disappointed with how easy the local race course was that day.

Out of ignorance, he said to his friends: "It was just whoever had

the right wax was the winner." Well, that told me right away he

knew nothing about the possibility of using skate-step turns, or

206 --- Heinsian DOWNHILL SKIING

pushing more at the beginning of a turn than at the end. When you

don't have the slope making you go fast, you have to come up with

some moves and extra effort yourself---it's not much different than

a simple foot race on a flat cinder track. It was sad for me to hear

his ignorant comment, because he was well-known as a writer, and

writers are supposed to know how to question and think.

Your first time in a recreational race course, always ski it at

your own level. Wedge turners and stem turners can stick with

what they've got, and they should have permission to take their

time and go around any ruts from previous racers. As an advanced

skier, you might be happy with some no-nonsense parallel turns for

awhile---you shouldn't need any pole plants for these easy turns, as

the gates serve as your timing device anyway. When you realize

how non-threatening the course is, my suggestion is to just look

ahead, keep your hands forward, and ski the best line first, mean-

ing you get your turns started early and finished early, without

getting too technical. In the tighter turns of slalom, it's a challenge

to just stay in the course; but, in the medium-to-large turns of rec-

reational giant-slalom, staying in the course is almost never a

problem---don't confuse fun recreational racing on easy terrain . . .

with serious Olympic and FIS World Cup Racing on more difficult

terrain. Likewise, whereas wedge turners may have half their turn

be after a gate, a good ski racer will almost have his turn done right

at the gate---check your GS ski-racing posters, and witness the

edge-n-pressure of the outside ski, and the diverging ski tips (espe-

cially before the late 1990s).

The next time you see stock-car racing on a half-mile oval dirt

track, notice that they get high on the track before the beginning of

the curve . . . so that they can finish the turn inside and early and be

accelerating straight away before the curve's end. Again, being

early is better than being quick: in slalom, for instance, when a skier

is late, that's when he has to get quicker all of a sudden to make up

for it, and it doesn't always work out as he blows out of the course.

. . . Maybe, in ski racing, all other variables being equal, the guy

who gets to his uphill ski earliest, and spends less time on a down-

hill ski, will have the fastest time---this is why I always cringe when

I hear some well-known ski-racing celebrity commentate "Oh, no!

He's losing his downhill ski!"---you want to get off your downhill

ski in order to go fast down the mountain! Think about it, the

snow-spray being your exhaust: whenever you're on the inside

edge of your downhill ski, you are spraying snow down the

mountain; whenever you're on the inside edge of your uphill ski,

Who&WhatTurn, When&Where&Why---Not Just How! --- 207

you are spraying snow behind you up the mountain, sending you

down the mountain that much faster. This is why sometimes the

wildest skier ends up with the fastest time: every time he "loses his

downhill ski," he's going faster down the mountain; then, if he ac-

cidentally stays in the course, he wins---the hard-core racer isn't out

to look pretty, he's out to win. About ski-racing, Jackson Hole's

legendary Theo Meiners used-to say, "Don't stay in a bad turn!" but

that is a little too advanced or oversimplified for our purposes; you

need to ski your turns well enough to not give your instructor a

heart attack.

Again, when you begin recreational giant-slalom ski-racing,

look the course over, keep your hands forward and poles quiet, as

the gates will time your turns; strive for efficiency first by skiing the

early path; then there is no limit to how much effort you can put

into edging and pressuring off that uphill outside ski. If the course

is easy enough and your technique good enough, you can acceler-

ate using skate-step turns; but forget about skate-step turns if

you're going too fast to warrant them (this is pretty much what the

real racers do). Pro ski-racing champion Tomas Cercovnik said it

best, describing his winning strategy: "Gettout of d'old turn."

After all this, it's okay if recreational racing is not your cup of

tea. If this doesn't help you ski better, at least it will help you know

what you are looking at when you watch ski-racing. Next time you

witness a fast downhill event of the 90mph variety, notice that,

when those daredevils catch too much air when transitioning from

flat to steep, sometimes they flip over in slow-motion like NASCAR

crashes used to when they got over 200mph before "restrictor-plate

racing." The World Cup and Olympic Downhills might need re-

strictor-plates on the carburetors of their skiers before things get

any more dangerous. Maybe you are a daredevil and can't get

enough danger in your skiing---if this is the case, I recommend you

wear a fire-proof suit.

Well, that's enough talk about ski-racing. Unfortunately, there

are many ski instructors brainwashed into thinking that World Cup

ski-racing is always the best place to get their technique ideas even

for good all-around skiing---but that's pretty ignorant in my book.

