Thereupon Nana became a smart woman, mistress of all that is foolish and filthy in man, marquise in the ranks of her calling. It was a sudden but decisive start, a plunge into the garish day of gallant notoriety and mad expenditure and that daredevil wastefulness peculiar to beauty. She at once became queen among the most expensive of her kind. Her photographs were displayed in shopwindows, and she was mentioned in the papers. When she drove in her carriage along the boulevards the people would turn and tell one another who that was with all the unction of a nation saluting its sovereign, while the object of their adoration lolled easily back in her diaphanous dresses and smiled gaily under the rain of little golden curls which ran riot above the blue of her made-up eyes and the red of her painted lips. And the wonder of wonders was that the great creature, who was so awkward on the stage, so very absurd the moment she sought to act the chaste woman, was able without effort to assume the role of an enchantress in the outer world. Her movements were lithe as a serpent's, and the studied and yet seemingly involuntary carelessness with which she dressed was really exquisite in its elegance. There was a nervous distinction in all she did which suggested a wellborn Persian cat; she was an aristocrat in vice and proudly and rebelliously trampled upon a prostrate Paris like a sovereign whom none dare disobey. She set the fashion, and great ladies imitated her.
Nana's fine house was situated at the corner of the Rue Cardinet, in the Avenue de Villiers. The avenue was part of the luxurious quarter at that time springing up in the vague district which had once been the Plaine Monceau. The house had been built by a young painter, who was intoxicated by a first success, and had been perforce resold almost as soon as it was habitable. It was in the palatial Renaissance manner and had fantastic interior arrangements which consisted of modern conveniences framed in a setting of somewhat artificial originality. Count Muffat had bought the house ready furnished and full of hosts of beautiful objects—lovely Eastern hangings, old credences, huge chairs of the Louis XIII epoch. And thus Nana had come into artistic surroundings of the choicest kind and of the most extravagantly various dates. But since the studio, which occupied the central portion of the house, could not be of any use to her, she had upset existing arrangements, establishing a small drawing room on the first floor, next to her bedroom and dressing room, and leaving a conservatory, a large drawing room and a dining room to look after themselves underneath. She astonished the architect with her ideas, for, as became a Parisian workgirl who understands the elegancies of life by instinct, she had suddenly developed a very pretty taste for every species of luxurious refinement. Indeed, she did not spoil her house overmuch; nay, she even added to the richness of the furniture, save here and there, where certain traces of tender foolishness and vulgar magnificence betrayed the ex-flower seller who had been wont to dream in front of shopwindows in the arcades.
A carpet was spread on the steps beneath the great awning over the front door in the court, and the moment you entered the hall you were greeted by a perfume as of violets and a soft, warm atmosphere which thick hangings helped to produce. A window, whose yellow-and rose-colored panes suggested the warm pallor of human flesh, gave light to the wide staircase, at the foot of which a Negro in carved wood held out a silver tray full of visiting cards and four white marble women, with bosoms displayed, raised lamps in their uplifted hands. Bronzes and Chinese vases full of flowers, divans covered with old Persian rugs, armchairs upholstered in old tapestry, furnished the entrance hall, adorned the stairheads and gave the first-floor landing the appearance of an anteroom. Here men's overcoats and hats were always in evidence, and there were thick hangings which deadened every sound. It seemed a place apart: on entering it you might have fancied yourself in a chapel, whose very air was thrilling with devotion, whose very silence and seclusion were fraught with mystery.
