Famous Modern Ghost Stories by Emily Dorothy Scarborough, Editor - HTML preview

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V

And now it came to pass that the great, deified Augustus himself summoned Lazarus. The imperial messengers dressed him gorgeously, in solemn nuptial clothes, as if Time had legalized them, and he was to remain until his very death the bridegroom of an unknown bride. It was as though an old, rotting coffin had been gilt and furnished with new, gay tassels. And men, all in trim and bright attire, rode after him, as if in bridal procession indeed, and those foremost trumpeted loudly, bidding people to clear the way for the emperor's messengers. But Lazarus' way was deserted: his native land cursed the hateful name of him who had miraculously risen from the dead, and people scattered at the very news of his appalling approach. The solitary voice of the brass trumpets sounded in the motionless air, and the wilderness alone responded with its languid echo.

Then Lazarus went by sea. And his was the most magnificently arrayed and the most mournful ship that ever mirrored itself in the azure waves of the Mediterranean Sea. Many were the travelers aboard, but like a tomb was the ship, all silence and stillness, and the despairing water sobbed at the steep, proudly curved prow. All alone sat Lazarus exposing his head to the blaze of the sun, silently listening to the murmur and splash of the wavelets, and afar seamen and messengers were sitting, a vague group of weary shadows. Had the thunder burst and the wind attacked the red sails, the ships would probably have perished, for none of those aboard had either the will or the strength to struggle for life. With a supreme effort some mariners would reach the board and eagerly scan the blue, transparent deep, hoping to see a naiad's pink shoulder flash in the hollow of an azure wave, or a drunken gay centaur dash along and in frenzy splash the wave with his hoof. But the sea was like a wilderness, and the deep was dumb and deserted. With utter indifference did Lazarus set his feet on the street of the eternal city. As though all her wealth, all the magnificence of her palaces built by giants, all the resplendence, beauty, and music of her refined life were but the echo of the wind in the wilderness, the reflection of the desert quicksand. Chariots were dashing, and along the streets were moving crowds of strong, fair, proud builders of the eternal city and haughty participants in her life; a song sounded; fountains and women laughed a pearly laughter; drunken philosophers harangued, and the sober listened to them with a smile; hoofs struck the stone pavements. And surrounded by cheerful noise, a stout, heavy man was moving, a cold spot of silence and despair, and on his way he sowed disgust, anger, and vague, gnawing weariness. Who dares to be sad in Rome, wondered indignantly the citizens, and frowned. In two days the entire city already knew all about him who had miraculously risen from the dead, and shunned him shyly.

But some daring people there were, who wanted to test their strength, and Lazarus obeyed their imprudent summons. Kept busy by state affairs, the emperor constantly delayed the reception, and seven days did he who had risen from the dead go about visiting others.

And Lazarus came to a cheerful Epicurean, and the host met him with laughter on his lips:

 

"Drink, Lazarus, drink!"—shouted he. "Would not Augustus laugh to see thee drunk!"

And half-naked drunken women laughed, and rose petals fell on Lazarus' blue hands. But then the Epicurean looked into Lazarus' eyes, and his gaiety ended forever. Drunkard remained he for the rest of his life; never did he drink, yet forever was he drunk. But instead of the gay reverie which wine brings with it, frightful dreams began to haunt him, the sole food of his stricken spirit. Day and night he lived in the poisonous vapors of his nightmares, and death itself was not more frightful than her raving, monstrous forerunners.

And Lazarus came to a youth and his beloved, who loved each other and were most beautiful in their passions. Proudly and strongly embracing his love, the youth said with serene regret:

"Look at us, Lazarus, and share our joy. Is there anything stronger than love?"

And Lazarus looked. And for the rest of their life they kept on loving each other, but their passion grew gloomy and joyless, like those funeral cypresses whose roots feed on the decay of the graves and whose black summits in a still evening hour seek in vain to reach the sky. Thrown by the unknown forces of life into each other's embraces, they mingled tears with kisses, voluptuous pleasures with pain, and they felt themselves doubly slaves, obedient slaves to life, and patient servants of the silent Nothingness. Ever united, ever severed, they blazed like sparks and like sparks lost themselves in the boundless Dark.

