The Apparition of Mrs. Veal............................................................................................ 9 By Daniel De Foe........................................................................................................ 9
Canon Alberic's Scrap-Book.......................................................................................... 19 By Montague Rhodes James..................................................................................... 19
The Haunted and the Haunters Or, The House and the Brain .................................. 28 By Edward Bulwer-Lytton........................................................................................ 28
The Silent Woman........................................................................................................... 48 By Leopold Kompert ................................................................................................ 48
Banshees........................................................................................................................... 62
The Man Who Went Too Far ........................................................................................ 66 By E.F. Benson ......................................................................................................... 66
The Woman's Ghost Story ............................................................................................. 84 By Algernon Blackwood........................................................................................... 84
The Phantom 'Rickshaw................................................................................................. 91 By Rudyard Kipling.................................................................................................. 91
The Rival Ghosts........................................................................................................... 107 By Brander Matthews ............................................................................................. 107
The Damned Thing ....................................................................................................... 121
By Ambrose Bierce................................................................................................. 121
I ............................................................................................................................... 121
II.............................................................................................................................. 123
III............................................................................................................................. 125
IV ............................................................................................................................ 126
"Dey Ain't No Ghosts" ................................................................................................. 135 By Ellis Parker Butler ............................................................................................. 135
Some Real American Ghosts........................................................................................ 144
THE GIANT GHOST ............................................................................................. 144
SOME FAMOUS GHOSTS OF THE NATIONAL CAPITOL............................. 145
A GENUINE GHOST............................................................................................. 148
THE BAGGAGEMAN'S GHOST.......................................................................... 149
DRUMMERS SEE A SPECTER ........................................................................... 149
DR. FUNK SEES THE SPIRIT OF BEECHER .................................................... 150
MYSTERY OF THE COINS.................................................................................. 150
MR. BEECHER APPEASED................................................................................. 151
MARYLAND GHOSTS......................................................................................... 152
THE GHOST OF PEG ALLEY'S POINT .............................................................. 153
AN APPARITION AND DEATH.......................................................................... 153
AN IDIOT GHOST WITH BRASS BUTTONS .................................................... 154
A MODEL GHOST STORY .................................................................................. 155
A GHOST THAT WILL NOT DOWN .................................................................. 156
TOM CYPHER'S PHANTOM ENGINE ............................................................... 157
GHOSTS IN CONNECTICUT............................................................................... 159
THE SPOOK OF DIAMOND ISLAND................................................................. 160
THE GHOST'S FULL HOUSE .............................................................................. 161
Is it of the same nature as the fascination which we feel for the mystery of the detective story?
Of the latter fascination, the late Paul Armstrong used to say that it was because we are all as full of crime as Sing Sing—only we don't dare.
Thus, may I ask, are we not fascinated by the ghost story because, no matter what may be the scientific or skeptical bent of our minds, in our inmost souls, secretly perhaps, we are as full of superstition as an obeah man—only we don't let it loose?
Who shall say that he is able to fling off lightly the inheritance of countless ages of superstition? Is there not a streak of superstition in us all? We laugh at the voodoo worshiper—then create our own hoodooes, our pet obsessions.
It has been said that man is incurably religious, that if all religions were blotted out, man would create a new religion.Man is incurably fascinated by the mysterious. If all the ghost stories of the ages were blotted out, man would invent new ones.
For, do we not all stand in awe of that which we cannot explain, of that which, if it be not in our own experience, is certainly recorded in the experience of others, of that of which we know and can know nothing?
Skeptical though one may be of the occult, he must needs be interested in things that others believe to be objective—that certainly are subjectively very real to them.The ghost story is not born of science, nor even of super-science, whatever that may be. It is not of science at all. It is of another sphere, despite all that the psychic researchers have tried to demonstrate.
There are in life two sorts of people who, for want of a better classification, I may call the psychic and the non-psychic. If I ask the psychic to close his eyes and I say to him, "Horse," he immediately visualizes a horse. The other, non-psychic, does not. I rather incline to believe that it is the former class who see ghosts, or rather some of them. The latter do not—though they share interest in them.
