The Dragon in Medieval East Christian and Islamic Art by Sara Kuehn, Sebastian Günther, et al - HTML preview

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chapter two

four niches each, knotted with a simple loop at

tail ends that entwine to form a loop and thence

the points of juncture At the top the dragons

taper to a pointed tip Also of note are the small

terminate in the same manner as on the portal

star-rosettes which on both portals are set into

of Mār Behnām; however at the bottom of the

the interstices of the vertical bands

niches the slightly tapered tails entwine to form

The representation of dragons situated at the

a loop, whence they curl inward to terminate in

approach to the most sacred part of the building,

a bird’s head with curved beak which pecks at

both in the case of the monastery of Mār Behnām,

the tail (comparable to the birds on the tail tips

where they feature on the second portal leading to

of dragons on the Cizre door-knockers (fig 83)

the chapel of the baptistery, and at the mausoleum

and on the wing tips of the dragons at the Bāb

of Imām Bahir, where they appear on the portal

al-Ṭilasm in Baghdad (fig 139a)) Just like the

leading to the vestibule, indicates that their depic-

bottom mouldings, the central niches terminate

tion was intended to serve as monumental apotro-

at the top in addorsed heads and at the bottom in

paion and to guard the entrance to a sacred space

the dragon motif on portable objects

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