And Lazarus came to a haughty sage, and the sage said to him: "I know all the horrors thou canst reveal to me. Is there anything thou canst frighten me with?"

But before long the sage felt that the knowledge of horror was far from being the horror itself, and that the vision of Death, was not Death. And he felt that wisdom and folly are equal before the face of Infinity, for Infinity knows them not. And it vanished, the dividing-line between knowledge and ignorance, truth and falsehood, top and bottom, and the shapeless thought hung suspended in the void. Then the sage clutched his gray head and cried out frantically:

"I cannot think! I cannot think!"

Thus under the indifferent glance for him, who miraculously had risen from the dead, perished everything that asserts life, its significance and joys. And it was suggested that it was dangerous to let him see the emperor, that it was better to kill him and, having buried him secretly, to tell the emperor that he had disappeared no one knew whither. Already swords were being whetted and youths devoted to the public welfare prepared for the murder, when Augustus ordered Lazarus to be brought before him next morning, thus destroying the cruel plans.

If there was no way of getting rid of Lazarus, at least it was possible to soften the terrible impression his face produced. With this in view, skillful painters, barbers, and artists were summoned, and all night long they were busy over Lazarus' head. They cropped his beard, curled it, and gave it a tidy, agreeable appearance. By means of paints they concealed the corpse-like blueness of his hands and face. Repulsive were the wrinkles of suffering that furrowed his old face, and they were puttied, painted, and smoothed; then, over the smooth background, wrinkles of good-tempered laughter and pleasant, carefree mirth were skillfully painted with fine brushes.

Lazarus submitted indifferently to everything that was done to him. Soon he was turned into a becomingly stout, venerable old man, into a quiet and kind grandfather of numerous offspring. It seemed that the smile, with which only a while ago he was spinning funny yarns, was still lingering on his lips, and that in the corner of his eye serene tenderness was hiding, the companion of old age. But people did not dare change his nuptial garments, and they could not change his eyes, two dark and frightful glasses through which looked at men, the unknowable Yonder.

VI

Lazarus was not moved by the magnificence of the imperial palace. It was as though he saw no difference between the crumbling house, closely pressed by the desert, and the stone palace, solid and fair, and indifferently he passed into it. And the hard marble of the floors under his feet grew similar to the quicksand of the desert, and the multitude of richly dressed and haughty men became like void air under his glance. No one looked into his face, as Lazarus passed by, fearing to fall under the appalling influence of his eyes; but when the sound of his heavy footsteps had sufficiently died down, the courtiers raised their heads and with fearful curiosity examined the figure of a stout, tall, slightly bent old man, who was slowly penetrating into the very heart of the imperial palace. Were Death itself passing, it would be faced with no greater fear: for until then the dead alone knew Death, and those alive knew Life only—and there was no bridge between them. But this extraordinary man, although alive, knew Death, and enigmatical, appalling, was his cursed knowledge. "Woe," people thought, "he will take the life of our great, deified Augustus," and they sent curses after Lazarus, who meanwhile kept on advancing into the interior of the palace.

Already did the emperor know who Lazarus was, and prepared to meet him. But the monarch was a brave man, and felt his own tremendous, unconquerable power, and in his fatal duel with him who had miraculously risen from the dead he wanted not to invoke human help. And so he met Lazarus face to face:

"Lift not thine eyes upon me, Lazarus," he ordered. "I heard thy face is like that of Medusa and turns into stone whomsoever thou lookest at. Now, I wish to see thee and to have a talk with thee, before I turn into stone,"—added he in a tone of kingly jesting, not devoid of fear.

Coming close to him, he carefully examined Lazarus' face and his strange festal garments. And although he had a keen eye, he was deceived by his appearance.

 

"So. Thou dost not appear terrible, my venerable old man. But the worse for us, if horror assumes such a respectable and pleasant air. Now let us have a talk."

 

Augustus sat, and questioning Lazarus with his eye as much as with words, started the conversation:

 

"Why didst thou not greet me as thou enteredst?"