The artists are of the visualizing class and, in our more modern times, it is the psychic who think in motion pictures, or at least in a succession of still pictures.
However we explain the ghostly and supernatural, whether we give it objective or merely subjective reality, neither explanation prevents the non-psychic from being intensely interested in the visions of the psychic.
Thus I am convinced that if we were all quite honest with ourselves, whether we believe in or do not believe in ghosts, at least we are all deeply interested in them. There is in this interest something that makes all the world akin.
Who does not feel a suppressed start at the creaking of furniture in the dark of night? Who has not felt a shiver of goose flesh, controlled only by an effort of will? Who, in the dark, has not had the feeling of some thing behind him—and, in spite of his conscious reasoning, turned to look?
If there be any who has not, it may be that to him ghost stories have no fascination. Let him at least, however, be honest.To every human being mystery appeals, be it that of the crime cases on which a large part of yellow journalism is founded, or be it in the cases of Dupin, of Le Coq, of Sherlock Holmes, of Arsene Lupin, of Craig Kennedy, or a host of others of our fiction mystery characters. The appeal is in the mystery.
The detective's case is solved at the end, however. But even at the end of a ghost story, the underlying mystery remains. In the ghost story, we have the very quintessence of mystery.
Authors, publishers, editors, dramatists, writers of motion pictures tell us that never before has there been such an intense and wide interest in mystery stories as there is today. That in itself explains the interest in the super-mystery story of the ghost and ghostly doings.
Another element of mystery lies in such stories. Deeper and further back, is the supreme mystery of life—after death—what?"Impossible," scorns the non-psychic as he listens to some ghost story.
To which, doggedly replies the mind of the opposite type, "Not so. I believe because it is impossible."
The uncanny, the unhealthy—as in the master of such writing, Poe—fascinates. Whether we will or no, the imp of the perverse lures us on.
That is why we read with enthralled interest these excursions into the eerie unknown, perhaps reading on till the mystic hour of midnight increases the creepy pleasure. One might write a volume of analysis and appreciation of this aptly balanced anthology of ghost stories assembled here after years of reading and study by Mr. J.L. French.
Foremost among the impressions that a casual reader will derive is the interesting fact, just as in detective mystery stories, so in ghost stories, styles change. Each age, each period has the ghost story peculiar to itself. To-day, there is a new style of ghost story gradually evolving.
Once stories were of fairies, fays, trolls, the "little people," of poltergiest and loup garou. Through various ages we have progressed to the ghost story of the eighteenth and nineteenth centuries until to-day, in the twentieth, we are seeing a modern style, which the new science is modifying materially.
High among the stories in this volume, one must recognize the masterful art of Algernon Blackwood's "The Woman's Ghost Story.""I was interested in psychic things," says the woman as she starts to tell her story simply, with a sweep toward the climax that has the ring of the truth of fiction. Here perhaps we have the modern style of ghost story at its best.
Times change as well as styles. "The Man Who Went Too Far" is of intense interest as an attempt to bring into our own times an interpretation of the symbolism underlying Greek mythology, applied to England of some years ago.
To see Pan meant death. Hence in this story there is a philosophy of Pan-theism—no "me," no "you," no "it." It is a mystical story, with a storm scene in which is painted a picture that reminds one strongly of "The Fall of the House of Ushur,"—with the frankly added words, "On him were marks of hoofs of a monstrous goat that had leaped on him,"—uncompromising mysticism.
Happy is the Kipling selection, "The Phantom 'Rickshaw," if only for that obiter dictum of ghost-presence as Kipling explains about the rift in the brain: "—and a little bit of the Dark World came through and pressed him to death!"
Then there are the racial styles in ghost stories. The volume takes us from the "Banshees and Other Death Warnings" of Ireland to a strange example of Jewish mysticism in "The Silent Woman." Mr. French has been very wide in his choice, giving us these as well as many examples from the literature of England and France. Finally, he has compiled from the newspapers, as typically American, many ghost stories of New York and other parts of the country.
Strange that one should find humor in a subject so weird. Yet we find it. Take, for instance, De Foe's old narrative, "The Apparition of Mrs. Veal." It is a hoax, nothing more. Of our own times is Ellis Parker Butler's "Dey Ain't No Ghosts," showing an example of the modern Negro's racial heritage.
