The Dragon in Medieval East Christian and Islamic Art by Sara Kuehn, Sebastian Günther, et al - HTML preview

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epilogue

213

In the entry of this great palace, it being unseemly

by a serpent or dragon Such symbolism appears,

to bring in there skins of milk and other drinks,

for instance, in the Qirghiz cycle of Er Töshtük,

master William the Parisian had made for him

in which the hero must make a mystical journey

a great silver tree, and at its roots are four lions

into the underworld There he finds an elm tree

of silver, each with a conduit through it, and all

whose trunk reaches through the centre of the

belching forth white milk of mares And four

conduits are led inside the tree to its tops, which

earth, the tree’s crown reaching to the sky with

are bent downward, and on each of these is also

a dragon coiled around its base He rescues the

a gilded serpent, whose tail twines round the tree

young of an eagle by cutting the monstrous crea-

And from one of these pipes flows wine, from

ture in half To show her gratitude the mother

another cara cosmos, or clarified mare’s milk,

eagle swallows Er Töshtük and then disgorges

from another bal, a drink made with honey, and

him, transformed and rendered invulnerable, and

from another rice mead, which is cal ed terracina;

after that carries him up again to the land of the

and for each liquor there is a special silver bowl

living 30

at the foot of the tree to receive it Between these

It is of note that under Möngke’s reign the

four conduits in the top, he made an angel hold-

building of an important Buddhist temple with

ing a trumpet, and underneath the tree he made

central stūpa was completed in Qaraqorum 31

a vault in which a man can be hid And pipes

During excavations at the site a thirteenth- or

go up through the heart of the tree to the angel

[…] And there are branches of silver on the tree,

fourteenth-century copper alloy matrix for a

and leaves and fruit 27

double vajra (“thunderbolt”) was found 32 A con-

cept similar to that seen on the above examples

Significantly, the portrayal of the tree with

also governs the depictions on the matrix: from

serpents has certain analogies with that of the

each of the arms of the cross grow a pair of dragon

previously discussed large water-clock automaton

protomes that support the pyramidal jewels, rep-

described in a medieval Islamic illustrated horo-

resenting the sacred Mount Meru as the centre

logical treatise 28 During the medieval Islamic

The symbolism on the matrix attests to the uni-

period, automata in the form of silver gilded trees

versality of the various manifestations of the ser-

with artificial singing birds were known as

pent-tree-cross iconography revealing, to a great

ex pressions of imperial might, particularly in

extent, a unified tradition throughout the Central

ʿAbbasid times 29 However, the affixing of the four Asian world, which shares certain basic beliefs 33

gilded serpent ducts from which flow four differ-

William of Rubruck’s journey to Mongolia

ent types of liquid appears to be a unique feature

coincided with the fresh wave of extensive mili-

which must have been meaningful to Möngke

tary campaigns launched by Hülegü (r 654/1256–

Khān and his entourage, according to whose

663/1265), Möngke’s younger brother and ex -

orders the prestigious serpent-tree was designed

pe ditionary commander, across Central and

and placed at the most central location in the

Western Asia The future founder of the Ilkhan-

palace facing the Khān’s throne

ate led the main body of the Mongol army across

Related imagery may be sought in popular tra-

the Oxus river and onto the Iranian plateau His

dition and folklore However since any diffusion

eldest son, Abāqā, the future second Ilkhan, who

of narratives took place largely through oral trans-

was born in Mongolia in 1234, accompanied him

mission before finding crystallisation in the liter-

In 654/1256 the grandson of Ghengis Khān over-

ary world, it is interesting to regard oral epics

came the Shīʿa Muslim state of the Ismāʿīlīs (the

popular in Central Asian folklore (which were

Assassins) ensconced in northwestern Iran and

recorded as late as the nineteenth century) as pos-

in 652/1258 brought the ʿAbbasid caliphate in

sible carriers that transmitted and thereby pre-

Baghdad to a violent end Thus establishing their

served remnants of the age-old visual concept of

hegemony over most of West Asia, the Ilkhanid

a tree with roots reaching the underworld guarded

dynasty ruled over Mesopotamia, Iran, Western

27 The Mission of Friar Wil iam of Rubruck, tr and ed

among the Kurds Cf Schmidt, 1980, pp 19–20; Abełyan,

Jackson and Morgan, 1990, ch 16

M , Erkeri zhłovacu (“Collected Works”), Erevan, 1966–75,

28 Hill, 1976; cf 1984, p 230

vol 1, pp 383–8, as cited in Russell, 1987, p 311

29 See p 65, n 162

31 Hüttel, 2005, p 146

30 Recorded by the great Turkic philologist and archae-

32 Dschingis Khan und seine Erben, 2005, p 176, cat no

ologist V Radlov (1885, pp 535–8); see also DeWeese, 1994,

176

pp 237–8 Closely related tales are known in Armenia and

33 Cf DeWeese, 1994, pp 39–50

214