The Dragon in Medieval East Christian and Islamic Art by Sara Kuehn, Sebastian Günther, et al - HTML preview

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epilogue

that the most lavishly decorated areas of Takht-i

Images of dragons enjoyed wide currency in

Sulaimān were situated in the īwān palace hall

the Turkic world (figs 165 and 166) and must

and the complex of octagonal towers joined to

have been well-known to the Mongols whose cul-

the īwān Various techniques were used for dec-

tural interrelationship with the Türk has a long

orating the tiles at Takht-i Sulaimān54 which range

history 58 The legendary beasts are known to have

from underglaze painting and monochrome glaz-

been used as architectural decoration in Mongol

ing to overglaze lustre-painting and lājvardina

cities They make a prominent appearance on the

(Pers lājvard meaning “lapis lazuli”), over- and

automaton tree mentioned earlier from Möngke’s

underglaze (an unusual technique believed to

palace at the first yuan capital in Qaraqorum in

have first been documented at Takht-i Sulaimān) 55

Mongolia Thirteenth- and fourteenth-century

The dragons portrayed on the tile revetments

literary sources also include detailed descriptions

(figs 186a and b) closely resemble the carved Viār

of architectural elements carved with images of

dragon, datable probably to the second half of

dragons at the palatial buildings as well as bridges

the thirteenth century The creatures’ vitality is

at the second yuan capital Khānbāliq (Dadu) in

vividly conveyed The heads, crowned by fine ant-

China prior to its destruction in the 1360s 59 In

lers, show an elongated wide-open snout with

the summer of 1275 the Venetian merchant trav-

curled-up proboscis revealing the deep parallel

eller Marco Polo ( c 1254– c 1324) arrived at the

grooves on the roof of the mouth as well as the

court of Shangdu (in present-day Inner Mongo-

sharp fangs and the protruding sinuous tongue

lia), the summer capital of the yuan dynasty, and

Tufts of hair are growing from the nape of the

left an account of the so-called “Cane Palace”

neck The quadruped bodies are densely covered

which presumably relates to Qubilai’s “Sira

with scales and the muscular raptor-like legs have

Ordu ” He describes it as a temporary structure

formidable feet with four unsheathed talons

in the form of a huge tent decorated with sculpted

When shown as single entities, the dragons are

dragons supporting the architraves:

either rendered regardant with tails raised or

coiled, the head facing the expansive tail which

It is stayed on gilt and lackered [ sic] columns,

is tucked around one of the hind legs Similarly

on each of which is a dragon all gilt, the tail of

which is attached to the column whilst the head

vigorous dragons passant were also carved in

supports the architrave, and the claws likewise

relief on the torus moulding of the round capitals

are stretched out right and left to support the

that crowned the red sandstone columns, pairs

architrave 60

of which stood in each of the eight corners of the

south octagon (figs 187a and b) 56 yet although

The Italian explorer subsequently also visited the

the quadrupeds bear some resemblance to Chinese

winter court in Khānbāliq and noted that the wal s

or Chinese-inspired Mongol renditions of these

of the Khān’s palace were “adorned with repre-

mythical creatures, the bodies are heavier and the

sentations of dragons sculptured and gilt ”61 Sev-

twists are more angular, characteristic of a Central

eral palatial cities were erected throughout

Asian inspiration of the dragon; yet the mode of

Mongolia in the thirteenth- or fourteenth-cen-

transmission of the style and conventions of the

tury Sculpted granite dragon protomes were a

motif cannot be established with certainty 57

prominent feature at one of these palatial struc-

54 Eadem, 1997 For the excavation report, see Naumann,

movement of the Turks, the Mongolisation of Mongolia,

E and R , 1976

previously a Turkish homeland, began

55 Masuya, 1997, p 239

59 Tao Zongyi (1346–1415), Zhuogeng Lu (“Record of

56 Two capitals were reportedly taken from Takht-i

Rest from the Plow”), 1368, repr Shanghai, 1959 ed , juan

Sulaimān in the early twentieth century but given to the

21, p 2 and Xiao Xun, Gugong Yi Lu (“Record of the Remains

German excavators during their 1960 campaign Kleiss,

of an Imperial Palace”), repr Taipei, 1963 ed , p 251, cited

1961, columns 58–60, fig 14 Naumann, 1977, pp 89–90,

after Shatzman Steinhardt, 1988, pp 62–3, 71 and fig 14

figs 69 and 70 Cf Masuya, 1997, pp 228–9 and pl 8

The late fourteenth-century official Xiao Xun ( Gugong Yi Lu,

57 See, for example, the discussion of transmission of

1) gives an account of Qubilai’s audience hall as surrounded

representations between yuan China and Central Asia by

by a “marble balustrade carved with figures of dragons and

Shatzman Steinhardt, 1987, pp 59–71 For a study about

phoenixes ” During excavations at Dadu a marble panel was

the reception of Chinese painting and the types of mate-

discovered with a dragon in relief framed above by a border

rial evidence found in the Timurid context, see Sugimura,

enclosing two smaller dragons Kaogu, 6, 1972, pl 11, as cited

1986

in Shatzman Steinhardt, 1988, pp 62–3 and fig 14

58 Some Mongol tribes had been subjects of the Turk and

60 The Travels of Marco Polo, tr and comm yule and rev

Uighur empires With the collapse of the steppe empire of

Cordier, 1929, pp 299–300

the Uighurs in Mongolia in 840, which led to a westward

61 Op. cit. , p 364