In our literature and on the stage, the very idea of a Darky and a graveyard is mirthprovoking. Mr. Butler extracts some pithy philosophy from his Darky boy: "I ain't skeered ob ghosts whut am, c'ase dey ain't no ghosts, but I jes' feel kinder oneasy 'bout de ghosts whut ain't!"
It is not, however, to be compared for interest to the story of sheer terror, as in BulwerLytton's "The Haunted and the Haunters," with the flight of the servant in terror, the cowering of the dog against the wall, the death of the dog, its neck actually broken by the terror, and all that go to make an experience in a haunted house what it should be.
Thus, at last, we come to two of the stories that attempt to give a scientific explanation, another phase of the modern style of ghost story.One of these, perhaps hardly modern as far as mere years are concerned, is this same story of Bulwer, "The Haunted and the Haunters." Besides being a rattling good oldfashioned tale of horror, it attempts a new-fashioned scientific explanation. It is enough to read and re-read it.
It is, however, the lamented Ambrose Bierce who has gone furthest in the science and the philosophy of the matter, and in a very short story, too, splendidly titled "The Damned Thing."
"Incredible!" exclaims the coroner at the inquest."That is nothing to you, sir," replies the newspaper man who relates the experience, and in these words expresses the true feeling about ghostly fiction, "that is nothing to you, if I also swear that it is true!"
But furthest of all in his scientific explanation—not scientifically explaining away, but in explaining the way—goes Bierce as he outlines a theory. From the diary of the murdered man he picks out the following which we may treasure as a gem:
"I am not mad. There are colors that we cannot see. And—God help me!—the Damned Thing is of such a color!"This fascination of the ghost story—have I made it clear?
As I write, nearing midnight, the bookcase behind me cracks. I start and turn. Nothing. There is a creak of a board in the hallway.
I know it is the cool night wind—the uneven contraction of materials expanded in the heat of the day.
Yet—do I go into the darkness outside otherwise than alert?
It is this evolution of our sense of ghost terror—ages of it—that fascinates us.
Can we, with a few generations of modernism behind us, throw it off with all our science? And, if we did, should we not then succeed only in abolishing the old-fashioned ghost story and creating a new, scientific ghost story?
Scientific? Yes. But more,—something that has existed since the beginnings of intelligence in the human race.Perhaps, you critic, you say that the true ghost story originated in the age of shadowy candle light and pine knot with their grotesqueries on the walls and in the unpenetrated darkness, that the electric bulb and the radiator have dispelled that very thing on which, for ages, the ghost story has been built.
What? No ghost stories? Would you take away our supernatural fiction by your paltry scientific explanation?Still will we gather about the story teller—then lie awake o' nights, seeing mocking figures, arms akimbo, defying all your science to crush the ghost story.
This relation is matter of fact, and attended with such circumstances, as may induce any reasonable man to believe it. It was sent by a gentleman, a justice of peace, at Maidstone, in Kent, and a very intelligent person, to his friend in London, as it is here worded; which discourse is attested by a very sober and understanding gentlewoman, a kinswoman of the said gentleman's, who lives in Canterbury, within a few doors of the house in which the within-named Mrs. Bargrave lives; who believes his kinswoman to be of so discerning a spirit, as not to be put upon by any fallacy; and who positively assured him that the whole matter, as it is related and laid down, is really true; and what she herself had in the same words, as near as may be, from Mrs. Bargrave's own mouth, who, she knows, had no reason to invent and publish such a story, or any design to forge and tell a lie, being a woman of much honesty and virtue, and her whole life a course, as it were, of piety. The use which we ought to make of it, is to consider, that there is a life to come after this, and a just God, who will retribute to every one according to the deeds done in the body; and therefore to reflect upon our past course of life we have led in the world; that our time is short and uncertain; and that if we would escape the punishment of the ungodly, and receive the reward of the righteous, which is the laying hold of eternal life, we ought, for the time to come, to return to God by a speedy repentance, ceasing to do evil, and learning to do well: to seek after God early, if happily He may be found of us, and lead such lives for the future, as may be well pleasing in His sight.