Nana only opened the large and somewhat too-sumptuous Louis XVI drawing room on those gala nights when she received society from the Tuileries or strangers of distinction. Ordinarily she only came downstairs at mealtimes, and she would feel rather lost on such days as she lunched by herself in the lofty dining room with its Gobelin tapestry and its monumental sideboard, adorned with old porcelain and marvelous pieces of ancient plate. She used to go upstairs again as quickly as possible, for her home was on the first floor, in the three rooms, the bed, dressing and small drawing room above described. Twice already she had done the bedchamber up anew: on the first occasion in mauve satin, on the second in blue silk under lace. But she had not been satisfied with this; it had struck her as "nohowish," and she was still unsuccessfully seeking for new colors and designs. On the elaborately upholstered bed, which was as low as a sofa, there were twenty thousand francs' worth of POINT DE VENISE lace. The furniture was lacquered blue and white under designs in silver filigree, and everywhere lay such numbers of white bearskins that they hid the carpet. This was a luxurious caprice on Nana's part, she having never been able to break herself of the habit of sitting on the floor to take her stockings off. Next door to the bedroom the little saloon was full of an amusing medley of exquisitely artistic objects. Against the hangings of pale rose-colored silk—a faded Turkish rose color, embroidered with gold thread—a whole world of them stood sharply outlined. They were from every land and in every possible style. There were Italian cabinets, Spanish and Portuguese coffers, models of Chinese pagodas, a Japanese screen of precious workmanship, besides china, bronzes, embroidered silks, hangings of the finest needlework. Armchairs wide as beds and sofas deep as alcoves suggested voluptuous idleness and the somnolent life of the seraglio. The prevailing tone of the room was old gold blended with green and red, and nothing it contained too forcibly indicated the presence of the courtesan save the luxuriousness of the seats. Only two "biscuit" statuettes, a woman in her shift, hunting for fleas, and another with nothing at all on, walking on her hands and waving her feet in the air, sufficed to sully the room with a note of stupid originality.
Through a door, which was nearly always ajar, the dressing room was visible. It was all in marble and glass with a white bath, silver jugs and basins and crystal and ivory appointments. A drawn curtain filled the place with a clear twilight which seemed to slumber in the warm scent of violets, that suggestive perfume peculiar to Nana wherewith the whole house, from the roof to the very courtyard, was penetrated.
The furnishing of the house was a most important undertaking. Nana certainly had Zoe with her, that girl so devoted to her fortunes. For months she had been tranquilly awaiting this abrupt, new departure, as became a woman who was certain of her powers of prescience, and now she was triumphant; she was mistress of the house and was putting by a round sum while serving Madame as honestly as possible. But a solitary lady's maid was no longer sufficient. A butler, a coachman, a porter and a cook were wanted. Besides, it was necessary to fill the stables. It was then that Labordette made himself most useful. He undertook to perform all sorts of errands which bored the count; he made a comfortable job of the purchase of horses; he visited the coachbuilders; he guided the young woman in her choice of things. She was to be met with at the shops, leaning on his arm. Labordette even got in the servants—Charles, a great, tall coachman, who had been in service with the Duc de Corbreuse; Julien, a little, smiling, much-becurled butler, and a married couple, of whom the wife Victorine became cook while the husband Francois was taken on as porter and footman. The last mentioned in powder and breeches wore Nana's livery, which was a sky-blue one adorned with silver lace, and he received visitors in the hall. The whole thing was princely in the correctness of its style.
At the end of two months the house was set going. The cost had been more than three hundred thousand francs. There were eight horses in the stables, and five carriages in the coach houses, and of these five one was a landau with silver embellishments, which for the moment occupied the attention of all Paris. And amid this great wealth Nana began settling down and making her nest. After the third representation of the Petite Duchesse she had quitted the theater, leaving Bordenave to struggle on against a bankruptcy which, despite the count's money, was imminent. Nevertheless, she was still bitter about her failure. It added to that other bitterness, the lesson Fontan had given her, a shameful lesson for which she held all men responsible. Accordingly she now declared herself very firm and quite proof against sudden infatuations, but thoughts of vengeance took no hold of her volatile brain. What did maintain a hold on it in the hours when she was not indignant was an ever-wakeful lust of expenditure, added to a natural contempt for the man who paid and to a perpetual passion for consumption and waste, which took pride in the ruin of her lovers.
At starting Nana put the count on a proper footing and clearly mapped out the conditions of their relationship. The count gave twelve thousand francs monthly, presents excepted, and demanded nothing in return save absolute fidelity. She swore fidelity but insisted also on being treated with the utmost consideration, on enjoying complete liberty as mistress of the house and on having her every wish respected. For instance, she was to receive her friends every day, and he was to come only at stated times. In a word, he was to repose a blind confidence in her in everything. And when he was seized with jealous anxiety and hesitated to grant what she wanted, she stood on her dignity and threatened to give him back all he had given or even swore by little Louiset to perform what she promised. This was to suffice him. There was no love where mutual esteem was wanting. At the end of the first month Muffat respected her.
