Hawaiian Shirts In The Electric Chair by Scott Laudati - HTML preview

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i hated gallery openings.

there

were usually a few

girls, sure,

but they were

“artists

waiting

for inspiration”

so,

while

waiting for whatever

divine intervention

comes

to paint people’s canvases

for them,

the girls brought

the cocaine

and they lay

on their

backs

pretty easy.

she came to me

once, my first

gallery opening

and said, “i know

you’re going

to break

my heart”.

she

hadn’t

cut her bangs

yet (though she would)

and she hadn’t

shed her winter fat

(though she would)

but i kissed her anyway

because

i’m easy

and i understand

why women leave

bars with men

who look

like

they were

born old

and never been boys

in love.

it’s the same reason

i kissed her,

she gave me

something.

i just needed

to feel that i mattered

that night

and i knew

i mattered

to her

 

it felt

like

high school.

they were all

against us

and we

were winning.

she’d make me write.

her desk was

filled with ashtrays

and coke lines

and photography

books.

 

i’d write

a paragraph

and she would shriek

and the dog would jump

on its back legs

and they would dance

around me.

 

it was never morning.

she could spin

the moon so

the night

lasted forever.

an entire winter

of cocaine

and a spanish beauty

and a dog.

i never had

any money

but she didn’t care.

she kept cooking

kept supplying

and i kept promising

that

someday when

 

i made it

all the dedications

would be hers.

 

the artists all

loved her.

no one had any

money

and we all

needed

booze

and drugs

and love

and she gave it,

never

asked for any in return.

the spoils

were mainly for

me

and i’d promise her

things

but never stopped taking.

and one night

she cried and

begged me

 

to

never leave her alone.

and of course,

i said

ok.

 

but we never

robbed

the bank

together.

and we didn’t

steal the car

and drive

to california.

she needed

a life

that was hers.

it was the first time

i saw

fear in her

eyes.

our scene couldn’t operate

without her

but the world

could

live

without

our scene

 

i’d tell

her someday

the readers would

know what

she did.

at our worst

she held us

like the mother

most were

missing.

and then

one

day

i left

and i

didn’t think

much of

what her life

would be

without me

because

i never thought

much

of myself.

 

now it’s

all I

think

about.

what

a promise

means. she

made the world

a better place,

maybe two

people

in history

could

say that.

and

there’s the

last night,

when i

said, “fuck you”

and left.

 

there’s still

a lot of night

still dogs

still blow

but

air and water signs

they’ve

never been

so

separate.

it doesn’t

feel like

high school

now.

they’re still

against us

but

that’s

no

victory

anymore.

 

i watched

her

dance the

fado

and drink

the sad wine.

but people

can’t just

let go

and

that was something

we were

worse at.

we fixed our

hearts

but they

broke

just as

easy,

left in poems

and pictures

 for our

children

to think

we lived happy

lives.

 

i

still drink

the sad

wine

and if i try

i don’t

think of

her sometimes