A RELATION OF THE APPARITION OF MRS. VEALThis thing is so rare in all its circumstances, and on so good authority, that my reading and conversation has not given me anything like it: it is fit to gratify the most ingenious and serious inquirer. Mrs. Bargrave is the person to whom Mrs. Veal appeared after her death; she is my intimate friend, and I can avouch for her reputation, for these last fifteen or sixteen years, on my own knowledge; and I can confirm the good character she had from her youth, to the time of my acquaintance. Though, since this relation, she is calumniated by some people, that are friends to the brother of this Mrs. Veal, who appeared; who think the relation of this appearance to be a reflection, and endeavor what they can to blast Mrs. Bargrave's reputation, and to laugh the story out of countenance. But by the circumstances thereof, and the cheerful disposition of Mrs. Bargrave, notwithstanding the ill-usage of a very wicked husband, there is not yet the least sign of dejection in her face; nor did I ever hear her let fall a desponding or murmuring expression; nay, not when actually under her husband's barbarity; which I have been witness to, and several other persons of undoubted reputation.
Now you must know, Mrs. Veal was a maiden gentlewoman of about thirty years of age, and for some years last past had been troubled with fits; which were perceived coming on her, by her going off from her discourse very abruptly to some impertinence. She was maintained by an only brother, and kept his house in Dover. She was a very pious woman, and her brother a very sober man to all appearance; but now he does all he can to null or quash the story. Mrs. Veal was intimately acquainted with Mrs. Bargrave from her childhood. Mrs. Veal's circumstances were then mean; her father did not take care of his children as he ought, so that they were exposed to hardships; and Mrs. Bargrave, in those days, had as unkind a father, though she wanted neither for food nor clothing, whilst Mrs. Veal wanted for both; insomuch that she would often say, Mrs. Bargrave, you are not only the best, but the only friend I have in the world, and no circumstances of life shall ever dissolve my friendship. They would often condole each other's adverse fortunes, and read together Drelincourt upon Death, and other good books; and so, like two Christian friends, they comforted each other under their sorrow.
Some time after, Mr. Veal's friends got him a place in the custom-house at Dover, which occasioned Mrs. Veal, by little and little, to fall off from her intimacy with Mrs. Bargrave, though there was never any such thing as a quarrel; but an indifferency came on by degrees, till at last Mrs. Bargrave had not seen her in two years and a half; though above a twelvemonth of the time Mrs. Bargrave hath been absent from Dover, and this last half year has been in Canterbury about two months of the time, dwelling in a house of her own.
In this house, on the 8th of September, 1705, she was sitting alone in the forenoon, thinking over her unfortunate life, and arguing herself into a due resignation to providence, though her condition seemed hard. And, said she, I have been provided for hitherto, and doubt not but I shall be still; and am well satisfied that my afflictions shall end when it is most fit for me: and then took up her sewing-work, which she had no sooner done, but she hears a knocking at the door. She went to see who was there, and this proved to be Mrs. Veal, her old friend, who was in a riding-habit. At that moment of time the clock struck twelve at noon.
