Sextus Empiricus and Greek scepticism by Mary Mills Patrick - HTML preview

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The tragedies also abound in such expressions, for instance,

it is said--

"If to all, the same were good and wise, Quarrels and disputes among men would not have been."

And again--

"It is awful indeed, that the same thing some mortals should please,

And by others be hated."

Since therefore the choice and the avoidance of things, 87

depends on the pleasure and displeasure which they give, and the

pleasure and displeasure have their seat in perception and

ideas, when some choose the things that others avoid, it is

logical for us to conclude that they are not acted upon similarly by the same things, for otherwise they would have

chosen or avoided alike. Now if the same things act upon different men differently, on account of the difference in the

men, for this cause also suspension of the judgment may reasonably be introduced, and we may perhaps say how each object

appears to us, and what its individual differences are, but we

shall not be able to declare what it is as to the nature of its

essence. For we must either believe all men or some men; but 88

to believe all is to undertake an impossibility, and to accept

things that are in opposition to each other. If we believe some

only, let someone tell us with whom to agree, for the Platonist

would say with Plato, the Epicurean with Epicurus, and others

would advise in a corresponding manner; and so as they disagree,

with no one to decide, they bring us round again to the suspension of judgment. Furthermore, he who tells us to agree 89

with the majority proposes something childish, as no one could

go to all men and find out what pleases the majority, for it is

possible that in some nations which we do not know the things

which to us are rare are common to the majority, and those

things which happen commonly to us are rare. As for example, it

might happen that the majority should not suffer when bitten by

venomous spiders, or that they should seldom feel pain, or have

other personal peculiarities similar to those spoken of above.

It is necessary therefore to suspend the judgment on account of

the differences in men.

THE THIRD TROPE.

While, however, the Dogmatics are conceited enough to think 90

that they should be preferred to other men in the judgement of

things, we know that their claim is absurd, for they themselves

form a part of the disagreement; and if they give themselves

preference in this way in the judgment of phenomena, they beg

the question before they begin the judgment, as they trust the

judgment to themselves. Nevertheless, in order that we should 91

reach the result of the suspension of judgment by limiting

the argument to one man, one who for example they deem to be

wise, let us take up the third Trope. This is the one that is

based upon differences in perception. That the perceptions 92

differ from each other is evident. For example, paintings seem

to have hollows and prominences to the sense of sight, but not

to the sense of touch, and honey to the tongue of some people

appears pleasant, but unpleasant to the eyes; therefore it is

impossible to say whether it is really pleasant or unpleasant.

In regard to myrrh it is the same, for it delights the sense of

smell, but disgusts the sense of taste. Also in regard to 93

euphorbium, since it is harmful to the eyes and harmless to

all the rest of the body, we are not able to say whether it is

really harmless to bodies or not, as far as its own nature is

concerned. Rain-water, too, is useful to the eyes, but it makes

the trachea and the lungs rough, just as oil does, although it

soothes the skin; and the sea-torpedo placed on the extremities

makes them numb, but is harmless when placed on the rest of the

body. Wherefore we cannot say what each of these things is by

nature. It is possible only to say how it appears each time. We 94

could cite more examples than these, but in order not to spend too long in laying out the plan of this book we shall

simply say the following: Each of the phenomena perceived by us

seems to present itself in many forms, as the apple, smooth,

fragrant, sweet, yellow. Now it is not known whether it has in

reality only those qualities which appear to us, or if it has

only one quality, but appears different on account of the

different constitution of the sense organs, or if it has more

qualities than appear to us, but some of them do not affect us.

That it has only one quality might be concluded from what we 95

have said about the food distributed in bodies, and the water

distributed in trees, and the breath in the flute and syrinx,

and in similar instruments; for it is possible that the apple

also has only one quality, but appears different on account of

the difference in the sense organs by which it is perceived. On 96

the other hand, that the apple has more qualities than those

that appear to us, can be argued in this way: Let us imagine

someone born with the sense of touch, of smell, and of taste,

but neither hearing nor seeing. He will then assume that neither

anything visible nor anything audible exists at all, but only

the three kinds of qualities which he can apprehend. It is 97

possible then that as we have only the five senses, we apprehend

only those qualities of the apple which we are able to grasp,

but it may be supposed that other qualities exist which would

affect other sense organs if we possessed them; as it is, we do

not feel the sensations which would be felt through them. But 98

nature, one will say, has brought the senses into harmony

with the objects to be perceived. What kind of nature?