But she desired and obtained still more. Soon she began to influence him, as became a good-natured courtesan. When he came to her in a moody condition she cheered him up, confessed him and then gave him good advice. Little by little she interested herself in the annoyances of his home life, in his wife, in his daughter, in his love affairs and financial difficulties; she was very sensible, very fair and right-minded. On one occasion only did she let anger get the better of her, and that was when he confided to her that doubtless Daguenet was going to ask for his daughter Estelle in marriage. When the count began making himself notorious Daguenet had thought it a wise move to break off with Nana. He had treated her like a base hussy and had sworn to snatch his future father-in-law out of the creature's clutches. In return Nana abused her old Mimi in a charming fashion. He was a renegade who had devoured his fortune in the company of vile women; he had no moral sense. True, he did not let them pay him money, but he profited by that of others and only repaid them at rare intervals with a bouquet or a dinner. And when the count seemed inclined to find excuses for these failings she bluntly informed him that Daguenet had enjoyed her favors, and she added disgusting particulars. Muffat had grown ashenpale. There was no question of the young man now. This would teach him to be lacking in gratitude!
Meanwhile the house had not been entirely furnished, when one evening after she had lavished the most energetic promises of fidelity on Muffat Nana kept the Count Xavier de Vandeuvres for the night. For the last fortnight he had been paying her assiduous court, visiting her and sending presents of flowers, and now she gave way not so much out of sudden infatuation as to prove that she was a free woman. The idea of gain followed later when, the day after, Vandeuvres helped her to pay a bill which she did not wish to mention to the other man. From Vandeuvres she would certainly derive from eight to ten thousand francs a month, and this would prove very useful as pocket money. In those days he was finishing the last of his fortune in an access of burning, feverish folly. His horses and Lucy had devoured three of his farms, and at one gulp Nana was going to swallow his last chateau, near Amiens. He seemed in a hurry to sweep everything away, down to the ruins of the old tower built by a Vandeuvres under Philip Augustus. He was mad for ruin and thought it a great thing to leave the last golden bezants of his coat of arms in the grasp of this courtesan, whom the world of Paris desired. He, too, accepted Nana's conditions, leaving her entire freedom of action and claiming her caresses only on certain days. He was not even naively impassioned enough to require her to make vows. Muffat suspected nothing. As to Vandeuvres, he knew things would take place for a certainty, but he never made the least allusion to them and pretended total ignorance, while his lips wore the subtle smile of the skeptical man of pleasure who does not seek the impossible, provided he can have his day and that Paris is aware of it.
From that time forth Nana's house was really properly appointed. The staff of servants was complete in the stable, in the kitchen and in my lady's chamber. Zoe organized everything and passed successfully through the most unforeseen difficulties. The household moved as easily as the scenery in a theater and was regulated like a grand administrative concern. Indeed, it worked with such precision that during the early months there were no jars and no derangements. Madame, however, pained Zoe extremely with her imprudent acts, her sudden fits of unwisdom, her mad bravado. Still the lady's maid grew gradually lenient, for she had noticed that she made increased profits in seasons of wanton waste when Madame had committed a folly which must be made up for. It was then that the presents began raining on her, and she fished up many a louis out of the troubled waters.
One morning when Muffat had not yet left the bedroom Zoe ushered a gentleman into the dressing room, where Nana was changing her underwear. He was trembling violently."Good gracious! It's Zizi!" said the young woman in great astonishment.
