The Dragon in Medieval East Christian and Islamic Art by Sara Kuehn, Sebastian Günther, et al - HTML preview

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introduction

four legs It may thus have a quadruped body, a

However, unlike in most of Christian culture

serpentine body or a quadruped protome extend-

where the overall image of the serpent or dragon

ing into ophidian coils Overall however the ser-

is predominantly associated with its portrayal

pentine body with or without legs enjoyed greater

in the Bible as the epitome of evil and sin,21 the

prominence

position of serpents and dragons in Islamic cul-

In its astrological manifestation, the dragon

ture is ambiguous and can have benevolent as

necessarily has a celestial quality which, as the

well as malevolent connotations The serpent as

sage astrologer Jāmāsp relates to Gushtāsp (Av

symbol of evil does not exist in the Qurʾān where it

Wishtāspa, the Greek Hystaspes), the Kayanian

appears only once in the story of the staff of Mūsā

king of Iranian traditional history and first Maz-

(Moses) metamorphosed into a serpent ( sūra s 20,

daist on the throne, is all-powerful:

20; and 79, 16) 22 However, both serpents and

No one can safely pass that fateful wheel Who

dragons figure more frequently in Persian than

has by wisdom or by manliness escaped the knife-

in Arabic tradition This ambiguity in the nature

sharp claws of that celestial dragon? What has

of the dragon is also mirrored in the Persian lan-

to be will be There is no doubt The shrewdest

guage, the word for dragon (azdahā) being used to

man has not escaped his fate 18

describe “a strong and brave man,” or “passionate

The avian aspect of the dragon is often expressed

testy person” as well as “a tyrant ”23

through its portrayal with wings The latter are

A positive image of serpents or dragons as

asso ciated with the power of flight, a well-known

powerful, friendly and helpful beings persists in

vehicle for the transition from one realm into

Arabic as well as Persian poetry 24 A grateful ser-

another

pent is depicted in the pre-Islamic Arab writings

An early Armenian translation of the third-

of the sixth-century poet ʿAbid ibn al-Abraṣ who

century Christian theologian Origen’s writings

when travel ing through the desert with members

underlines the fiendish nature of the dragon:

of his tribe, the Banū Asad, took pity on a serpent

And we cal vishap many of the largest animals; of

that was tormented by thirst and gave it his last

those on land, the elephant and the serpent, and

drops of water to drink During the night the

an evil and violent man, but when the names are

camels bolted and vanished When ʿAbid, close to

once applied, they do not change their nature We

despair, was searching for his mount, he heard the

call vishap also the invisible evil power, which,

voice of the grateful serpent offering him a camel

asking power of the Lord, struck the righteous

to ride Because of his meritorious act ʿAbid was

man with grievous blows, not in one part, but

thus one of the surviving members of the outing

in all his parts, outer and inner 19

to return to the clan 25 Another story of a life-

yet it is also interesting to note the assertion

saving serpent is recorded by al-Damīrī, citing

that vishap s (Av vishāpa) can fly, as stated by

the shaykh Abu ’l-Ḥasan ʿAlī ibn Muḥammad

the thirteenth-century Armenian philosopher

al-Muzayyin al-Ṣagīr al-Ṣūfī (d 328/939–40), who

and historian, Wahrām Wardapet (also known

fell into a well in the desert of Tabūk and was

as Rabuni Sevleṛntsʿi), in a letter to the Armenian

saved by a viper which, he states:

king Hetʿum of Cilicia (Lesser Armenia, Arme-

nian kingdom from 1198–1375):

…wound itself round me, whilst I remained per-

fectly still in my heart without any emotion; it

Many men have seen vishap s ascend from earth

then twisted its tail round me and took me out

to heaven 20

18 The Story of Rustam and Isfandiyār, tr and ed Clinton,

See Mathews, 1982, pp 245–57; Thierry, 1987, p 384,

1999, p 33; for Gushtāsp’s family tree, idem, pp 24–5

fig 266 The fact that the Genesis serpent is winged is

19 yerevan, Matenadaran MS 6036, fols 124b-125a, cited

also mentioned in the Jewish Apocalypse of Moses, 26;

by Petrsyan, E , and Najaryan, H , eds , Nshkharner Oroginesi

Ginzberg, 1909–38, repr 1946 and 1955, vol 5, pp 123–4,

haykakan tʿargmanutʿyunnericʿ, vol 1, Ejmiatsin, 1979, pp 2,

n 4 21

22, as referred to by Russell, 1987, p 207

On the positive aspect of the serpent in western medi-

20 Alishan, G , Hin hawatkʿ kam hetʿanosakan krōnkʿ

eval symbolism, cf Le Goff, 1979, pp 53–90, repr 1978,

Hayokʿ (“The Ancient Faith or Pagan Religion of the Arme-

pp 236–79; English tr , pp 159–88

22

nians”), Venice, 1910 ed , p 187, as cited in Russell, 1987,

For the figure of the serpent in Arabic culture, cf

pp 206–7 It is of note that before the Fall the Genesis

Ruska, “Ḥayyā,” EI² III, 334b; Kopf, “Afʿā,” EI² I, 214b

23

serpent is described as a winged creature with legs Such a

Steingass, 1892, repr 1981, p 45

24

giant winged quadruped serpent is portrayed, for instance,

Touching stories of helpful serpents were also known

in the wall paintings showing events related to the book of

in antiquity; see Pliny, Naturalis Historia VIII 61; Aelian, De

Genesis on the drum of the dome (far right) in the Armenian

Natura Animalium 6 17 and 63

25

pala tine church of the Holy Cross at Aghtʿamar (915–921)

The story goes back to Ibn al-Kalbī and is dismissed