The Dragon in Medieval East Christian and Islamic Art by Sara Kuehn, Sebastian Günther, et al - HTML preview

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chapter one

Although Firdawsī makes the Oxus the tra-

447/1055 Ṭoghrıl Beg entered Baghdad and in

ditional boundary between Iran and Tūrān (the

449/1058, when he entered for the second time,

Central Asian region beyond the Jayḥūn/Āmū

the ʿAbbasid caliph al-Qāʾim legitimised his rule

Daryā), the land of the nomadic world of Western

by the bestowing of honorific titles The victory

Central Asia, and states that there was a natu-

of the second Saljuq sulṭān Alp Arslan against

ral dislike between the two groups, which were

the Byzantine ruler Romanus IV Diogenes at

like “two elements, fire and water, which rage

Manzikert/Malāzgird, north of Lake Van, in Dhu

against each other in the depths of the heart,”19

’l-Qaʿda 463/August 1071, on a day following a

there was never, as Bosworth has pointed out, a

moonless night,23 effectively destroyed the ability

cut and dried distinction between the two racial

of Byzantium (Rūm) to defend its eastern bound-

groups 20 They had a long history of interaction

aries This led to the gradual settlement of helle-

and the Turkish people were well-known to the

nised Asia Minor, or Anadolu/Anatolia as it was

Iranians, who had often been invaded by steppe

later to be known under the Turks, by successive

peoples of diverse ethnic origins The antithesis

waves of mostly nomadic Turkic tribes, and to

between Iran and Tūrān, emblematising a dual-

the establishment of the sultanate of the Saljuqs

istic conception of the world and of history, thus

of Rūm (Saljūqiyān-i Rūm) 24 in the central and

appears by Firdawsī’s time to have been more a lit-

eastern territories By the end of the century the

erary and archaising preconception of the Iranian

entire territory from the Armenian and Georgian

national consciousness than a reflection of the

marches to the Aegean sea was in Saljuq hands

actual state of affairs 21 The Qarakhanid Muslim

In their new homeland, the Turks perpetuated

philologist, Maḥmūd al-Kāshgharī, remarks in his

the heritage of Western Central Asian art and

lexicographic encyclopaedia Dīwān lughāt al-turk,

culture with a “markedly Khurasanian flavour ”25

written in 463/1071, that al of Transoxania, which

This was facilitated by the fact that the migra-

was closely linked with the Eurasian steppe, was

tory movement of Turkic peoples swept along

once inhabited by Turkic peoples, “but when the

migrant craftsmen from the Central Asian, in

Iranians (al-Furs) became numerous, it became

particular East Iranian, world, a process much

just like Persian territory (bilād al-ʿAjam) ”22 Thus

intensified by the invasion of Khurasan by the

the two worlds had to a large part become inter-

Mongol army under Genghis Khān in the 1220s 26

mingled culturally as well as ethnically

The signature of master craftsmen on Anatolian

The westward migration of ever-growing num-

tilework suggests that innovation on Anatolian

bers of Turkic-speaking tribes, the dominant force

Saljuq architecture owed much to craftsmen from

being the Saljuqs, into Western Asia increased

Khurasan or Ghurid Herat27 and points to Eastern

from the late tenth century onwards This accel-

Iran as one of the earlier and most important cen-

erated following their decisive victory under

tres of artistic innovation Katharina Otto-Dorn

Ṭoghrıl Beg over the Ghaznawids at Dandāndaqān

has proposed that some of the tile revetments at

(located between Marw and Sarakhs) in 431/1040,

the now destroyed palace-citadel at Kubadabad

after which all of Iran lay open before them In

(623/1226–634/1237), southwest of Konya, built

19 Kowalski, 1939–49, pp 87–9 The moon was a pre-

indicative of “an active industry or artisanship of metalwork

eminent Turkish emblem and the sun a Iranian one; idem,

in Khurasan ”

