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Chapter 61
"Within the gentle heart Love shelters him,
As birds within the green shade of the grove.
Before the gentle heart, in Nature's scheme,
Love was not, nor the gentle heart ere Love."
GUIDO GUNICELLI (Rossetti's Translation).
There was another house besides the white house at Pennicote, another breast besides Rex Gascoigne's, in which the news of Grand court's death caused both strong agitation and the effort to repress it.
It was Hans Meyrick's habit to send or bring in the Times for his mother's reading. She was a great reader of news, from the widest-reaching politics to the list of marriages; the latter, she said, giving her the pleasant sense of finishing the fashionable novels without having read them, and seeing the heroes and heroines happy without knowing what poor creatures they were. On a Wednesday, there were reasons why Hans always chose to bring the paper, and to do so about the time that Mirah had nearly ended giving Mab her weekly lesson, avowing that he came then because he wanted to hear Mirah sing. But on the particular Wednesday now in question, after entering the house as quietly as usual with his latch- key, he appeared in the parlor, shaking the Times aloft with a crackling noise, in remorseless interruption of Mab's attempt to render Lascia ch'io pianga with a remote imitation of her teacher. Piano and song ceased immediately; Mirah, who had been playing the accompaniment, involuntarily started up and turned round, the crackling sound, after the occasional trick of sounds, having seemed to her something thunderous; and Mab said--
"O-o-o, Hans! why do you bring a more horrible noise than my singing?"
"What on earth is the wonderful news?" said Mrs. Meyrick, who was the only other person in the room. "Anything about Italy--anything about the Austrians giving up Venice?"
"Nothing about Italy, but something from Italy," said Hans, with a peculiarity in his tone and manner which set his mother interpreting. Imagine how some of us feel and behave when an event, not disagreeable seems to be confirming and carrying out our private constructions. We say, "What do you think?" in a pregnant tone to some innocent person who has not embarked his wisdom in the same boat with ours, and finds our information flat.
"Nothing bad?" said Mrs. Meyrick anxiously, thinking immediately of Deronda; and Mirah's heart had been already clutched by the same thought.
"Not bad for anybody we care much about," said Hans, quickly; "rather uncommonly lucky, I think. I never knew anybody die conveniently before. Considering what a dear gazelle I am, I am constantly wondering to find myself alive."
"Oh me, Hans!" said Mab, impatiently, "if you must talk of yourself, let it be behind your own back. What is it that has happened?"
"Duke Alfonso is drowned, and the Duchess is alive, that's all," said Hans, putting the paper before Mrs. Meyrick, with his finger against a paragraph. "But more than all is--Deronda was at Genoa in the same hotel with them, and he saw her brought in by the fishermen who had got her out of the water time enough to save her from any harm. It seems they saw her jump in after her husband, which was a less judicious action than I should have expected of the Duchess. However Deronda is a lucky fellow in being there to take care of her."
Mirah had sunk on the music stool again, with her eyelids down and her hands tightly clasped; and Mrs. Meyrick, giving up the paper to Mab, said--
"Poor thing! she must have been fond of her husband to jump in after him."
"It was an inadvertence--a little absence of mind," said Hans, creasing his face roguishly, and throwing himself into a chair not far from Mirah. "Who can be fond of a jealous baritone, with freezing glances, always singing asides?--that was the husband's rôle, depend upon it. Nothing can be neater than his getting drowned. The Duchess is at liberty now to marry a man with a fine head of hair, and glances that will melt instead of freezing her. And I shall be invited to the wedding."
Here Mirah started from her sitting posture, and fixing her eyes on Hans, with an angry gleam in them, she said, in a deeply-shaken voice of indignation--
"Mr. Hans, you ought not to speak in that way. Mr. Deronda would not like you to speak so. Why will you say he is lucky--why will you use words of that sort about life and death--when what is life to one is death to another? How do you know it would be lucky if he loved Mrs. Grand court? It might be a great evil to him. She would take him away from my brother--I know she would. Mr. Deronda would not call that lucky to pierce my brother's heart."
All three were struck with the sudden transformation. Mirah's face, with a look of anger that might have suited Ithuriel, pale, even to the lips that were usually so rich of tint, was not far from poor Hans, who sat transfixed, blushing under it as if he had been a girl, while he said, nervously--
"I am a fool and a brute, and I withdraw every word. I'll go and hang myself like Judas--if it's allowable to mention him." Even in Hans's sorrowful moments, his improvised words had inevitably some drollery.
But Mirah's anger was not appeased: how could it be? She had burst into indignant speech as creatures in intense pain bite and make their teeth meet even through their own flesh, by way of making their agony bearable. She said no more, but, seating herself at the piano, pressed the sheet of music before her, as if she thought of beginning to play again.