Madam, says Mrs. Bargrave, I am surprised to see you, you have been so long a stranger; but told her, she was glad to see her, and offered to salute her; which Mrs. Veal complied with, till their lips almost touched; and then Mrs. Veal drew her hand across her own eyes, and said, I am not very well; and so waived it. She told Mrs. Bargrave, she was going a journey, and had a great mind to see her first. But, says Mrs. Bargrave, how came you to take a journey alone? I am amazed at it, because I know you have a fond brother. Oh! says Mrs. Veal, I gave my brother the slip, and came away because I had so great a desire to see you before I took my journey. So Mrs. Bargrave went in with her, into another room within the first, and Mrs. Veal sat her down in an elbow-chair, in which Mrs. Bargrave was sitting when she heard Mrs. Veal knock. Then says Mrs. Veal, My dear friend, I am come to renew our old friendship again, and beg your pardon for my breach of it; and if you can forgive me, you are the best of women. O, says Mrs. Bargrave, do not mention such a thing; I have not had an uneasy thought about it; I can easily forgive it. What did you think of me? said Mrs. Veal. Says Mrs. Bargrave, I thought you were like the rest of the world, and that prosperity had made you forget yourself and me. Then Mrs. Veal reminded Mrs. Bargrave of the many friendly offices she did her in former days, and much of the conversation they had with each other in the times of their adversity; what books they read, and what comfort, in particular, they received from Drelincourt's Book of Death, which was the best, she said, on that subject ever written. She also mentioned Dr. Sherlock, the two Dutch books which were translated, written upon death, and several others. But Drelincourt, she said, had the clearest notions of death, and of the future state, of any who had handled that subject. Then she asked Mrs. Bargrave, whether she had Drelincourt. She said, Yes. Says Mrs. Veal, Fetch it. And so Mrs. Bargrave goes up stairs and brings it down. Says Mrs. Veal, Dear Mrs. Bargrave, if the eyes of our faith were as open as the eyes of our body, we should see numbers of angels about us for our guard. The notions we have of heaven now, are nothing like what it is, as Drelincourt says; therefore be comforted under your afflictions, and believe that the Almighty has a particular regard to you; and that your afflictions are marks of God's favor; and when they have done the business they are sent for, they shall be removed from you. And believe me, my dear friend, believe what I say to you, one minute of future happiness will infinitely reward you for all your sufferings. For, I can never believe (and claps her hand upon her knee with great earnestness, which indeed ran through most of her discourse), that ever God will suffer you to spend all your days in this afflicted state; but be assured, that your afflictions shall leave you, or you them, in a short time. She spake in that pathetical and heavenly manner, that Mrs. Bargrave wept several times, she was so deeply affected with it.
Then Mrs. Veal mentioned Dr. Kenrick's Ascetick, at the end of which he gives an account of the lives of the primitive Christians. Their pattern she recommended to our imitation, and said, their conversation was not like this of our age: For now, says she, there is nothing but frothy, vain discourse, which is far different from theirs. Theirs was to edification, and to build one another up in faith; so that they were not as we are, nor are we as they were: but, says she, we ought to do as they did. There was an hearty friendship among them; but where is it now to be found? Says Mrs. Bargrave, It is hard indeed to find a true friend in these days. Says Mrs. Veal, Mr. Norris has a fine copy of verses, called Friendship in Perfection, which I wonderfully admire. Have you seen the book? says Mrs. Veal. No, says Mrs. Bargrave, but I have the verses of my own writing out. Have you? says Mrs. Veal, then fetch them. Which she did from above stairs, and offered them to Mrs. Veal to read, who refused, and waived the thing, saying, holding down her head would make it ache; and then desired Mrs. Bargrave to read them to her, which she did. As they were admiring friendship, Mrs. Veal said, Dear Mrs. Bargrave, I shall love you for ever. In these verses there is twice used the word Elysian. Ah! says Mrs. Veal, these poets have such names for heaven. She would often draw her hands across her own eyes, and say, Mrs. Bargrave, do not you think I am mightily impaired by my fits? No, says Mrs. Bargrave, I think you look as well as ever I knew you. After all this discourse, which the apparition put in much finer words than Mrs. Bargrave said she could pretend to, and as much more than she can remember, (for it cannot be thought, that an hour and three quarters' conversation could all be retained, though the main of it she thinks she does,) she said to Mrs. Bargrave, she would have her write a letter to her brother, and tell him, she would have him give rings to such and such; and that there was a purse of gold in her cabinet, and that she would have two broad pieces given to her cousin Watson.
Talking at this rate, Mrs. Bargrave thought that a fit was coming upon her, and so placed herself in a chair just before her knees, to keep her from falling to the ground, if her fits should occasion it: for the elbow-chair, she thought, would keep her from falling on either side. And to divert Mrs. Veal, as she thought, took hold of her gown-sleeve several times, and commended it. Mrs. Veal told her, it was a scowered silk, and newly made up. But for all this, Mrs. Veal persisted in her request, and told Mrs. Bargrave, she must not deny her: and she would have her tell her brother all their conversation, when she had opportunity. Dear Mrs. Veal, says Mrs. Bargrave, this seems so impertinent, that I cannot tell how to comply with it; and what a mortifying stor