26

pp 98–9

On the large-scale movement of metalworkers to west-

20 Bosworth, 1963, p 205

ern Iran, Anatolia, the Jazira, Syria and Egypt, see Ward,

21 Idem, p 206

1993, pp 79, 87

22

27

Tr Atalay, B , vol 3, Ankara, 1939–1943, pp 149–50,

The signature of the bannāʾ Muḥammad ibn

as cited in Bosworth, 1963, p 206

Muḥammad ibn ʿUthmān al-Ṭūsī, who probably came from

23 Hillenbrand, C , “Malāzgird,” EI 2 VI, 242b

Khu rasan, found on the tile-mosaic of the Sırçalı madrasa in

24 The use of the ethnic/dynastic term Rūm by the Ana-

Konya (640/1242–3) is discussed by Meinecke, 1976, vol 1,

tolian Saljuqs whose principality was based on the region

pp 35–45, and idem, vol 2, no 71 For further examples

of Konya and southern Cappadocia reflected their concep-

of craftsmen who, judging from their geographical epithet

tion as heirs to the Byzantines in south-central Anatolia,

( nisba; generally pointing to someone’s tribal, geographi-

territories which continued to be strongly Greek in ethnos

cal or religious affiliation) may have come from the

Bosworth, “Rūm Relations between the Islamic powers and

eastern Islamic lands to the west, see, for instance, those

the Byzantines,” EI 2 VIII, 601a

listed in idem, vol 1, pp 187–9, addendum II (i e , Aḥmad

25 Melikian-Chirvani, 1974, pp 112, 114 Note however

ibn Abī Bakr al-Marandī, c 612/1215, or miʿmār Badr

Oleg Grabar’s caveats (2006, pp 314–5) with regard to an

al-Dīn Tabrīzī, post-672/1273); Pickett, 1997, pp 37–41

argumen tation for a Khurasan “style” or “mode” as being

See however the cautionary remarks on this subject, idem,

hypo -thetical on visual and historical grounds and merely

n 349

the medieval islamic world from central asia to anatolia

19

at the apogee of Saljuq power by sulṭān ʿAlāʾ al-Dīn

uity 32 Marriage alliances between eleventh- and

Kay Qubādh I (r 616/1219–634/1237), may have

twelfth-century Muslim ruling families and Geor-

been made by Iranian craftsmen 28 Moreover, the

gian33 and Armenian34 royal families resulted in a

extent to which the Rūm Saljuqs (just like their

nexus of Christian-Muslim relations, while pro-

Iranian cousins, the Great Saljuqs) embraced the

viding intermediaries between Christians and

Iranian tradition of kingship was particularly

Muslims More Islamic culture penetrated into

marked, as also evidenced by their tendency to

Georgia during the reign of queen Tʿamar of

choose pre-Islamic Iranian royal names 29 Fur-

Georgia (1184–1211/2), whose territory stretched

thermore, Persian was the official language of the

from Azerbaijan to the borders of Cherkessia, and

court and administration in the sultanate of Rūm,

from Erzurum to Ganja, forming a pan-Cauca-

which welcomed streams of poets and mystics

sian Empire The evidence of this can be seen in

( ṣūfi s, “those who wear wool”) from the West-

Geor gian literature35 and manuscript il ustration36

ern Central Asian world, the most celebrated of

based on Iranian models This influence is also

whom was certainly Jalāl al-Dīn Rūmī (Rabīʿ I

discernible in metalwork from Daghistan, located

604/30 September 1207–5 Jumāda II 672/1273),

east of Georgia and west of Iran 37

who had left Balkh (ancient Bactra) at the age

In spite of internecine strife the successive

of twelve with his family 30 On the other hand,

and partly overlapping major dynasties of the

the sedentary population over which the Saljuqs

Ghaznawids, the Ghurids, the Qarakhanids, the

ruled was extremely heterogeneous and included

Great Saljuqs, the Zangids, the Ayyubids and the

large numbers of Armenian, Georgian and Greek

Saljuqs of Rūm succeeded in spite of the ethnic

Christians

diversity of their subjects in creating a com-

The transmission of art and culture from the

paratively unified culture from India to Egypt

