The Dragon in Medieval East Christian and Islamic Art by Sara Kuehn, Sebastian Günther, et al - HTML preview

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epilogue

Central Asia, Transcaucasia, and parts of Asia

to Chinese concepts of cosmology and sover-

Minor, from 654/1256 to 754/1353

eignty, both being linked by a similar notion of

Hülegü took the title Ilkhan and continued his

Heaven 42

allegiance to the throne of the Great Khān in

However in the royal house and among the

China, his brother Möngke 34 The ensuing close

ruling class there was a tendency towards Bud-

relationship of symbolic and commercial ties

dhism, perhaps as a result of the fairly close rela-

between the Mongol court in China and the Ilkha-

tions with China The rulers, Hülegü (r 654/

nid court created an environment of extraordi-

1256–663/1265), Abāqā (r 663/1265–680/1282)

nary cultural exchange in the form of gifts,35

and his sons Arghūn (r 683/1284–690/1291) and

tribute36 and merchandise,37 moving in both direc-

Gaykhātū (r 690/1291–694/1295) were probably

tions between China and Western Asia Life at

Buddhists, hence Buddhism took a central place

the yuan court became an “absolute model to the

during the first half of Ilkhanid rule for about

Ilkhans, who tried to emulate the Great Khāns in

forty years (654/1256–694/1295) Consequently

their courtly life, conducting many of their private

elements of Buddhist art and iconography were

and official affairs in the Mongolian fashion of

pervasive, visualised in the many richly endowed

their ancestral homeland ”38 yuan China’s art thus

Buddhist temples built by the rulers 43 One of the

affected and informed the visual expressions of

Ilkhanid Buddhist sites is situated in the village

the Ilkhanate which was characterised by the

of Dashkasan of the district of Viār, probably

transmission of Chinese and Chinese-inspired

named after the Sanskrit term vihāra for a Bud-

Mongol motifs The blurring of the boundaries

dhist monastery It is located just outside the

between what constitutes a “Chinese,” a “Mongol”

Mongol summer quarter Qongqur Öleng (Turk

or, more broadly, a “Central Asian” style is of

“Brown Meadow”), which later became the

course the outcome of a fluidity of cultural modes

im perial city Sulṭāniyya ( c 684/1285) near Qazwīn

(expressed in material culture), representing a

in northwestern Iran founded by Ghāzān’s

long-lasting and more or less continuous state of

younger brother and successor Öljeitü (Ūljāytū,

acculturation and appropriation between differ-

r 703/1304–716/1316) At the west wall of the

ent ethnic and cultural groups

rock-cut complex two monumental, fluidly ren-

Some of the Mongols who had invaded West-

dered, quadruped dragons passant with their tails

ern Asia had been Nestorian Christians (in par-

curling between the hind legs and set against

ticular their wives),39 but the majority followed

undulating foliage are preserved Carved into

the indigenous beliefs of the Mongols which were

stone in high relief and flanked by mihrāb-like

essentially ancestral animistic and syncretic The

muqarnas niches, the creatures are an early tes-

cult of Heaven (Tengri) was central to the Turko-

timony for the depiction of a Chinese-inspired

Mongol system of belief, its beginnings going back

Mongol dragon (fig 185) 44

to remotest times This concept played a funda-

The Ilkhanids maintained the nomadic practice

mental role in the notion of legitimacy and sov-

of seasonal migrations, moving rythmically

ereignty 40 It comprised the veneration of the Sun,

according to the time of year from summer

in particular the rising Sun, the Moon and the

(yaylāq) to winter (qishlāq) quarters One of their

natural phenomena of the heavens in which, as

summer encampments was at Sughūrlūq (Turk

mentioned above, the belief in a dragon played

“Marmot Meadows”),45 in the Azerbaijan region

an important role 41 As such, it provided a bridge

of present-day Iran It was chosen for its climate,

34 Spuler, 1939, repr 1955, pp 224–6

ing Heaven”), found at the beginning of some Mongol let-

35 Idem, pp 305–6

ters; Meyvaert, 1980, pp 253, n 39 and 258, n 79

36 Idem, p 223; Masuya, 1997, pp 12–3 and n 10

41 See p 212

37 Spuler, 1939, repr 1955, pp 220–4, 359 During the

42 The cult of Heaven in Chinese state rituals may have

yuan period, Chinese maritime trade exported lacquers,

had a common origin with the veneration of Heaven as it is

ceramics, combs, silk, umbrellas and bronze coins to West

known among Altaic peoples Di Cosmo, 1999, pp 369, 380

Asia, and imported ivory, rhinoceros horn, coral, cotton

43 Spuler, 1939, repr 1955, pp 10, 74, 149–51, 308 With

cloth, hide, wax, kingfisher and peacock feathers, dyes, raw

the exception of a short period when there was a Muslim

medicine, shark skin, hawksbill turtle shell and parrots

ruler, Aḥmad Tegüder (r 680/1282–683/1284)

Deng, 1997, p 114, table 5 2

44 See Curatola, 1982, pp 71–88; Legacy, 2002, p 110,

38 Masuya, 2002, p 75 Cf Allsen, 2001, p 197

fig 127; Kouymjian, 2006, fig 63; Akbarnia, 2007, fig 29;

39 Spuler, 1939, repr 1955, pp 151–2

Kadoi, 2008, p 107–8, fig 3 19

40 Idem, pp 168–9 Cf for instance the Mongol formula,

45 Rashīd al-Dīn Ṭabīb, Taʾ rīkh-i Mubārak-i Gāzānī; par-

möngke tngri-yin küčün-dür (“In the Might of the Everlast-

tial ed Jahn, 1957, pp 66, 73; Masuya, 1997, pp 72–9