 

Lazarus answered indifferent:

 

"I knew not it was necessary."

 

"Art thou a Christian?"

 

"No."

 

Augustus approvingly shook his head.

 

"That is good. I do not like Christians. They shake the tree of life before it is covered with fruit, and disperse its odorous bloom to the winds. But who art thou?"

 

With a visible effort Lazarus answered:

 

"I was dead." "I had heard that. But who art thou now?"

 

Lazarus was silent, but at last repeated in a tone of weary apathy:

 

"I was dead."

"Listen to me, stranger," said the emperor, distinctly and severely giving utterance to the thought that had come to him at the beginning, "my realm is the realm of Life, my people are of the living, not of the dead. Thou art here one too many. I know not who thou art and what thou sawest there; but, if thou liest, I hate thy lies, and if thou tellst the truth, I hate thy truth. In my bosom I feel the throb of life; I feel strength in my arm, and my proud thoughts, like eagles, pierce the space. And yonder in the shelter of my rule, under the protection of laws created by me, people live and toil and rejoice. Dost thou hear the battle-cry, the challenge men throw into the face of the future?"

Augustus, as in prayer, stretched forth his arms and exclaimed solemnly:

 

"Be blessed, O great and divine Life!"

 

Lazarus was silent, and with growing sternness the emperor went on:

"Thou art not wanted here, miserable remnant, snatched from under Death's teeth, thou inspirest weariness and disgust with life; like a caterpillar in the fields, thou gloatest on the rich ear of joy and belchest out the drivel of despair and sorrow. Thy truth is like a rusty sword in the hands of a nightly murderer,—and as a murderer thou shalt be executed. But before that, let me look into thine eyes. Perchance, only cowards are afraid of them, but in the brave they awake the thirst for strife and victory; then thou shalt be rewarded, not executed.... Now, look at me, Lazarus."

At first it appeared to the deified Augustus that a friend was looking at him,—so soft, so tenderly fascinating was Lazarus' glance. It promised not horror, but sweet rest and the Infinite seemed to him a tender mistress, a compassionate sister, a mother. But stronger and stronger grew its embraces, and already the mouth, greedy of hissing kisses, interfered with the monarch's breathing, and already to the surface of the soft tissues of the body came the iron of the bones and tightened its merciless circle,—and unknown fangs, blunt and cold, touched his heart and sank into it with slow indolence.

"It pains," said the deified Augustus, growing pale. "But look at me, Lazarus, look."

It was as though some heavy gates, ever closed, were slowly moving apart, and through the growing interstice the appalling horror of the Infinite poured in slowly and steadily. Like two shadows there entered the shoreless void and the unfathomable darkness; they extinguished the sun, ravished the earth from under the feet, and the roof from over the head. No more did the frozen heart ache.

"Look, look, Lazarus," ordered Augustus tottering. Time stood still, and the beginning of each thing grew frightfully near to its end. Augustus' throne just erected, crumbled down, and the void was already in the place of the throne and of Augustus. Noiselessly did Rome crumble down, and a new city stood on its site and it too was swallowed by the void. Like fantastic giants, cities, states, and countries fell down and vanished in the void darkness—and with uttermost indifference did the insatiable black womb of the Infinite swallow them.

"Halt!"—ordered the emperor.

In his voice sounded already a note of indifference, his hands dropped in languor, and in the vain struggle with the onrushing darkness his fiery eyes now blazed up, and now went out.

"My life thou hast taken from me, Lazarus,"—said he in a spiritless, feeble voice.

And these words of hopelessness saved him. He remembered his people, whose shield he was destined to be, and keen salutary pain pierced his deadened heart. "They are doomed to death," he thought wearily. "Serene shadows in the darkness of the Infinite," thought he, and horror grew upon him. "Frail vessels with living seething blood with a heart that knows sorrow and also great joy," said he in his heart, and tenderness pervaded it.

Thus pondering and oscillating between the poles of Life and Death, he slowly came back to life, to find in its suffering and in its joys a shield against the darkness of the void and the horror of the Infinite.

"No, thou hast not murdered me, Lazarus," said he firmly, "but I will take thy life. Be gone."