greater Khurasan region was also apparent in the

In particular the artistic traditions of the West-

Transcaucasian region, particularly in thriving

ern Central Asian world, the Caucasus, Trans-

twelfth-century Georgia31 and Armenia, regions,

caucasia, northern Syria, eastern Anatolia and

valuable repositories of ancient oral and icono-

northern Mesopotamia certainly had to varying

graphical traditions that had been in the orbit of

degrees a symbiotic development In the twelfth

successive stages of Iranian culture since antiq-

and thirteenth centuries, the region underwent

28 Otto-Dorn and Önder, 1969, pp 468–9 Cf Meli kian-

(Allen, 1932, pp 91–2) The ruler of Erzurum ordered his

Chirvani, 1974, p 115 and n 25

son, Mughīth al-Dīn Toghrıl, to convert to Christianity

29 At least from trom the time the Saljuqs entered Iran,

to marry Rusudan (1223–1247), the daughter of queen

the Turks came under the influence of Iranian culture

Tʿamar of Georgia, and heir to the throne after the sudden

The impact of this influence is reflected, for instance, in

death of her brother, whose daughter was in turn married

al-Juwaynī’s account of the last Great Saljuq sulṭān of Iran

to the Saljuq sulṭān of Rūm, Giyāth al-Dīn Kay Khusraw

and Iraq, Ṭoghrıl III ibn Arslan (r 571/1176–590/1194),

II (634/1237–644/1246); after his death she married the

reciting verses from the Shāh-nāma (ed Vullers, p 188, ll

Parwāna Muḥammad ibn Sulaymān Muʿīn al-Dīn (exe-

1060–2) while wielding his heavy mace in battle:

cuted in 676/1277), one of the most powerful Anatolian

magnates of the thirteenth century Cf Minorsky, 1953,

“When the dust arose from the countless army,

p 135; Melikian-Chirvani, 1974, p 113, n 17; Rogers, 1976,

the cheeks of our worthies turned pale

p 316

As for me I raised the mace that kills with a single

34 The eleventh-century ruler of Dwīn, Abu ’l-Aswār

blow and felled that host upon the spot

Shawūr, of the minor Armenian dynasty of the Shaddādids,

I uttered a yell from my saddle saying, ‘The earth

was married to a sister of the Armenian king of Tashir,

has become a millstone upon them ’”

David Anholin Akhsatān ibn Manuchihr ibn Afrīdūn, ruler

Cited after Taʾrīkh-i jahān-gushāy, tr Boyle, 1912–37, vol 2,

of Ani, and son of this princess, also married an Armenian

p 302

princess of the Bagratid house (Minorsky, 1953, p 81) See

30 Cf Melikian-Chirvani, 1974, pp 114–5

also Melikian-Chirvani, 1974, p 113, n 17

31

35

The close relationship between cultures in the twelfth

For instance the close similarities between the eleventh-

century appears to have been a result of the Christian-Islamic

century narrative poem, Wīs u Ramīn, and Shota Rusta veli’s

symbiosis at Tbilisi among the ruling families (Minorsky,

twelfth-century epic Vepkhis-tkaosani (“The Knight in the

1953, p 157; attested by king Dimitri’s attendance at Friday

Panther’s Skin”); see idem, 1974, p 112 and n 14

36

prayers in 548/1153 (as recorded by al-Fāriqī), and p 135

See, for instance, a Georgian astrological treatise of

(Christian-Islamic marriages)) Cf Melikian-Chirvani, 1974,

1188, illustrated under Islamic influence which Melikian-

p 112 and n 15

Chirvani (1974, pp 112–3 and n 15) interpretes as Persian,

32 Baltrušaitis, 1929, pp 43–5; Melikian-Chirvani, 1974,

detecting Khurasanian influence in the Kufic inscriptions

pp 113–5 and ns 17, 18, 20

Amiranašvili, 1966, pls 56–66 and pp 28–30, where the

33 After his incursions into Georgia against Bagrat IV,

writer also connects the Iranian stylistic influence with the

the Saljuq sulṭān Alp Arslan (455/1063–465/1073) strength-

Persianising aspect in Georgian literature

37

ened his influence there by marrying one of the king’s nieces

Melikian-Chirvani, 1974, p 113 and n 16

20