Nothing by Arnold East - HTML preview

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Chapter Two

 

I was at the door of the palace again. It’d been 3 weeks since my last visit as an intensive two-week excursion to the farms to hone our use of scythes and other farming equipment left me tired and with no opportunity to escape. But through those two weeks, the disillusionment only grew. The long hours in the field sowing seeds and harvesting wheat didn’t help. This time I refused to hesitate. I turned the knob, pushed the door and it swung open, wide and easy. It was dark save for the quiet glow of moonlight that projected in through the windows but my eyes soon adjusted, and I could make out the features with some clarity. The palace was much larger from the inside, with high ceilings and a wide area covered in fluffy red flooring that gave way to a looming staircase that swept up and zigzagged back. To my right, a handful of doors were spread out along the wall, each numbered with six digits. To my left, past an archway was another room, and I could spot rows upon rows of books, stacked onto heavy wooden shelves. The doors could only lead into the apartments of the people who worked here. That was to be avoided. Instead, I crept my way up the stairs, careful not to disturb the silence and arouse any suspicious. At the top, it was even darker, and I could make out only doored hallways in both directions. More apartments? And so, I decided to go to the bookshelves. Back down the stairs I went, with the same care as I did when going up, and then I approached the bookshelves. I was nervous.  Maybe it was just going to be a multitude of the common instructional books, the ones from which we memorised from. But I was also hoping for something different, something that would alleviate the intense boredom and meaninglessness of my everyday life. I needed hope, and it would have destroyed me if I had to leave the palace with nothing more than when I entered. And so, I was profoundly disappointed as I found those books; Farming Techniques, Building Techniques, Manufacturing Techniques on the first bookshelf which I inspected. However, I was soon relieved as I found on other shelves, books that were different to anything I had ever laid eyes on. They were in all sizes and colours and textures. On one bookshelf, labelled “fiction”, a thin, small, black, hardbacked book caught my eye so I picked it up. On the cover, in bold typeface, the words Nineteen-eighty-four were set in a shiny silver. I flicked through some pages, and sensed there was something there. I needed to read it. The book was tucked into my shirt and I continued looking around. There was such an extreme variety on every shelf and the hours wasted away as I examined each book that caught my attention, each one telling a different story in a different world, with different language. As I looked through, I realised that there was so much I did not recognise or understand. Words and concepts; some were completely alien to me. I ignored the problem, and eventually it solved itself. When I was younger and I was being taught language, we used dictionaries, books filled with the meanings of everything that there was to know. While I was looking around, I caught sight of one of these dictionaries. It was getting very late now so I picked it up before I left the bookcases and began my way back.  By the time I arrived in my apartment, I was tired, exhausted and hungry from missing dinner, but there was a weight off my shoulders. I had found something that broke the monotony of day to day life. I was truly happy for the first time I could remember. 

Throughout the next few weeks my world morphed into Airstrip 1 and the plight of Winston Smith became my own. It was at first strange; I was only used to reading instructional books, but I pushed through the words I didn’t understand with the dictionary, gradually acclimated to the style, and discovered a story that was forceful and captivating. Throughout the day, I struggled through the lessons, tormented by sleep deprivation, summoning all my energies to keep myself awake and avoid the arousal of any suspicions. Only at night did I feel alive, albeit inhabiting a world that was not mine. Some way through reading the book, it occurred to me that the world described in Nineteen-eighty-four was not dissimilar to mine and the disgruntled thoughts and feelings of Winston Smith had often appeared in my own mind. My entire life was almost wholly under the control of unknown powers, and while their manipulation of thoughts and feelings were not successful for me, it was working for everyone else. My knowledge of my world was, like Winston, very thin. I didn’t know its history, its organisation; apart from this book, I did not have access to any information beyond what those who controlled me wanted me to have. In the book, it was that passage, The Theory and Practice of Oligarchical Collectivism that eventually answered the questions of Winston’s world. For me, it only raised more questions. What was the history of my world? How did it come about? Who were the rulers? I was desperate to find out.

As I considered it more, I found that I was also different to Winston. My struggle was more torturous. I was totally alone, without a Julia, without a brotherhood. I was unable to share my experience, and my thoughts and feelings could only stay within me until my death. Anyhow, this beautiful, awful introduction to the world of fiction meant that some variety, some interest had appeared in my life. I wanted to live now, to read more, to find out more. I vowed to return to the library to explore and retrieve more books as soon as it was possible.