Anybody in the recreational-skiing world who wants to keep their

speed from getting out of control---and that's all of us at least

probably half the time we go skiing---would be safe to not concen-

trate on ski-racing technique most of the time. I truly believe that,

once hard-core ski racers come to an end of their hard-core racing

careers, maybe in their early 30s, they are amazed at how much

208 --- Heinsian DOWNHILL SKIING

they find out they can finally relax and start to truly enjoy skiing

for a change, skiing powder when they want to instead of hard ice

because they have to. When you encounter ski-racing fanatics in

regular ski-school, you might notice that they are often very ag-

gressive-type people, always having to one-better the next guy,

everything a competition; they might write an intimidating book

with a title like The Athletic Skier, which other aggressive folk might

like. Though their personal skiing may mellow a bit as they age,

their competitive spirit may always remain. ---I think it's unfortu-

nate that too much ski-school gets treated like U.S. Marine Boot

Camp; again, this is why I use my wild-horse-gentling analogies:

you might have the toughest guy in the universe, who, if you mis-

treat him in a ski lesson, can melt into the most desperate cowering

coward. (Now watch: that said, you'll see more and more ski-rac-

ing coaches and race-oriented ski instructors . . . taking on a most-

gentle air, making me look like a bully.)

Let's move on to two nifty little tasks that are indeed difficult

but total physical opposites from racing---one task emphasizes in-

dependent-leg action, while the other emphasizes simultaneous-leg

action. These two tasks, hop turns and the wedge-swing hop, are a

way for us to look at someone's advanced skiing through a micro-

scope---though they are done at the slowest possible speed, they

require perfect timing and maybe a little quickness. I don't like

doing these two tasks, because they are a lot of work, and they

make your socks fall down; but they magnify what a skier might be

doing or not doing in the rest of their skiing---so you get an idea of

what you can do better. With these two bunny-hill tasks, you can

just about tell if a guy can belong up on advanced steepness: some-

times an instructor is begged by an "advanced" or "expert" student

to go up on the toughest run they can think of, and you may not

have the time or perfect place to check them out first, but you don't

want to take someone up there if you don't think they're ready---

the wedge-swing hop and hop turns are a good test that you can

administer almost in your living room.

With the idea that independent-leg action may be a prerequi-

site to sameoldtimeous-leg action, let's look at the wedge-swing

hop first. On bunny-hill hard-pack, put your skis in a straight

wedge and hop from one ski to the other almost in place, leaving a

crisp clean edge-set each time---the corresponding pole can touch

when each ski hits. In the wedge-swing hop, your skis are already

turned, so emphasis is on proper angles and independent-leg mo-

tion. This exercise is almost what you could call backwards her-

Who&WhatTurn, When&Where&Why---Not Just How! --- 209

ringboning, as one in a million skiers might be able to perform it

backwards up the hill, only you're going downhill ever so slightly,

so as not to make it a harassment deal, slower than a straight-

wedge beginner. It may be difficult for some to keep their wedge

formation; but mainly this is an exercise that tests you for fore-aft

balance, one-sidedness, pole discipline, or just plain laziness---it's

like an exaggerated relative of the beginner's spontaneous christies.

This is a difficult exercise, and, like my friend Jeff Socha showed

me about 1982 at Bridger Bowl, you can actually practice this with

your skis off for a while to get your conditioned reflexes figured

out and make life a little easier.

(I had to teach this task in a PSIA full-cert exam one time in the

early 1980s, and one of the god-like examiners came down doing

perfect wedge-swing hops . . . but planting the opposite pole---it

was something he had obviously practiced, planting the left pole in

conjunction with the right ski, and so on, and he was trying to trick

me deliberately, probably because I was from a rival ski school. I

couldn't fut my pinger on it at first, and it took me a minute to fig-

ure it out---and ultimately he got me flustered. It was not exactly

"wrong" or a "mistake" the way he did it; it was a parlor trick, and it

was dirty. Any real student who doesn't have a decent pole plant

to begin with should not be subjected to this test---unless they are

begging you to take them on the toughest runs or something like

that. With real students, real mistakes are easier to pick up and

address at their level---I don't like instructors at any level trying to

intimidate students or even exam candidates. That exam happened

to be at Snowbird, and legendary Junior Bounous came along at

that moment and tried to lighten us up by throwing bamboo poles

in front of our skis---he meant well, but I don't think he realized my

ski-teaching is as important to me as his career is to him. That little

episode may be one reason I was never able to pass the teaching

phase of the full-cert exams, communication skills---we'll address

that more in the Epilogue.)

The close cousin or brother to the wedge-swing hop . . . is hop

turns, also done on bunny-hill hard-pack, but these can also be

done in other scenarios like intermediate crud---these are also re-

lated to exaggerated short-swing, where you're seeing how many

turns a guy can make from A to B. Get set up crouched and facing

downhill with the hands, jump and naturally turn both skis in the

air, and land crouched on your edges and a pole for the next one---

landing with the skis pointed left corresponds with planting the

right pole for your next hop to the right, and so on. Whereas your

210 --- Heinsian DOWNHILL SKIING

wedge-swing hop tracks look like tight herringboning, these hop

turns leave tracks like tight alternating quotation marks. Good hop

turns help to make you even-sided, or ambidextrous. For the re-

cord, these bunny-hill hop turns are a toned-down version of the

jump turns you see extreme skiers doing in the famous ski footage

in steep-n-narrow crud: whereas the bunny-hill version breeds

turns only inches apart, the steep jump turns are a more-natural

several feet apart because of the mountain dropping out from un-

der you. Even in the extreme skier's jump turns, you might witness

a little bit of independent-leg action, and that is good to note and

look for.

