Chapter 62
"Das Gluck ist eine leichte Dirne,
Und weilt nicht gern am selben Ort;
Sie streicht das Haar dir von der
Stirn Und kusst dich rasch und flattert fort
Frau Ungluck hat im
Gegentheile Dich liebefest an's
Herz gedruckt; Sie sagt, sie habe keine Eile,
Setzt sich zu dir ans Bett und strickt."
--HEINE.
Something which Mirah had lately been watching for as the fulfillment of a threat, seemed now the continued visit of that familiar sorrow which had lately come back, bringing abundant luggage.
Turning out of Knightsbridge, after singing at a charitable morning concert in a wealthy house, where she had been recommended by Klesmer, and where there had been the usual groups outside to see the departing company, she began to feel herself dogged by footsteps that kept an even pace with her own. Her concert dress being simple black, over which she had thrown a dust cloak, could not make her an object of unpleasant attention, and render walking an imprudence; but this reflection did not occur to Mirah: another kind of alarm lay uppermost in her mind. She immediately thought of her father, and could no more look round than if she had felt herself tracked by a ghost. To turn and face him would be voluntarily to meet the rush of emotions which beforehand seemed intolerable. If it were her father he must mean to claim recognition, and he would oblige her to face him. She must wait for that compulsion. She walked on, not quickening her pace--of what use was that?--but picturing what was about to happen as if she had the full certainty that the man behind her was her father; and along with her picturing went a regret that she had given her word to Mrs. Meyrick not to use any concealment about him. The regret at last urged her, at least, to try and hinder any sudden betrayal that would cause her brother an unnecessary shock. Under the pressure of this motive, she resolved to turn before she reached her own door, and firmly will the encounter instead of merely submitting to it. She had already reached the entrance of the small square where her home lay, and had made up her mind to turn, when she felt her embodied presentiment getting closer to her, then slipping to her side, grasping her wrist, and saying, with a persuasive curl of accent, "Mirah!"
She paused at once without any start; it was the voice she expected, and she was meeting the expected eyes. Her face was as grave as if she had been looking at her executioner, while his was adjusted to the intention of soothing and propitiating her. Once a handsome face, with bright color, it was now sallow and deep-lined, and had that peculiar impress of impudent suavity which comes from courting favor while accepting disrespect. He was lightly made and active, with something of youth about him which made the signs of age seem a disguise; and in reality he was hardly fifty-seven. His dress was shabby, as when she had seen him before. The presence of this unreverend father now, more than ever, affected Mirah with the mingled anguish of shame and grief, repulsion and pity-- more than ever, now that her own world was changed into one where there was no comradeship to fence him from scorn and contempt.
Slowly, with a sad, tremulous voice, she said, "It is you, father."
"Why did you run away from me, child?" he began with rapid speech which was meant to have a tone of tender remonstrance, accompanied with various quick gestures like an abbreviated finger-language. "What were you afraid of? You knew I never made you do anything against your will. It was for your sake I broke up your engagement in the Vorstadt, because I saw it didn't suit you, and you repaid me by leaving me to the bad times that came in consequence. I had made an easier engagement for you at the Vorstadt Theater in Dresden: I didn't tell you, because I wanted to take you by surprise. And you left me planted there-- obliged to make myself scarce because I had broken contract. That was hard lines for me, after I had given up everything for the sake of getting you an education which was to be a fortune to you. What father devoted himself to his daughter more than I did to you? You know how I bore that disappointment in your voice, and made the best of it: and when I had nobody besides you, and was getting broken, as a man must who has had to fight his way with his brains-- you chose that time to leave me. Who else was it you owed everything to, if not to me? and where was your feeling in return? For what my daughter cared, I might have died in a ditch."
Lapidoth stopped short here, not from lack of invention, but because he had reached a pathetic climax, and gave a sudden sob, like a woman's, taking out hastily an old yellow silk handkerchief. He really felt that his daughter had treated him ill--a sort of sensibility which is naturally strong in unscrupulous persons, who put down what is owing to them, without any per contra. Mirah, in spite of that sob, had energy enough not to let him suppose that he deceived her. She answered more firmly, though it was the first time she had ever used accusing words to him.
