The Dragon in Medieval East Christian and Islamic Art by Sara Kuehn, Sebastian Günther, et al - HTML preview

PLEASE NOTE: This is an HTML preview only and some elements such as links or page numbers may be incorrect.
Download the book in PDF, ePub, Kindle for a complete version.

CHAPTER SIX

THE DRAGON IN SCENES OF COMBAT

a The dragon combat in ancient myth

cultures of the Near East and India, the Indo-

Iranians may well have imagined dragons har-

Combat with the water-controlling dragon

bouring and restraining the heavenly waters, so

causing drought, and not releasing them until

Myths of dragon-like creatures and the van-

overcome by a god or hero 2 The oldest texts of the

quishing of these dragons were well-known, if

Indo-Iranians, the Vedic texts (1500–1000 bc),

not universal, in the traditions both of the Indo-

are composed in Sanskrit and usually refer to the

Europeans and of the Near Eastern civilisations

dragon by the most common word áhi-, while in

with whom the Persian speaking peoples came

the old Iranian Avestan texts the term used is azhi,

into contact from at least the first half of the first

which originally meant only “snake, serpent ”3

millennium bc 1 In these contexts the mythical

Intoxicated and strengthened by the ritual potion

creatures are suited ideally to play the role of

of Soma, the divine hero Indra fulfils a cosmo-

adversaries as they represent forces or elements

gonic act by dismembering the primary denizen

that interfere with the correct order or function-

of the forces of chaos, the cosmic serpent-mon-

ing of the world, and they are defeated by dei-

ster Vṛtra (“the enveloper”) whom the Rigveda

ties, kings or heroes who shape and organise the

calls “the first-born of dragons” ( prathama-jấm

cosmos Through their victory the latter acquire

áhīnām, 1 32 4) 4 Indra, who carries the Indo-

authority and power over the newly ordered

Iranian epithet “smashing resistance, obstacles”

world The iconography of the dragon combat

(ṷṛtra-ǰhan),5 is eulogised in the Sanskrit text of

or encounter, part of the Indo-Iranian literary

the Rigvedic hymn (1 32) with the words:

theme of heroic mythological exploits, draws

on the immemorially ancient epic theme of this

I tell now the manly deeds of Indra,

quest, an ever-recurring motif even in cultures

The foremost which he did armed with the cudgel

He slew the serpent, dril ed through to the waters,

that are cultural y and geographical y far removed

He split the belly of the mountains 6

from one another

The cosmogonic quality of the dragon-slaying

Importantly, the stone dragon is split into two

myths evidently lay in the fact that in order to

halves, the upper half forming Dyáv- “the sky”

construct or defend world order, the god or hero

and the lower kṣám- “the earth ”7 The defeated

had to destroy the primeval or chaotic dragon

Vṛtra is referred to in the Rigvedic texts as áhi-,

During the remote period of Indo-Iranian unity,

“serpent,”8 and dāsá, “the pent-up waters with

an age that long played a key role in the later

the dāsá as husband, the Serpent as guardian”

1 Cf Watkins, 1995, p 299 The most ancient known

4 Indra similarly defeats the monster Vala ( valá-, mean-

traditions about vanquishing dragons go back to the Sume-

ing “enclosure”) who may have been conceptionally identical

rian, Akkadian and Egyptian mythologies of the first three

with Vṛtra at an earlier stage of the myth being derived from

millennia bc The god Enlil defeats a monstrous dragon,

the same root, val-/var- “to cover, to enclose”; Vala thereupon

the Labbu, in a Sumerian text The god Marduk vanquishes

frees the goddess of dawn, Ushas, whom he had imprisoned

Tiamat and her conscripts in the Akkadian epic of creation,

Janda, 2010, pp 27, 65, 247, 266, 270

Enūma Elish, of Babylon In the mythology of the ancient

5 Watkins, 1995, p 299 .

Syrian city of Ugarit the god Baal overcomes the monsters

6 Cited after idem, p 304 It is interesting to note the

yamm and Mot The dragon Apopis is dispatched by the god

ambiguity surrounding the killing of the primordial dragon

Seth in Egyptian mythology In the Hittite texts of Bogazköy,

conveyed in the Purāṇic accounts in which, paradoxically,

the dragon Illuyanka fights the weather god

Vṛtra is said to be a brāhmaṇa and Indra is decried for com-

2 Skjærvø, “Aždahā I,” EIr In Greek mythology, Zeus

mitting brahmanicide, the most heinous of all sins Cf Long,

slays the monster Typhaon/Typhon that has a hundred snake

1976, p 172, n 3, and p 192, n 29

heads (Hesiod, Theogony 825–626)

7 Janda, 2010, pp 45–70, esp 27, 63, 79, 266, 270

3 Watkins, 1995, p 299

8 Rigveda 1 32 5, 1 32 8, 1 8 10, 1 61 8, 1 103 7

88