That evening the deified Augustus partook of his meats and drinks with particular joy. Now and then his lifted hand remained suspended in the air, and a dull glimmer replaced the bright sheen of his fiery eye. It was the cold wave of Horror that surged at his feet. Defeated, but not undone, ever awaiting its hour, that Horror stood at the emperor's bedside, like a black shadow all through his life; it swayed his nights, but yielded the days to the sorrows and joys of life.

The following day, the hangman with a hot iron burned out Lazarus' eyes. Then he was sent home. The deified Augustus dared not kill him.

Lazarus returned to the desert, and the wilderness met him with hissing gusts of wind and the heat of the blazing sun. Again he was sitting on a stone, his rough, bushy beard lifted up; and the two black holes in place of his eyes looked at the sky with an expression of dull terror. Afar-off the holy city stirred noisily and restlessly, but around him everything was deserted and dumb. No one approached the place where lived he who had miraculously risen from the dead, and long since his neighbors had forsaken their houses. Driven by the hot iron into the depth of his skull, his cursed knowledge hid there in an ambush. As though leaping out from an ambush it plunged its thousand invisible eyes into the man,—and no one dared look at Lazarus.

And in the evening, when the sun, reddening and growing wider, would come nearer and nearer the western horizon, the blind Lazarus would slowly follow it. He would stumble against stones and fall, stout and weak as he was; would rise heavily to his feet and walk on again; and on the red screen of the sunset his black body and outspread hands would form a monstrous likeness of a cross.

And it came to pass that once he went out and did not come back. Thus seemingly ended the second life of him who for three days had been under the enigmatical sway of death, and rose miraculously from the dead.

The Beast with Five Fingers
BY W. F. HARVEY

From The New Decameron, by Various Hands. Copyright, 1919, by Robert M. McBride and Company. By permission of the publishers.

When I was a little boy I once went with my father to call on Adrian Borlsover. I played on the floor with a black spaniel while my father appealed for a subscription. Just before we left my father said, "Mr. Borlsover, may my son here shake hands with you? It will be a thing to look back upon with pride when he grows to be a man."

I came up to the bed on which the old man was lying and put my hand in his, awed by the still beauty of his face. He spoke to me kindly, and hoped that I should always try to please my father. Then he placed his right hand on my head and asked for a blessing to rest upon me. "Amen!" said my father, and I followed him out of the room, feeling as if I wanted to cry. But my father was in excellent spirits.

"That old gentleman, Jim," said he, "is the most wonderful man in the whole town. For ten years he has been quite blind."

 

"But I saw his eyes," I said. "They were ever so black and shiny; they weren't shut up like Nora's puppies. Can't he see at all?"

 

And so I learnt for the first time that a man might have eyes that looked dark and beautiful and shining without being able to see.

 

"Just like Mrs. Tomlinson has big ears," I said, "and can't hear at all except when Mr. Tomlinson shouts."

 

"Jim," said my father, "it's not right to talk about a lady's ears. Remember what Mr. Borlsover said about pleasing me and being a good boy."

That was the only time I saw Adrian Borlsover. I soon forgot about him and the hand which he laid in blessing on my head. But for a week I prayed that those dark tender eyes might see.

"His spaniel may have puppies," I said in my prayers, "and he will never be able to know how funny they look with their eyes all closed up. Please let old Mr. Borlsover see."

Adrian Borlsover, as my father had said, was a wonderful man. He came of an eccentric family. Borlsovers' sons, for some reason, always seemed to marry very ordinary women, which perhaps accounted for the fact that no Borlsover had been a genius, and only one Borlsover had been mad. But they were great champions of little causes, generous patrons of odd sciences, founders of querulous sects, trustworthy guides to the bypath meadows of erudition.

Adrian was an authority on the fertilization of orchids. He had held at one time the family living at Borlsover Conyers, until a congenital weakness of the lungs obliged him to seek a less rigorous climate in the sunny south coast watering-place where I had seen him. Occasionally he would relieve one or other of the local clergy. My father described him as a fine preacher, who gave long and inspiring sermons from what many men would have considered unprofitable texts. "An excellent proof," he would add, "of the truth of the doctrine of direct verbal inspiration."

