PART II
Mr. Joshua Rylands had, according to the vocabulary of his class, "found grace" at the age of sixteen, while still in the spiritual state of "original sin" and the political one of Missouri. He had not indeed found it by persistent youthful seeking or spiritual insight, but somewhat violently and turbulently at a camp-meeting. A village boy, naturally gentle and impressible, with an original character,- limited, however, in education and experience,- he had, after his first rustic debauch with some vulgar companions, fallen upon the camp-meeting in reckless audacity; and instead of being handed over to the district constable, was taken in and placed upon "the anxious bench," "rastled with," and exhorted by a strong revivalist preacher, "convicted of sin," and- converted! It is doubtful if the shame of a public arrest and legal punishment would have impressed his youthful spirit as much as did this spiritual examination and trial, in which he himself became accuser. Howbeit, its effect, though punitive, was also exemplary. He at once cast off his evil companions; remaining faithful to his conversion, in spite of their later "backslidings." When, after the Western fashion, the time came for him to forsake his father's farm and seek a new "quarter section" on some more remote frontier, he carried into that secluded, lonely, half-monkish celibacy of pioneer life- which has been the foundation of so much strong Western character- more than the usual religious feeling. At once industrious and adventurous, he lived by "the Word," as he called it, and Nature as he knew it,- tempted by none of the vices or sentiments of civilization. When he finally joined the Californian emigration, it was not as a gold-seeker, but as a discoverer of new agricultural fields; if the hardship was as great and the rewards fewer, he nevertheless knew that he retained his safer isolation and independence of spirit. Vice and civilization were to him synonymous terms; it was the natural condition of the worldly and unregenerate. Such was the man who chanced to meet "Nell Montgomery, the Pearl of the Variety Stage," on the Sacramento boat, in one of his forced visits to civilization. Without knowing her in her profession, her frank exposition of herself did not startle him; he recognized it, accepted it, and strove to convert it. And as long as this daughter of Folly forsook her evil ways for him, it was a triumph in which there was no shame, and might be proclaimed from the housetop. When his neighbors thought differently, and avoided them, he saw no inconsistency in bringing his wife's old friends to divert her: she might in time convert THEM. He had no more fear of her returning to their ways than he had of himself "backsliding." Narrow as was his creed, he had none of the harshness nor pessimism of the bigot. With the keenest self-scrutiny, his credulity regarding others was touching.
The storm was still raging when he alighted that evening from the up coach at the trail nearest his house. Although incumbered with a heavy carpet-bag, he started resignedly on his two-mile tramp without begrudging the neighborly act of his wife which had deprived him of his horse. It was "like her" to do these things in her good-humored abstraction, an abstraction, however, that sometimes worried him, from the fear that it indicated some unhappiness with her present lot. He was longing to rejoin her after his absence of three days, the longest time they had been separated since their marriage, and he hurried on with a certain lover-like excitement, quite new to his usually calm and temperate blood.
Struggling with the storm and darkness, but always with the happy consciousness of drawing nearer to her in that struggle, he labored on, finding his perilous way over the indistinguishable trail by certain landmarks in the distance, visible only to his pioneer eye. That heavier shadow to the right was not the hillside, but the SLOPE to the distant hill; that low, regular line immediately before him was not a fence or wall, but the line of distant gigantic woods, a mile from his home. Yet as he began to descend the slope towards the wood, he stopped and rubbed his eyes. There was distinctly a light in it. His first idea was that he had lost the trail and was nearing the woodman Mackinnon's cabin. But a more careful scrutiny revealed to him that it was really the wood, and the light was a camp-fire. It was a rough night for camping out, but they were probably some belated prospectors.
When he had reached the fringe of woodland, he could see quite plainly that the fire was built beside one of the large pines, and that the little encampment, which looked quite comfortable and secluded from the storm-beaten trail, was occupied apparently by a single figure. By the good glow of the leaping fire, that figure standing erect before it, elegantly shaped, in the graceful folds of a serape, looked singularly romantic and picturesque, and reminded Joshua Rylands- whose ideas of art were purely reminiscent of boyish reading- of some picture in a novel. The heavy black