Let's get away from such harsh maneuvers and get back to a

little finesse before we wear ourselves out. Still on green-run hard-

pack, try some skidded parallel turns short-n-slow. Fluidity, alert

hands, and commitment to an outside ski won't hurt. This simple

exercise sort of reminds me of playing "one-ball" on the pool table,

where you have to hit the ball without sinking it---you have to par-

allel ski without going anywhere but without tipping over, which

would be embarrassing. It's almost like a dressage maneuver like

you see in the horse world, like trotting your horse in place. The

thing that makes these slow parallel turns tricky is that the lack of

steepness or speed is what makes it difficult; so I want to give you a

variation on the same task, parallel turns short-n-faster: notice

that, if you can push on the new outside ski early as possible, it will

help you go more despite the lack of mountain to work with---like a

skate-boarder using turns to get going on a flat sidewalk. I have

seen pro ski racers doing this skidded exercise on their way to the

chair-lift.

For the record, a lot of these advanced bunny-hill maneuvers

can be performed on the flat and narrow catwalks when traffic is

not a problem, which means you can get more skiing experience for

your lift-ticket money. These obscure exercises are what make up

the difference between becoming an expert and stagnating as just

another advanced skier.

About now I'd like to talk about a missing element in my "Peri-

odic Chart" of Downhill Skiing Tasks. Some hard-core instructors

will tell advanced skiers at this stage to ski on one-ski for several

turns well-carved. I don't relish the idea of skiing on one-ski for

linking left-n-right turns down the fall line, . . . because it's not

natural, and it feels dangerous to be on your inside ski, against the

laws of physics and biomechanics. Skiing on one-ski may be fine

going across the hill on an easy slope in an easy snow condition,

Who&WhatTurn, When&Where&Why---Not Just How! --- 211

sort of like carved pre-turns, but it is too contrived for my tastes for

skiing down the mountain. Still some hard-core instructors use the

one-ski stunt as another parlor trick to intimidate their subordi-

nates---these hard-asses might have a background in ballet skiing,

which gives them a hidden advantage. If you are a true one-legged

skier who wants to ski bad enough, I can see the need for it, but

even they tend to rely on crutch skis on their arms; . . . or, if you're

a hard-core racer who wants to be the best, you might want it occa-

sionally; but two-legged skiers who just want to be sound experts

don't really need it any more than they need inverted aerials. One-

legged skiing demands more carved turns, which means you don't

want to do it too steep, and you don't want to do it too slow either;

your upper body has to be inclined to make new turns, and that

one leg never gets a rest. (PSIA has made one-legged skiing one of

their tasks to master for full-certification, even on black-diamond

steepness, but they pretty much admit in their literature that it

could be unsafe and is probably a dumb idea.) Be thankful for two-

legged skiing, because one outside leg efficiently doing most of the

work means the inside leg usually gets to rest---after all, we don't

run or walk by hopping on both legs at the same time. One-ski

skiing will magnify any problems you might have in your skiing,

but the risks-versus-the-benefits are not worth it in my book. If you

dig your inside knee in snow going faster than a beginner, it can

tear your knee apart and ruin more than your whole season and

your pocket book, all because some domineering hard-ass told you

to---you don't need that.

Easier than linking turns on one-ski . . . is linking turns with

alternating inside skis, skidded royal christies, probably easiest on

low-intermediate hard-pack. These make a little more sense in that

they are symmetrical and easier to skid; but, again, even symmetri-

cally linked inside-ski turns aren't something to strive for in my

book, not when you have two functioning legs with the outside leg

being pretty-darn natural to favor. . . . So, at this point, I'm just

going to call this point in the chart a place for a missing element:

anything extra you want to take responsibility for and try with

your skis is extra credit . . . and will make you a better skier, if you

don't get hurt doing it.

(I mention this one-legged skiing here and now because I see it

pushed on new instructors all the time in recent years, without re-

gard to how well they ski the advanced terrain and difficult snow

conditions---they're just expected to do it because they are "in the

military now," not unlike a fraternity hazing; and it's not something

212 --- Heinsian DOWNHILL SKIING

you want to push on the general public, unless it's a group of un-

ruly experts just begging for it. One of the Powers-That-Ski flies in

to give a clinic looking down on the new recruits, and, first thing

you know, he's got everyone trying to ski on one ski---something

he's been practicing for awhile just for this type of occasion, like an

evil drill sergeant. Some of the stronger recruits gloat for being

able to do it, but probably more get embarrassed and learn to feel

guilty for not having mastered the trick yet. It is easier to do on

'shaped skis' than it was on 'straight skis,' but still, if you fall to the

inside ski, you could possibly regret it more than having a big ex-

plosion in moguls. One reason some express the importance of

skiing on one-ski nowadays: they want you to do perfect two-ski

skiing too often for my tastes, with half your weight on the inside

ski, which is another contrived difficult task that came along as

official legislation when the skis themselves became twice as