Adrian Borlsover was exceedingly clever with his hands. His penmanship was exquisite. He illustrated all his scientific papers, made his own woodcuts, and carved the reredos that is at present the chief feature of interest in the church at Borlsover Conyers. He had an exceedingly clever knack in cutting silhouettes for young ladies and paper pigs and cows for little children, and made more than one complicated wind instrument of his own devising.

When he was fifty years old Adrian Borlsover lost his sight. In a wonderfully short time he had adapted himself to the new conditions of life. He quickly learned to read Braille. So marvelous indeed was his sense of touch that he was still able to maintain his interest in botany. The mere passing of his long supple fingers over a flower was sufficient means for its identification, though occasionally he would use his lips. I have found several letters of his among my father's correspondence. In no case was there anything to show that he was afflicted with blindness and this in spite of the fact that he exercised undue economy in the spacing of lines. Towards the close of his life the old man was credited with powers of touch that seemed almost uncanny: it has been said that he could tell at once the color of a ribbon placed between his fingers. My father would neither confirm nor deny the story.

I

Adrian Borlsover was a bachelor. His elder brother George had married late in life, leaving one son, Eustace, who lived in the gloomy Georgian mansion at Borlsover Conyers, where he could work undisturbed in collecting material for his great book on heredity.

Like his uncle, he was a remarkable man. The Borlsovers had always been born naturalists, but Eustace possessed in a special degree the power of systematizing his knowledge. He had received his university education in Germany, and then, after postgraduate work in Vienna and Naples, had traveled for four years in South America and the East, getting together a huge store of material for a new study into the processes of variation.
He lived alone at Borlsover Conyers with Saunders his secretary, a man who bore a somewhat dubious reputation in the district, but whose powers as a mathematician, combined with his business abilities, were invaluable to Eustace.

Uncle and nephew saw little of each other. The visits of Eustace were confined to a week in the summer or autumn: long weeks, that dragged almost as slowly as the bath-chair in which the old man was drawn along the sunny sea front. In their way the two men were fond of each other, though their intimacy would doubtless have been greater had they shared the same religious views. Adrian held to the old-fashioned evangelical dogmas of his early manhood; his nephew for many years had been thinking of embracing Buddhism. Both men possessed, too, the reticence the Borlsovers had always shown, and which their enemies sometimes called hypocrisy. With Adrian it was a reticence as to the things he had left undone; but with Eustace it seemed that the curtain which he was so careful to leave undrawn hid something more than a half-empty chamber.

Two years before his death Adrian Borlsover developed, unknown to himself, the not uncommon power of automatic writing. Eustace made the discovery by accident. Adrian was sitting reading in bed, the forefinger of his left hand tracing the Braille characters, when his nephew noticed that a pencil the old man held in his right hand was moving slowly along the opposite page. He left his seat in the window and sat down beside the bed. The right hand continued to move, and now he could see plainly that they were letters and words which it was forming.

"Adrian Borlsover," wrote the hand, "Eustace Borlsover, George Borlsover, Francis Borlsover Sigismund Borlsover, Adrian Borlsover, Eustace Borlsover, Saville Borlsover. B, for Borlsover. Honesty is the Best Policy. Beautiful Belinda Borlsover."

"What curious nonsense!" said Eustace to himself.

 

"King George the Third ascended the throne in 1760," wrote the hand. "Crowd, a noun of multitude; a collection of individuals—Adrian Borlsover, Eustace Borlsover."

"It seems to me," said his uncle, closing the book, "that you had much better make the most of the afternoon sunshine and take your walk now." "I think perhaps I will," Eustace answered as he picked up the volume. "I won't go far, and when I come back I can read to you those articles in Nature about which we were speaking."

He went along the promenade, but stopped at the first shelter, and seating himself in the corner best protected from the wind, he examined the book at leisure. Nearly every page was scored with a meaningless jungle of pencil marks: rows of capital letters, short words, long words, complete sentences, copy-book tags. The whole thing, in fact, had the appearance of a copy-book, and on a more careful scrutiny Eustace thought that there was ample evidence to show that the handwriting at the beginning of the book, good though it was was not nearly so good as the handwriting at the end.
He left his uncle at the end of October, with a promise to return early in December. It seemed to him quite clear that the old man's power of automatic writing was developing rapidly, and for the first time he looked forward to a visit that combined duty with interest.