It was, indeed, Georges. But when he saw her in her shift, with her golden hair over her bare shoulders, he threw his arms round her neck and round her waist and kissed her in all directions. She began struggling to get free, for she was frightened, and in smothered tones she stammered:
"Do leave off! He's there! Oh, it's silly of you! And you, Zoe, are you out of your senses? Take him away and keep him downstairs; I'll try and come down."Zoe had to push him in front of her. When Nana was able to rejoin them in the drawing room downstairs she scolded them both, and Zoe pursed up her lips and took her departure with a vexed expression, remarking that she had only been anxious to give Madame a pleasure. Georges was so glad to see Nana again and gazed at her with such delight that his fine eyes began filling with tears. The miserable days were over now; his mother believed him to have grown reasonable and had allowed him to leave Les Fondettes. Accordingly, the moment he had reached the terminus, he had got a conveyance in order the more quickly to come and kiss his sweet darling. He spoke of living at her side in future, as he used to do down in the country when he waited for her, barefooted, in the bedroom at La Mignotte. And as he told her about himself, he let his fingers creep forward, for he longed to touch her after that cruel year of separation. Then he got possession of her hands, felt about the wide sleeves of her dressing jacket, traveled up as far as her shoulders.
"You still love your baby?" he asked in his child voice."Oh, I certainly love him!" answered Nana, briskly getting out of his clutches. "But you come popping in without warning. You know, my little man, I'm not my own mistress; you must be good!"
Georges, when he got out of his cab, had been so dizzy with the feeling that his long desire was at last about to be satisfied that he had not even noticed what sort of house he was entering. But now he became conscious of a change in the things around him. He examined the sumptuous dining room with its lofty decorated ceiling, its Gobelin hangings, its buffet blazing with plate.
"Yes, yes!" he remarked sadly.And with that she made him understand that he was never to come in the mornings but between four and six in the afternoon, if he cared to. That was her reception time. Then as he looked at her with suppliant, questioning eyes and craved no boon at all, she, in her turn, kissed him on the forehead in the most amiable way.
"Be very good," she whispered. "I'll do all I can."But the truth was that this remark now meant nothing. She thought Georges very nice and would have liked him as a companion, but as nothing else. Nevertheless, when he arrived daily at four o'clock he seemed so wretched that she was often fain to be as compliant as of old and would hide him in cupboards and constantly allow him to pick up the crumbs from Beauty's table. He hardly ever left the house now and became as much one of its inmates as the little dog Bijou. Together they nestled among Mistress's skirts and enjoyed a little of her at a time, even when she was with another man, while doles of sugar and stray caresses not seldom fell to their share in her hours of loneliness and boredom.
Doubtless Mme Hugon found out that the lad had again returned to that wicked woman's arms, for she hurried up to Paris and came and sought aid from her other son, the Lieutenant Philippe, who was then in garrison at Vincennes. Georges, who was hiding from his elder brother, was seized with despairing apprehension, for he feared the latter might adopt violent tactics, and as his tenderness for Nana was so nervously expansive that he could not keep anything from her, he soon began talking of nothing but his big brother, a great, strong fellow, who was capable of all kinds of things.
"You know," he explained, "Mamma won't come to you while she can send my brother. Oh, she'll certainly send Philippe to fetch me."The first time he said this Nana was deeply wounded. She said frigidly:
"Gracious me, I should like to see him come! For all that he's a lieutenant in the army, Francois will chuck him out in double-quick time!"
Soon, as the lad kept returning to the subject of his brother, she ended by taking a certain interest in Philippe, and in a week's time she knew him from head to foot—knew him as very tall and very strong and merry and somewhat rough. She learned intimate details, too, and found out that he had hair on his arms and a birthmark on his shoulder. So thoroughly did she learn her lesson that one day, when she was full of the image of the man who was to be turned out of doors by her orders, she cried out:
"I say, Zizi, your brother's not coming. He's a base deserter!"The next day, when Georges and Nana were alone together, Francois came upstairs to ask whether Madame would receive Lieutenant Philippe Hugon. Georges grew extremely white and murmured:
"I suspected it; Mamma was talking about it this morning." And he besought the young woman to send down word that she could not see visitors. But she was already on her feet and seemed all aflame as she said:
"Why should I not see him? He would think me afraid. Dear me, we'll have a good laugh! Just leave the gentleman in the drawing room for a quarter of an hour, Francois; afterward bring him up to me."
