The Myth of the Birth of the Hero: A psychological interpretation of mythology by Otto Rank - HTML preview

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TRISTAN

The argument of the Feridun story is pursued in the Tristan saga, as related in the epic poem by Gottfried of Strassburg. This is especially evident in the prologue of the Tristan-saga, which is repeated later on in the adventures of the hero himself (duplication). Riwalin, king in the land of the Parmenians, in an expedition to the court of Marke, king of Kurnewal and England, had become acquainted with the latter’s beautiful sister, Blancheflure, and his heart was aflame with love for her. While assisting Marke in a campaign, Riwalin was mortally wounded and was carried to Tintajole. Blancheflure, disguised as a beggar maid, hastened to his sick bed, and her devoted love saved the king’s life. She fled with her lover to his native land (obstacles) and was there proclaimed as his consort. But Morgan attacked Riwalin’s country, for the sake of Blancheflure, whom the king entrusted to his faithful retainer Rual, because she was carrying a child. Rual placed the queen for safekeeping in the castle of Kaneel. Here she gave birth to a son and died, while her husband fell in the battle against Morgan. In order to protect the king’s offspring from Morgan’s pursuits, Rual spread the rumor that the infant had been born dead. The boy was named Tristan, because he had been conceived and born in sorrow. Under the care of his foster-parents, Tristan grew up, equally straight in body and mind, until his fourteenth year, when he was kidnapped by Norwegian merchants, who put him ashore in Kurnewal, because they feared the wrath of the gods. Here the boy was found by the soldiers of King Marke, who was so well pleased with the brave and handsome youth that he promptly made him his master of the chase (career), and held him in great affection. Meanwhile, faithful Rual had set forth to seek his abducted foster son, whom he found at last in Kurnewal, where Rual had come begging his way. Rual revealed Tristan’s descent to the king, who was delighted to see in him the son of his beloved sister, and raised him to the rank of a knight. In order to avenge his father, Tristan proceeded with Rual to Parmenia, vanquished Morgan, the usurper, and gave the country to Rual as a liege, while he himself returned to his uncle Marke. (After Chop: Erläuterungen zu Wagner’s Tristan, Reclam Bibl.)

The actual Tristan saga goes on with a repetition of the principal themes. In the service of Marke, Tristan kills Morald, the bridegroom of Isolde, and being wounded unto death, he is saved by Isolde. He asks her hand in marriage, for his uncle Marke, fulfils the condition of killing a dragon, and she follows him reluctantly to Kurnewal, where they travel by ship. On the journey they partake unwittingly of the disastrous love potion, which binds them together in frenzied passion. They betray the king, Marke, and on the wedding night Isolde’s faithful serving maid, Brangäne, represents the queen, and sacrifices her virginity to the king. Next follows the banishment of Tristan, his several attempts to regain his beloved, although he had meanwhile married Isolde Whitehand, who resembled her. At last he is again wounded unto death, and Isolde arrives too late to save him. [52]

A plainer version of the Tristan-saga, in the sense of the characteristic features of the myth of the birth of the hero, is found in the fairy tale, “The True Bride,” quoted by Riklin (“Wunscherfüllung und Symbolik im Märchen,” p. 56) [53] from Rittershaus’ collection of fairy tales (XXVII, p. 113). A royal pair have no children. The king having threatened to kill his wife, unless she bears a child by the time of his return from his sea-voyage, she is brought to him during his journey, by his zealous maid-servant, as the fairest of three promenading ladies, and he takes her into his tent without recognizing her. [54] She returns home without having been discovered, gives birth to a daughter, Isol, and dies. Isol later on finds a most beautiful little boy in a box by the seaside, whose name is Tristram, and she raises him to become engaged to him. The subsequent story, which contains the motive of the true bride, is noteworthy for present purposes only in as far as here again occur the draught of oblivion, and two Isoldes. The king’s second wife gives a potion to Tristram, which causes him to forget the fair Isol entirely, so that he wishes to marry the black Isota. Ultimately he discovers the deception, however, and becomes united with Isol.