When Connie went up to her bedroom she did what she had not done for a long time: took off all her clothes, and looked at herself naked in the huge mirror. She did not know what she was looking for, or at, very definitely, yet she moved the lamp till it shone full on her.
And she thought, as she had thought so often, . . what a frail, easily hurt, rather pathetic thing a human body is, naked; somehow a little unfinished, incomplete! She had been supposed to have rather a good figure, but now she was out of fashion: a little too female, not enough like an adolescent boy. She was not very tall, a bit Scottish and short; but she had a certain fluent, down-slipping grace that might have been beauty. Her skin was faintly tawny, her limbs had a certain stillness, her body should have had a full, down-slipping richness; but it lacked something.
Instead of ripening its firm, down-running curves, her body was flattening and going a little harsh. It was as if it had not had enough sun and warmth; it was a little greyish and sapless.
Disappointed of its real womanhood, it had not succeeded in becoming boyish, and unsubstantial, and transparent; instead it had gone opaque.
Her breasts were rather small, and dropping pear-shaped. But they were unripe, a little bitter, without meaning hanging there. And her belly had lost the fresh, round gleam it had had when she was young, in the days of her German boy, who really loved her physically. Then it was young and expectant, with a real look of its own. Now it was going slack, and a little flat, thinner, but with a slack thinness. Her thighs, too, they used to look so quick and glimpsey in their female roundness, somehow they too were going flat, slack, meaningless.
Her body was going meaningless, going dull and opaque, so much insignificant substance. It made her feel immensely depressed and hopeless. What hope was there? She was old, old at twenty-seven, with no gleam and sparkle in the flesh. Old through neglect and denial, yes, denial. Fashionable women kept their bodies bright like delicate porcelain, by external attention. There was nothing inside the porcelain; but she was not even as bright as that. The mental life! Suddenly she hated it with a rushing fury, the swindle!
She looked in the other mirror's reflection at her back, her waist, her loins. She was getting thinner, but to her it was not becoming. The crumple of her waist at the back, as she bent back to look, was a little weary; and it used to be so gay- looking. And the longish slope of her haunches and her buttocks had lost its gleam and its sense of richness. Gone! Only the German boy had loved it, and he was ten years dead, very nearly. How time went by! Ten years dead, and she was only twenty-seven. The healthy boy with his fresh, clumsy sensuality that she had then been so scornful of! Where would she find it now? It was gone out of men. They had their pathetic, two-seconds spasms like Michaelis; but no healthy human sensuality, that warms the blood and freshens the whole being. Still she thought the most beautiful part of her was the long-sloping fall of the haunches from the socket of the back, and the slumberous, round stillness of the buttocks. Like hillocks of sand, the Arabs say, soft and downward-slipping with a long slope. Here the life still lingered hoping. But here too she was thinner, and going unripe, astringent.
But the front of her body made her miserable. It was already beginning to slacken, with a slack sort of thinness, almost withered, going old before it had ever really lived. She thought of the child she might somehow bear. Was she fit, anyhow?
She slipped into her nightdress, and went to bed, where she sobbed bitterly. And in her bitterness burned a cold indignation against Clifford, and his writings and his talk: against all the men of his sort who defrauded a woman even of her own body.
Unjust! Unjust! The sense of deep physical injustice burned to her very soul.
But in the morning, all the same, she was up at seven, and going downstairs to Clifford. She had to help him in all the intimate things, for he had no man, and refused a woman-servant. The housekeeper's husband, who had known him as a boy, helped him, and did any heavy lifting; but Connie did the personal things, and she did them willingly. It was a demand on her, but she had wanted to do what she could.
So she hardly ever went away from Wragby, and never for more than a day or two; when Mrs. Betts, the housekeeper, attended to Clifford. He, as was inevitable in the course of time, took all the service for granted. It was natural he should.
And yet, deep inside herself, a sense of injustice, of being defrauded, had begun to burn in Connie. The physical sense of injustice is a dangerous feeling, once it is awakened. It must have outlet, or it eats away the one in whom it is aroused. Poor Clifford, he was not to blame. His was the greater misfortune. It was all part of the general catastrophe.
And yet was he not in a way to blame? This lack of warmth, this lack of the simple, warm, physical contact, was he not to blame for that? He was never really warm, nor even kind, only thoughtful, considerate, in a well-bred, cold sort of way! But never warm as a man can be warm to a woman, as even Connie's father could be warm to her, with the warmth of a man who did himself well, and intended to, but who still could comfort it woman with a bit of his masculine glow. But Clifford was not like that. His whole race was not like that. They were all inwardly hard and separate, and warmth to them was just bad taste. You had to get on without it, and hold your own; which was all very well if you were of the same class and race. Then you could keep yourself cold and be very estimable, and hold your own, and enjoy the satisfaction of holding it. But if you were of another class and another race it wouldn't do; there was no fun merely holding your own, and feeling you belonged to the ruling class. What was the point, when even the smartest aristocrats had really nothing positive of their own to hold, and their rule was really a farce, not rule at all? What was the point? It was all cold nonsense.
A sense of rebellion smouldered in Connie. What was the good of it all? What was the good of her sacrifice, her devoting her life to Clifford? What was she serving, after all? A cold spirit of vanity, that had no warm human contacts, and that was as corrupt as any low-born Jew, in craving for prostitution to the bitch- goddess, Success. Even Clifford's cool and contactless assurance that he belonged to the ruling class didn't prevent his tongue lolling out of his mouth, as he panted after the bitch-goddess. After all, Michaelis was really more dignified in the matter, and far, far more successful. Really, if you looked closely at Clifford, he was a buffoon, and a buffoon is more humiliating than a bounder.
As between the two men, Michaelis really had far more use for her than Clifford had. He had even more need of her. Any good nurse can attend to crippled legs! And as for the heroic effort, Michaelis was a heroic rat, and Clifford was very much of a poodle showing off.
There were people staying in the house, among them Clifford's Aunt Eva, Lady Bennerley. She was a thin woman of sixty, with a red nose, a widow, and still something of a "grande dame". She belonged to one of the best families, and had the character to carry it off. Connie liked her, she was so perfectly simple and [rank, as far as she intended to be frank, and superficially kind. Inside herself she was a past-mistress in holding her own, and holding other people a little lower. She was not at all a snob: far too sure of herself. She was perfect at the social sport of coolly holding her own, and making other people defer to her.
She was kind to Connie, and tried to worm into her woman's soul with the sharp gimlet of her well-born observations.
"You're quite wonderful, in my opinion," she said to Connie. "You've done wonders for Clifford. I never saw any budding genius myself, and there he is, all the rage." -- Aunt Eva was quite complacently proud of Clifford's success. Another feather in the family cap! She didn't care a straw about his books, but why should she?
"Oh, I don't think it's my doing," said Connie.
"It must be! Can't be anybody else's. And it seems to me you don't get enough out of it."
"How?"
"Look at the