The Athelings or the Three Gifts: Volume 1 by Mrs. Oliphant - HTML preview

PLEASE NOTE: This is an HTML preview only and some elements such as links or page numbers may be incorrect.
Download the book in PDF, ePub, Kindle for a complete version.

 

CHAPTER III.
 
AGNES.

DEAREST friend! most courteous reader! suspend your judgment. It was not her fault. This poor child had no more blame in the matter than Marian had for her beauty, which was equally involuntary. Agnes Atheling was not wise; she had no particular gift for conversation, and none whatever for logic; no accomplishments, and not a very great deal of information. To tell the truth, while it was easy enough to discover what she had not, it was somewhat difficult to make out precisely what she had to distinguish her from other people. She was a good girl, but by no means a model one; full of impatiences, resentments, and despairs now and then, as well as of hopes, jubilant and glorious, and a vague but grand ambition. She herself knew herself quite as little as anybody else did; for consciousness of power and prescience of fame, if these are signs of genius, did not belong to Agnes. Yet genius, in some kind and degree, certainly did belong to her, for the girl had that strange faculty of expression which is as independent of education, knowledge, or culture as any wandering angel. When she had anything to say (upon paper), she said it with so much grace and beauty of language, that Mr Atheling’s old correspondents puzzled and shook their grey heads over it, charmed and astonished without knowing why, and afterwards declared to each other that Atheling must be a clever fellow, though they had never discovered it before; and a clever fellow he must have been indeed, could he have clothed these plain sober sentiments of his in such a radiant investiture of fancy and youth. For Agnes was the letter-writer of the household, and in her young sincerity, and with her visionary delight in all things beautiful, was not content to make a dutiful inquiry, on her mother’s part, for an old ailing country aunt, or to convey a bit of city gossip to some clerkish contemporary of her father’s, without induing the humdrum subject with such a glow and glory of expression that the original proprietors of the sentiment scarcely knew it in its dazzling gear. She had been letting her pearls and her diamonds drop from her lips after this fashion, with the prodigality of a young spendthrift—only astonishing the respectable people who were on letter-writing terms with Mr and Mrs Atheling—for two or three years past. But time only strengthened the natural bent of this young creature, to whom Providence had given, almost her sole dower, that gift of speech which is so often withheld from those who have the fullest and highest opportunity for its exercise. Agnes, poor girl! young, inexperienced, and uninstructed, had not much wisdom to communicate to the world—not much of anything, indeed, save the vague and splendid dreams—the variable, impossible, and inconsistent speculations of youth; but she had the gift, and with the gift she had the sweet spontaneous impulse which made it a delight. They were proud of her at home. Mr and Mrs Atheling, with the tenderest exultation, rejoiced over Marian, who was pretty, and Agnes, who was clever; yet, loving these two still more than they admired them, they by no means realised the fact that the one had beauty and the other genius of a rare and unusual kind. We are even obliged to confess that at times their mother had compunctions, and doubted whether Agnes, a poor man’s daughter, and like to be a poor man’s wife, ought to be permitted so much time over that overflowing blotting-book. Mrs Atheling, when her own ambition and pride in her child did not move her otherwise, pondered much whether it would not be wiser to teach the girls dress-making or some other practical occupation, “for they may not marry; and if anything should happen to William or me!—as of course we are growing old, and will not live for ever,” she said to herself in her tender and anxious heart. But the girls had not yet learned dress-making, in spite of Mrs Atheling’s fears; and though Marian could “cut out” as well as her mother, and Agnes, more humble, worked with her needle to the universal admiration, no speculations as to “setting them up in business” had entered the parental brain. So Agnes continued at the side-table, sometimes writing very rapidly and badly, sometimes copying out with the most elaborate care and delicacy—copying out even a second time, if by accident or misfortune a single blot came upon the well-beloved page. This occupation alternated with all manner of domestic occupations. The young writer was as far from being an abstracted personage as it is possible to conceive; and from the momentous matter of the household finances to the dressing of the doll, and the childish play of Bell and Beau, nothing came amiss to the incipient author. With this sweet stream of common life around her, you may be sure her genius did her very little harm.

And when all the domestic affairs were over—when Mr Atheling had finished his newspaper, and Mrs Atheling put aside her work-basket, and Mr Foggo was out of the way—then Papa was wont to look over his shoulder to his eldest child. “You may read some of your nonsense, if you like, Agnes,” said the household head; and it was Agnes’s custom upon this invitation, though not without a due degree of coyness, to gather up her papers, draw her chair into the corner, and read what she had written. Before Agnes began, Mrs Atheling invariably stretched out her hand for her work-basket, and was invariably rebuked by her husband; but Marian’s white hands rustled on unreproved, and Charlie sat still at his grammar. It was popularly reported in the family that Charlie kept on steadily learning his verbs even while he listened to Agnes’s story. He said so himself, who was the best authority; but we by no means pledge ourselves to the truth of the statement.

And so the young romance was read: there was some criticism, but more approval; and in reality none of them knew what to think of it, any more than the youthful author did. They were too closely concerned to be cool judges, and, full of interest and admiration as they were, could not quite overcome the oddness and novelty of the idea that “our Agnes” might possibly one day be famous, and write for the world. Mr Atheling himself, who was most inclined to be critical, had the strangest confusion of feelings upon this subject, marvelling much within himself whether “the child” really had this singular endowment, or if it was only their own partial judgment which magnified her powers. The family father could come to no satisfactory conclusion upon the subject, but still smiled at himself, and wondered, when his daughter’s story brought tears to his eyes, or sympathy or indignation to his heart. It moved him without dispute,—it moved Mamma there, hastily rubbing out the moisture from the corner of her eyes. Even Charlie was disturbed over his grammar. “Yes,” said Mr Atheling, “but then you see she belongs to us; and though all this certainly never could have come into my head, yet it is natural I should sympathise with it; but it is a very different thing when you think of the world.”

So it was, as different a thing as possible; for the world had no anxious love to sharpen its criticism—did not care a straw whether the young writer was eloquent or nonsensical; and just in proportion to its indifference was like to be the leniency of its judgment. These good people did not think of that; they made wonderful account of their own partiality, but never reckoned upon that hypercritical eye of love which will not be content with a questionable excellence; and so they pondered and marvelled with an excitement half amusing and half solemn. What would other people think?—what would be the judgment of the world?

As for Agnes, she was as much amused as the rest at the thought of being “an author,” and laughed, with her bright eyes running over, at this grand anticipation; for she was too young and too inexperienced to see more than a delightful novelty and unusualness in her possible fame. In the mean time she was more interested in what she was about than in the result of it, and pleased herself with the turn of her pretty sentences, and the admirable orderliness of her manuscript; for she was only a girl.