But on his return he was at first disappointed. His uncle, he thought, looked older. He was listless too, preferring others to read to him and dictating nearly all his letters. Not until the day before he left had Eustace an opportunity of observing Adrian Borlsover's newfound faculty.

The old man, propped up in bed with pillows, had sunk into a light sleep. His two hands lay on the coverlet, his left hand tightly clasping his right. Eustace took an empty manuscript book and placed a pencil within reach of the fingers of the right hand. They snatched at it eagerly; then dropped the pencil to unloose the left hand from its restraining grasp.

"Perhaps to prevent interference I had better hold that hand," said Eustace to himself, as he watched the pencil. Almost immediately it began to write.

 

"Blundering Borlsovers, unnecessarily unnatural, extraordinarily eccentric, culpably curious."

 

"Who are you?" asked Eustace, in a low voice.

 

"Never you mind," wrote the hand of Adrian.

 

"Is it my uncle who is writing?"

 

"Oh, my prophetic soul, mine uncle."

 

"Is it anyone I know?"

 

"Silly Eustace, you'll see me very soon."

 

"When shall I see you?"

 

"When poor old Adrian's dead."

 

"Where shall I see you?"

 

"Where shall you not?"

 

Instead of speaking his next question, Borlsover wrote it. "What is the time?"

The fingers dropped the pencil and moved three or four times across the paper. Then, picking up the pencil, they wrote:
"Ten minutes before four. Put your book away, Eustace. Adrian mustn't find us working at this sort of thing. He doesn't know what to make of it, and I won't have poor old Adrian disturbed. Au revoir."

Adrian Borlsover awoke with a start.

"I've been dreaming again," he said; "such queer dreams of leaguered cities and forgotten towns. You were mixed up in this one, Eustace, though I can't remember how. Eustace, I want to warn you. Don't walk in doubtful paths. Choose your friends well. Your poor grandfather——"

A fit of coughing put an end to what he was saying, but Eustace saw that the hand was still writing. He managed unnoticed to draw the book away. "I'll light the gas," he said, "and ring for tea." On the other side of the bed curtain he saw the last sentences that had been written.

"It's too late, Adrian," he read. "We're friends already; aren't we, Eustace Borlsover?"

 

On the following day Eustace Borlsover left. He thought his uncle looked ill when he said good-by, and the old man spoke despondently of the failure his life had been.

"Nonsense, uncle!" said his nephew. "You have got over your difficulties in a way not one in a hundred thousand would have done. Every one marvels at your splendid perseverance in teaching your hand to take the place of your lost sight. To me it's been a revelation of the possibilities of education."

"Education," said his uncle dreamily, as if the word had started a new train of thought, "education is good so long as you know to whom and for what purpose you give it. But with the lower orders of men, the base and more sordid spirits, I have grave doubts as to its results. Well, good-by, Eustace, I may not see you again. You are a true Borlsover, with all the Borlsover faults. Marry, Eustace. Marry some good, sensible girl. And if by any chance I don't see you again, my will is at my solicitor's. I've not left you any legacy, because I know you're well provided for, but I thought you might like to have my books. Oh, and there's just one other thing. You know, before the end people often lose control over themselves and make absurd requests. Don't pay any attention to them, Eustace. Good-by!" and he held out his hand. Eustace took it. It remained in his a fraction of a second longer than he had expected, and gripped him with a virility that was surprising. There was, too, in its touch a subtle sense of intimacy.

"Why, uncle!" he said, "I shall see you alive and well for many long years to come." Two months later Adrian Borlsover died.

II

Eustace Borlsover was in Naples at the time. He read the obituary notice in the Morning Post on the day announced for the funeral.

 

"Poor old fellow!" he said. "I wonder where I shall find room for all his books."

The question occurred to him again with greater force when three days later he found himself stan