She did not sit down again but began pacing feverishly to and fro between the fireplace and a Venetian mirror hanging above an Italian chest. And each time she reached the latter she glanced at the glass and tried the effect of a smile, while Georges sat nervously on a sofa, trembling at the thought of the coming scene. As she walked up and down she kept jerking out such little phrases as:
"It will calm the fellow down if he has to wait a quarter of an hour. Besides, if he thinks he's calling on a tottie the drawing room will stun him! Yes, yes, have a good look at everything, my fine fellow! It isn't imitation, and it'll teach you to respect the lady who owns it. Respect's what men need to feel! The quarter of an hour's gone by, eh? No? Only ten minutes? Oh, we've got plenty of time."
She did not stay where she was, however. At the end of the quarter of an hour she sent Georges away after making him solemnly promise not to listen at the door, as such conduct would scarcely look proper in case the servants saw him. As he went into her bedroom Zizi ventured in a choking sort of way to remark:
"It's my brother, you know—""Don't you fear," she said with much dignity; "if he's polite I'll be polite."
Francois ushered in Philippe Hugon, who wore morning dress. Georges began crossing on tiptoe on the other side of the room, for he was anxious to obey the young woman. But the sound of voices retained him, and he hesitated in such anguish of mind that his knees gave way under him. He began imagining that a dread catastrophe would befall, that blows would be struck, that something abominable would happen, which would make Nana everlastingly odious to him. And so he could not withstand the temptation to come back and put his ear against the door. He heard very ill, for the thick portieres deadened every sound, but he managed to catch certain words spoken by Philippe, stern phrases in which such terms as "mere child," "family," "honor," were distinctly audible. He was so anxious about his darling's possible answers that his heart beat violently and filled his head with a confused, buzzing noise. She was sure to give vent to a "Dirty blackguard!" or to a "Leave me bloody well alone! I'm in my own house!" But nothing happened—not a breath came from her direction. Nana seemed dead in there! Soon even his brother's voice grew gentler, and he could not make it out at all, when a strange murmuring sound finally stupefied him. Nana was sobbing! For a moment or two he was the prey of contending feelings and knew not whether to run away or to fall upon Philippe. But just then Zoe came into the room, and he withdrew from the door, ashamed at being thus surprised.
She began quietly to put some linen away in a cupboard while he stood mute and motionless, pressing his forehead against a windowpane. He was tortured by uncertainty. After a short silence the woman asked:
"Yes," replied the lad in a choking voice.
There was a fresh silence.
"And it makes you anxious, doesn't it, Monsieur Georges?"
"Yes," he rejoined in the same painful, suffering tone.
Zoe was in no hurry. She folded up some lace and said slowly:
"You're wrong; Madame will manage it all."
And then the conversation ended; they said not another word. Still she did not leave the room. A long quarter of an hour passed, and she turned round again without seeming to notice the look of exasperation overspreading the lad's face, which was already white with the effects of uncertainty and constraint. He was casting sidelong glances in the direction of the drawing room.
Maybe Nana was still crying. The other must have grown savage and have dealt her blows. Thus when Zoe finally took her departure he ran to the door and once more pressed his ear against it. He was thunderstruck; his head swam, for he heard a brisk outburst of gaiety, tender, whispering voices and the smothered giggles of a woman who is being tickled. Besides, almost directly afterward, Nana conducted Philippe to the head of the stairs, and there was an exchange of cordial and familiar phrases.
When Georges again ventured into the drawing room the young woman was standing before the mirror, looking at herself."Well?" he asked in utter bewilderment.
"Well, what?" she said without turning round. Then negligently:
"What did you mean? He's very nice, is your brother!"
"So it's all right, is it?"
"Oh, certainly it's all right! Goodness me, what's come over you? One would have thought we were going to fight!"
Georges still failed to understand. "I thought I heard—that is, you didn't cry?" he stammered out.
"Me cry!" she exclaimed, looking fixedly at him. "Why, you're dreaming! What makes you think I cried?"
Thereupon the lad was treated to a distressing scene for having disobeyed and played Paul Pry behind the door. She sulked, and he returned with coaxing submissiveness to the old subject, for he wished to know all about it.
"And my brother then?""Your brother saw where he was at once. You know, I might have been a tottie, in which case his interference would have been accounted for by your age and the family honor! Oh yes, I understand those kinds of feelings! But a single glance was enough for him, and he behaved like a well-bred man at once. So don't be anxious any longer. It's all over— he's gone to quiet your mamma!"
