The Dragon in Medieval East Christian and Islamic Art by Sara Kuehn, Sebastian Günther, et al - HTML preview

PLEASE NOTE: This is an HTML preview only and some elements such as links or page numbers may be incorrect.
Download the book in PDF, ePub, Kindle for a complete version.

epilogue

231

fighting against the infidel Christian akritai, who

(463/1071–573/1178) in the wake of the conquest

were however themselves often recruited from

of Asia Minor The story of the exploits of Sayyid

among Turkish mercenaries 199 Thus the border-

Baṭṭāl Ghāzī, whose oral roots may be sought as

lands were to a certain extent also a zone of inter-

early as the arrival of the Dānishmendids in Ana-

action with overlapping socio-cultural spheres

tolia,202 became incorporated into the religious-

As a result of the Mongol invasions the impact

heroic epic cycle of the important frontier city of

of the ghāzī s in eastern Asia Minor was again

Malatya,203 and is set within the historical context

augmented through renewed waves of Central

of the Arab-Byzantine frontier battles before they

Asian Turkish tribes which also contained large

gradually turned into Turko-Byzantine wars 204

numbers of wandering dervishes, fleeing from the

In the tale Baṭṭāl, who carries the sword of the

invaded Central Asian and western Iranian prov-

hominoid dragon Ẓaḥḥāk,205 and other heroic

inces

figures, friends as well as foes, are referred to as

This frontier life on both sides of the border

dragons 206 The inherent ambiguity of the myth-

was profoundly different from that of the more

ical creature is graphically depicted in several

stable and peaceable hinterlands The epic prose

scenes Baṭṭāl enters an underworld populated by

literature that developed on both sides of the

fire-spitting dragons which he holds at bay by

centuries-old frontier zone, both Byzantine and

drawing a magic circle 207 However the emerald-

Arabo-Turkish, gives an insight into this phe-

headed serpent king, who possesses knowledge

nomenon Epics include the Turkish romance of

of the healing properties of plants, comes to greet

Sayyid Baṭṭāl and the Byzantine Greek chivalric

the warrior, who eight days later is pulled up to

epic of Digenis Akritas of the eastern frontier

the surface of the earth by holding on to the tail

Owing much to the Arabic folk prose epic Sirāt

of a giant dragon 208 The dragon also appears as

al-amīra Dhāt al-Himma (also known as Dhu

a defender of the faith in dreams threatening to

’l-himma or Delhemma),200 the latter relates the

swallow those who do not convert to Islam,209

fabulous exploits of the early Muslim frontier

while at the same time its open mouth is evoked

warrior al-Baṭṭāl and his companion, ʿAbd

to symbolise a grave calamity 210

al-Wahhāb, during the early wars against Byzan-

Close parallels are found in the Türkmen

tium in the Umayyad period The acts of heroism

epic romance Dānishmend-nāma (“Book of

carried out on the Byzantine frontier by the Arab-

Dānishmend”), also based on orally transmitted

Christian warrior Digenis include the feat of van-

traditions and composed in the twelfth or early

quishing a dragon 201

thirteenth century The hero, Malik Aḥmad

Heroic deeds of this type provided the key ele-

Dānishmend Ghāzī,211 founder of the eponymous

ment for such Turkish Anatolian wondrous epics

Dānishmendids who in the early twelfth century

as the Baṭṭāl-nāma Resembling the Byzantine

were as powerful as the Saljuqs, appears as a ghāzī

hero, who is mentioned in the Baṭṭāl-nāma, the

in Anatolia fighting the Christian warriors of the

pseudo-historical al-Baṭṭāl becomes a prototype

First Crusade in Cappadocia 212 In the romance

of popular Turkish literature as ancestor of the

he is identified with Sayyid Baṭṭāl 213 Both the

Türkmen ghāzī state of the Dānishmendids

ghāzī s214 and Malik Dānishmend,215 whose heroic

199 Mélikoff, 1960, vol 1, p 49, and eadem, “Ghāzī,” EI 2

206 Idem, pp 124, 144, 233, 269

II, 1043b; Bauer, 1995, pp 57–8 For a discussion of the

207 Idem, pp 255–6

atmosphere of religious heterodoxy and socio-cultural syn-

208 Idem, pp 256–8

creticsm which developed in the wake of the early Ottoman

209 Idem, p 175

conquest, cf Lindner, 1983, pp 1–50

210 Idem, p 295

200 For a monograph on the epic, see Steinbach, 1972 Cf

211 The title malik (“king”) was granted to one of

Canard, “Dhu ’l-himma, or dhāt al-himma,” EI 2 II, 233b

Dānishmend’s successors, Amīr Ghāzī Gümüshtigin, by the

201 Jeffreys, 1998, pp 155–6 For illustrations of Akritas-

ʿAbbasid caliph al-Mustarshid for his victories against the

like warriors slaying a dragon, see Frantz, 1940–1, pp 87–91;

Christians, the Armenians of Cilicia and the Franks of the

idem, 1941, pp 9–13

County of Edessa Cf Bosworth, 1996, p 215; Mélikoff, 1960,

202 The earliest surviving manuscript of the Baṭṭāl-nāma,

vol 1, pp 104–6

however, dates to 1436–7 Dedes, 1996, p 13

212 Eadem, 1960, pp 162, 260–2, vol 2, pp 75–7; Franke,

203 Canard, “Dhu ’l-himma, or dhāt al-himma,” EI 2 II,

2000, pp 133–4

233b; Dedes, 1996, pp 9–14

213 Mélikoff, 1960, vol 1, p 103

204 Dedes, 1996, pp 1–2

214 Eadem, pp 333, 347, 381, 408

205 Idem, pp 113, 114, 151, 196, 202, 204, 214, 270, 282,

215 Eadem, p 387 and pp 346–7, see also p 448

284, 306 and 308

232