Hawaiian Shirts In The Electric Chair by Scott Laudati - HTML preview

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i thought of her young,

as a canvas

sitting

on a towel.

a brush with a fine head

a brush with thick hair

and

acrylic paints

(the simple colors

red,

yellow,

black,

etc)

form a circle around the canvas.

but the paint stays capped,

the brushes stay in their plastic,

no lines on the canvas

it can be anything now.

the artists waits

and watches

 

years pass.

first comes the

red.

the lines begin,

colors mix. Sometimes

they mesh,

mostly

they mess.

the lines

don’t follow patterns

the foundation is covered,

the canvas stops drinking

the acrylics.

colors can’t stay clean

Anymore.

they sit deep

waiting

for new inspiration

 

oil.

it takes three

or four

layers

and then it’s permanent.

it spreads easily

and it’s expensive,

only a few

hands hold that brush.

but those

are the colors

that never fade

to

the periphery,

and they

shine

under museum

and gallery lights

until

the switch

flicks

south

 

i see

her

now, with a golden

frame and the strokes

of camel hair

from

corner

to corner.

and she smiles

as she is handed to me

with a ribbon

but no brush,

an ornament

without imperfection,

the priceless

painting

to hang

and to hold.

 

i’m worthy

to receive, but i can’t help

wondering why–

why was

there no brush for

my hand?

no space

left

for my

eye?

i saw

the other’s

vision

but they were all

wrong,

was i born

with

shaking hands?

my vision

so disturbed?

if i had the

heart

only

i could know

the concept

of

colors

And

lines,

only

i could see

the priceless

piece

hanging like an ornament

in a hallway

where all candles and

light

shine.

 

i think of her now as a canvas,

dealt and sold

to a patron

who

understands

layers and limits,

and appreciates

the paint

as it

ages with dust

and time.

my hallway

is

empty

with light,

waiting to illuminate a

gold framed canvas

that only needed

one make

of a dress,

one color of

paint,

no patterns

or lines.

I saw in it’s

infancy

an overall

concept of beauty

that no color

could define.

 

if it was

my

masterpiece

i might have painted

sunny

like June

or blue

like july

but more likely

i would’ve

left it

like the original

architect,

and

the canvas

would have stayed–

clean

and

white