It was Mab who spoke, while. Mrs. Meyrick's face seemed to reflect some of Hans' discomfort.
"Mirah is quite right to scold you, Hans. You are always taking Mr. Deronda's name in vain. And it is horrible, joking in that way about his marrying Mrs. Grand court. Men's minds must be very black, I think," ended Mab, with much scorn.
"Quite true, my dear," said Hans, in a low tone, rising and turning on his heel to walk toward the back window.
"We had better go on, Mab; you have not given your full time to the lesson," said Mirah, in a higher tone than usual. "Will you sing this again, or shall I sing it to you?"
"Oh, please sing it to me," said Mab, rejoiced to take no more notice of what had happened.
And Mirah immediately sang Lascia ch'io pianga, giving forth its melodious sobs and cries with new fullness and energy. Hans paused in his walk and leaned against the mantel-piece, keeping his eyes carefully away from his mother's. When Mirah had sung her last note and touched the last chord, she rose and said, "I must go home now. Ezra expects me."
She gave her hand silently to Mrs. Meyrick and hung back a little, not daring to look at her, instead of kissing her, as usual. But the little mother drew Mirah's face down to hers, and said, soothingly, "God bless you, my dear." Mirah felt that she had committed an offense against Mrs. Meyrick by angrily rebuking Hans, and mixed with the rest of her suffering was the sense that she had shown something like a proud ingratitude, an unbecoming assertion of superiority. And her friend had divined this compunction.
Meanwhile Hans had seized his wide-awake, and was ready to open the door.
"Now, Hans," said Mab, with what was really a sister's tenderness cunningly disguised, "you are not going to walk home with Mirah. I am sure she would rather not. You are so dreadfully disagreeable to-day."
"I shall go to take care of her, if she does not forbid me," said Hans, opening the door.
Mirah said nothing, and when he had opened the outer door for her and closed it behind him, he walked by her side unforbidden. She had not the courage to begin speaking to him again--conscious that she had perhaps been unbecomingly severe in her words to him, yet finding only severer words behind them in her heart. Besides, she was pressed upon by a crowd of thoughts thrusting themselves forward as interpreters of that consciousness which still remained unaltered to herself.
Hans, on his side, had a mind equally busy. Mirah's anger had waked in him a new perception, and with it the unpleasant sense that he was a dolt not to have had it before. Suppose Mirah's heart were entirely preoccupied with Deronda in another character than that of her own and her brother's benefactor; the supposition was attended in Hans's mind with anxieties which, to do him justice, were not altogether selfish. He had a strong persuasion, which only direct evidence to the contrary could have dissipated, and that was that there was a serious attachment between Deronda and Mrs. Grand court; he had pieced together many fragments of observation, and gradually gathered knowledge, completed by what his sisters had heard from Anna Gascoigne, which convinced him not only that Mrs. Grand court had a passion for Deronda, but also, notwithstanding his friend's austere self-repression, that Deronda's susceptibility about her was the sign of concealed love. Some men, having such a conviction, would have avoided allusions that could have roused that susceptibility; but Hans's talk naturally fluttered toward mischief, and he was given to a form of experiment on live animals which consisted in irritating his friends playfully. His experiments had ended in satisfying him that what he thought likely was true.
On the other hand, any susceptibility Deronda had manifested about a lover's attentions being shown to Mirah, Hans took to be sufficiently accounted for by the alleged reason, namely, her dependent position; for he credited his friend with all possible unselfish anxiety for those whom he could rescue and protect. And Deronda's insistence that Mirah would never marry one who was not a Jew necessarily seemed to exclude himself, since Hans shared the ordinary opinion, which he knew nothing to disturb, that Deronda was the son of Sir Hugo Mallinger.
Thus he felt himself in clearness about the state of Deronda's affections; but now, the events which really struck him as concurring toward the desirable union with Mrs. Grand court, had called forth a flash of revelation from Mirah--a betrayal of her passionate feeling on this subject which had made him melancholy on her account as well as his own-- yet on the whole less melancholy than if he had imagined Deronda's hopes fixed on her. It is not sublime, but it is common, for a man to see the beloved object unhappy because his rival loves another, with more fortitude and a milder jealousy than if he saw her entirely happy in his rival. At least it was so with the mercurial Hans, who fluctuated between the contradictory states of feeling, wounded because Mirah was wounded, and of being almost obliged to Deronda for loving somebody else. It was impossible for him to give Mirah any direct sign of the way in which he had understood her anger, yet he longed