MARIAN ATHELING had as little choice in respect to her particular endowment as her sister had; less, indeed, for it cost her nothing—not an hour’s thought or a moment’s exertion. She could not help shining forth so fair and sweet upon the sober background of this family life; she could not help charming every stranger who looked into her sweet eyes. She was of no particular “style” of beauty, so far as we are aware; she was even of no distinct complexion of loveliness, but wavered with the sweetest shade of uncertainty between dark and fair, tall and little. For hers was not the beauty of genius—it was not exalted and heroical expression—it was not tragic force or eloquence of features; it was something less distinct and more subtle even than these. Hair that caught the sunshine, and brightened under its glow; eyes which laughed a sweet response of light before the fair eyelids fell over them in that sweet inconsistent mingling of frankness and shyness which is the very charm of girlhood; cheeks as soft and bloomy and fragrant as any flower,—these seemed but the appropriate language in which alone this innocent, radiant, beautiful youth could find fit expression. For beauty of expression belonged to Marian as well as more obvious beauties; there was an entire sweet harmony between the language and the sentiment of nature upon this occasion. The face would have been beautiful still, had its possessor been a fool or discontented; as it was, being only the lovely exponent of a heart as pure, happy, and serene as heart could be, the face was perfect. Criticism had nothing to do with an effect so sudden and magical: this young face shone and brightened like a sunbeam, touching the hearts of those it beamed upon. Mere admiration was scarcely the sentiment with which people looked at her; it was pure tenderness, pleasure, unexpected delight, which made the chance passengers in the street smile as they passed her by. Their hearts warmed to this fair thing of God’s making—they “blessed her unaware.” Eighteen years old, and possessed of this rare gift, Marian still did not know what rude admiration was, though she went out day by day alone and undefended, and would not have faltered at going anywhere, if her mother bade or necessity called. She knew nothing of those stares and impertinent annoyances which fastidious ladies sometimes complained of, and of which she had read in books. Marian asserted roundly, and with unhesitating confidence, that “it was complete nonsense”—“it was not true;” and went upon her mother’s errands through all the Islingtonian streets as safely as any heroine ever went through ambuscades and prisons. She believed in lovers and knights of romance vaguely, but fervently,—believed even, we confess, in the melodramatic men who carry off fair ladies, and also in disguised princes and Lords of Burleigh; but knew nothing whatever, in her own most innocent and limited experience, of any love but the love of home. And Marian had heard of bad men and bad women,—nay, knew, in Agnes’s story, the most impossible and short-sighted of villains—a true rascal of romance, whose snares were made on purpose for discovery,—but had no more fear of such than she had of lions or tigers, the Gunpowder Plot, or the Spanish Inquisition. Safe as among her lawful vassals, this young girl went and came—safe as in a citadel, dwelt in her father’s house, untempted, untroubled, in the most complete and thorough security. So far as she had come upon the sunny and flowery way of her young life, her beauty had been no gift of peril to Marian, and she had no fear of what was to come.
And no one is to suppose that Mrs Atheling’s small means were strained to do honour to, or “set off,” her pretty daughter. These good people, though they loved much to see their children happy and well esteemed, had no idea of any such unnecessary efforts; and Marian shone out of her brown merino frock, and her little pink rosebuds, as sweetly as ever shone a princess in the purple and pall of her high estate. Mrs Atheling thought Marian “would look well in anything,” in the pride of her heart, as she pinched the bit of white lace round Marian’s neck when Mr Foggo and Miss Willsie were coming to tea. It was indeed the general opinion of the household, and that other people shared it was sufficiently proved by the fact that Miss Willsie herself begged for a pattern of that very little collar, which was so becoming. Marian gave the pattern with the greatest alacrity, yet protested that Miss Willsie had many collars a great deal prettier—which indeed was very true.
And Marian was her mother’s zealous assistant in all household occupations—not more willing, but with more execution and practical power than Agnes, who, by dint of a hasty anxiety for perfection, made an intolerable amount of blunders. Marian was more matter-of-fact, and knew better what she could do; she was constantly busy, morning and night, keeping always in hand some morsel of fancy-work, with which to occupy herself at irregular times after the ordinary work was over. Agnes also had bits of fancy-work in hand; but the difference herein between the two sisters was this, that Marian finished her pretty things, while Agnes’s uncompleted enterprises were always turning up in some old drawer or work-table, and were never brought to a conclusion. Marian made collars for her mother, frills for Bell and Beau, and a very fine purse for Charlie; which Charlie, having nothing to put in the same, rejected disdainfully: but it was a very rare thing indeed for Agnes to come to an end of any such labour. With Marian, too, lay the honour of far superior accuracy and precision in the important particular of “cutting out.” These differences furthered the appropriate division of labour, and the household work made happy progress under their united hands.
To this we have only to add, that Marian Atheling was merry without being witty, and intelligent without being clever. She, too, was a good girl; but she also had her faults: she was sometimes saucy, very often self-willed, yet had fortunately thus far shown a sensible perception of cases which were beyond her own power of settling. She had the greatest interest in Agnes’s story-telling, but was extremely impatient to know the end before the beginning, which the hapless young author was not always in circumstances to tell; and Marian made countless suggestions, interfering arbitrarily and vexatiously with the providence of fiction, and desiring all sorts of impossible rewards and punishments. But Marian’s was no quiet or superficial criticism: how she burned with indignation at that poor unbelievable villain!—how she triumphed when all the good people put him down!—with what entire and fervid interest she entered into everybody’s fortune! It was worth while being present at one of these family readings, if only to see the flutter and tumult of sympathies which greeted the tale.
And we will not deny that Marian had possibly a far-off idea that she was pretty—an idea just so indistinct and distant as to cause a momentary blush and sparkle—a momentary flutter, half of pleasure and half of shame, when it chanced to glide across her young unburdened heart; but of her beauty and its influence this innocent girl had honestly no conception. Everybody smiled upon her everywhere. Even Mr Foggo’s grave and saturnine countenance slowly brightened when her sweet face shone upon him. Marian did not suppose that these smiles had anything to do with her; she went upon her way with a joyous young belief in the goodness of everybody, except the aforesaid impossible people, who were unspeakably black, beyond anything that ever was painted, to the simple imagination of Marian. She had no great principle of abstract benevolence to make her charitable; she was strongly in favour of the instant and overwhelming punishment of all these imaginary criminals; but for the rest of the world, Marian looked them all in the face, frank and shy and sweet, with her beautiful eyes. She was content to offer that small right hand of kindliest fellowship, guileless and unsuspecting, to them all.