"You know why I left you, father; and I had reason to distrust you, because I felt sure that you had deceived my mother. If I could have trusted you, I would have stayed with you and worked for you."
"I never meant to deceive your mother, Mirah," said Lapidoth, putting back his handkerchief, but beginning with a voice that seemed to struggle against further sobbing. "I meant to take you back to her, but chances hindered me just at the time, and then there came information of her death. It was better for you that I should stay where I was, and your brother could take care of himself. Nobody had any claim on me but you. I had word of your mother's death from a particular friend, who had undertaken to manage things for me, and I sent him over money to pay expenses. There's one chance to be sure--" Lapidoth had quickly conceived that he must guard against something unlikely, yet possible--"he may have written me lies for the sake of getting the money out of me."
Mirah made no answer; she could not bear to utter the only true one--"I don't believe one word of what you say"--and she simply showed a wish that they should walk on, feeling that their standing still might draw down unpleasant notice. Even as they walked along, their companionship might well have made a passer-by turn back to look at them. The figure of Mirah, with her beauty set off by the quiet, careful dress of an English lady, made a strange pendant to this shabby, foreign-looking, eager, and gesticulating man, who withal had an ineffaceable jauntiness of air, perhaps due to the bushy curls of his grizzled hair, the smallness of his hands and feet, and his light walk.
"You seem to have done well for yourself, Mirah? You are in no want, I see," said the father, looking at her with emphatic examination.
"Good friends who found me in distress have helped me to get work," said Mirah, hardly knowing what she actually said, from being occupied with what she would presently have to say. "I give lessons. I have sung in private houses. I have just been singing at a private concert." She paused, and then added, with significance, "I have very good friends, who know all about me."
"And you would be ashamed they should see your father in this plight? No wonder. I came to England with no prospect, but the chance of finding you. It was a mad quest; but a father's heart is superstitious--feels a loadstone drawing it somewhere or other. I might have done very well, staying abroad: when I hadn't you to take care of, I could have rolled or settled as easily as a ball; but it's hard being lonely in the world, when your spirit's beginning to break. And I thought my little Mirah would repent leaving her father when she came to look back. I've had a sharp pinch to work my way; I don't know what I shall come down to next. Talents like mine are no use in this country. When a man's getting out at elbows nobody will believe in him. I couldn't get any decent employ with my appearance. I've been obliged to get pretty low for a shilling already."
Mirah's anxiety was quick enough to imagine her father's sinking into a further degradation, which she was bound to hinder if she could. But before she could answer his string of inventive sentences, delivered with as much glibness as if they had been learned by rote, he added promptly---
"Where do you live, Mirah?"
"Here, in this square. We are not far from the house."
"In lodgings?"
"Yes."
"Any one to take care of you?"
"Yes," said Mirah again, looking full at the keen face which was turned toward hers--"my brother."
The father's eyelids fluttered as if the lightning had come across them, and there was a slight movement of the shoulders. But he said, after a just perceptible pause: "Ezra? How did you know--how did you find him?"
"That would take long to tell. Here we are at the door. My brother would not wish me to close it on you."
Mirah was already on the doorstep, but had her face turned toward her father, who stood below her on the pavement. Her heart had begun to beat faster with the prospect of what was coming in the presence of Ezra; and already in this attitude of giving leave to the father whom she had been used to obey--in this sight of him standing below her, with a perceptible shrinking from the admission which he had been indirectly asking for, she had a pang of the peculiar, sympathetic humiliation and shame--the stabbed heart of reverence--which belongs to a nature intensely filial.
"Stay a minute, Liebchen," said Lapidoth, speaking in a lowered tone; "what sort of man has Ezra turned out?"
"A good man--a wonderful man," said Mirah, with slow emphasis, trying to master the agitation which made her voice more tremulous as she went on. She <