And she went on laughingly:"For that matter, you'll see your brother here. I've invited him, and he's going to return."
"Oh, he's going to return," said the lad, growing white. He added nothing, and they ceased talking of Philippe. She began dressing to go out, and he watched her with his great, sad eyes. Doubtless he was very glad that matters had got settled, for he would have preferred death to a rupture of their connection, but deep down in his heart there was a silent anguish, a profound sense of pain, which he had no experience of and dared not talk about. How Philippe quieted their mother's fears he never knew, but three days later she returned to Les Fondettes, apparently satisfied. On the evening of her return, at Nana's house, he trembled when Francois announced the lieutenant, but the latter jested gaily and treated him like a young rascal, whose escapade he had favored as something not likely to have any consequences. The lad's heart was sore within him; he scarcely dared move and blushed girlishly at the least word that was spoken to him. He had not lived much in Philippe's society; he was ten years his junior, and he feared him as he would a father, from whom stories about women are concealed. Accordingly he experienced an uneasy sense of shame when he saw him so free in Nana's company and heard him laugh uproariously, as became a man who was plunging into a life of pleasure with the gusto born of magnificent health. Nevertheless, when his brother shortly began to present himself every day, Georges ended by getting somewhat used to it all. Nana was radiant.
This, her latest installation, had been involving all the riotous waste attendant on the life of gallantry, and now her housewarming was being defiantly celebrated in a grand mansion positively overflowing with males and with furniture.
One afternoon when the Hugons were there Count Muffat arrived out of hours. But when Zoe told him that Madame was with friends he refused to come in and took his departure discreetly, as became a gallant gentleman. When he made his appearance again in the evening Nana received him with the frigid indignation of a grossly affronted woman.
"Sir," she said, "I have given you no cause why you should insult me. You must understand this: when I am at home to visitors, I beg you to make your appearance just like other people."
The count simply gaped in astonishment. "But, my dear—" he endeavored to explain."Perhaps it was because I had visitors! Yes, there were men here, but what d'you suppose I was doing with those men? You only advertise a woman's affairs when you act the discreet lover, and I don't want to be advertised; I don't!"
He obtained his pardon with difficulty, but at bottom he was enchanted. It was with scenes such as these that she kept him in unquestioning and docile submission. She had long since succeeded in imposing Georges on him as a young vagabond who, she declared, amused her. She made him dine with Philippe, and the count behaved with great amiability. When they rose from table he took the young man on one side and asked news of his mother. From that time forth the young Hugons, Vandeuvres and Muffat were openly about the house and shook hands as guests and intimates might have done. It was a more convenient arrangement than the previous one. Muffat alone still abstained discreetly from too-frequent visits, thus adhering to the ceremonious policy of an ordinary strange caller. At night when Nana was sitting on her bearskins drawing off her stockings, he would talk amicably about the other three gentlemen and lay especial stress on Philippe, who was loyalty itself.
"It's very true; they're nice," Nana would say as she lingered on the floor to change her shift. "Only, you know, they see what I am. One word about it and I should chuck 'em all out of doors for you!"
Nevertheless, despite her luxurious life and her group of courtiers, Nana was nearly bored to death. She had men for every minute of the night, and money overflowed even among the brushes and combs in the drawers of her dressing table. But all this had ceased to satisfy her; she felt that there was a void somewhere or other, an empty place provocative of yawns. Her life dragged on, devoid of occupation, and successive days only brought back the same monotonous hours. Tomorrow had ceased to be; she lived like a bird: sure of her food and ready to perch and roost on any branch which she came to. This certainty of food and drink left her lolling effortless for whole days, lulled her to sleep in conventual idleness and submission as though she were the prisoner of her trade. Never going out except to drive, she was losing her walking powers. She reverted to low childish tastes, would kiss Bijou from morning to night and kill time with stupid pleasures while waiting for the man whose caresses she tolerated with an appearance of complaisant lassitude. Amid this species of self-abandonment she now took no thought about anything save her personal beauty; her sole care was to look after hers