Among the

Dogmatics a great difference of opinion reigns about the real

existence of nature anyway; for he who decides whether there is

a nature or not, if he is an uneducated man, would be according

to them untrustworthy; if he is a philosopher, he is a part of

the disagreement, and is himself to be judged, but is not a

judge. In short, if it is possible that only those qualities 99

exist in the apple which we seem to perceive, or that more than

these are there, or that not even those which we perceive exist,

it will be unknown to us what kind of a thing the apple is. The

same argument holds for other objects of perception. If, however, the senses do not comprehend the external world, the

intellect cannot comprehend it either, so that for this reason

also it will appear that the suspension of judgment follows in

regard to external objects.

THE FOURTH TROPE.

In order to attain to [Greek: epochĂȘ] by fixing the argument on 100

each separate sense, or even by putting aside the senses altogether, we take up the fourth Trope of [Greek: epochĂȘ]. This

is the one based upon circumstances, and by circumstances we

mean conditions. This Trope comes under consideration, we may

say, with regard to conditions that are according to nature, or

contrary to nature; such as waking or sleeping, the age of life,

moving or keeping still, hating or loving, need or satiety,

drunkenness or sobriety, predispositions, being courageous or

afraid, sorrowing or rejoicing. For example, things appear 101

different as they are according to nature, or contrary to it; as

for instance, the insane and those inspired by a god, think that

they hear gods, while we do not; in like manner they often say

that they perceive the odor of storax or frankincense, or the

like, and many other things which we do not perceive.

Water,

also, that seems lukewarm to us, if poured over places that are

inflamed, will feel hot, and a garment that appears orange-coloured to those that have blood-shot eyes, would not

look so to me, and the same honey appears sweet to me, but

bitter to those who have the jaundice. If one should say 102

that those who are not in a natural state have unusual ideas of

objects, because of the intermingling of certain humors, then

one must also say, that it may be that objects which are really

what they seem to be to those who are in an unnatural condition,

appear different to those who are in health, for even those who

are in health have humors that are mixed with each other. For to 103

give to one kind of fluid a power to change objects, and not

to another kind, is a fiction of the mind; for just as those who

are in health are in a condition that is natural to those who

are in health, and contrary to the nature of those who are not

in health, so also those who are not in health, are in a condition contrary to the nature of those in health, but natural

to those not in health, and we must therefore believe that they

also are in some respect in a natural condition.

Furthermore, 104

in sleep or in waking, the ideas are different, because we

do not see things in the same way when we are awake as we do in

sleep; neither do we see them in the same way in sleep as we do

when awake, so that the existence or non-existence of these

things is not absolute, but relative, that is in relation to a

sleeping or waking condition. It is therefore probable that we

see those things in sleep which in a waking condition do not

exist, but they are not altogether non-existent, for they exist

in sleep, just as those things which exist when we are awake,

exist, although they do not exist in sleep. Furthermore, things 105

present themselves differently according to the age of life,

for the same air seems cold to the aged, but temperate to those

in their prime, and the same color appears dim to those who are

old, and bright to those in their prime, and likewise the same

tone seems faint to the former, and audible to the latter.

People in different ages are also differently disposed 106

towards things to be chosen or avoided; children, for example,

are very fond of balls and hoops, while those in their prime

prefer other things, and the old still others, from which it

follows that the ideas in regard to the same objects differ in

different periods of life. Furthermore, things appear different 107

in a condition of motion and rest, since that which we see at

rest when we are still, seems to move when we are sailing

by it. There are also differences which depend on liking or 108

disliking, as some detest swine flesh exceedingly, but others

eat it with pleasure. As Menander said--

"O how his face appears

Since he became such a man! What a creature!

Doing no injustice would make us also beautiful."

Many also that love ugly women consider them very beautiful

Furthermore, there are differences which depend on hunger or 109

satiety, as the same food seems agreeable to those who are

hungry, and disagreeable to those who are satisfied.

There are

also differences depending on drunkenness and sobriety, as that

which we consider ugly when we are sober does not appear ugly to

us when we are drunk. Again, there are differences depending 110

on predispositions, as the same wine appears sourish to those

who have previously eaten dates or dried figs, but agreeable to

those who have taken nuts or chickpeas; the vestibule of the

bath warms those who enter from without, but cools those who go

out, if they rest in it. Furthermore, there are differences 111

depending on being afraid or courageous, as the same thing

seems fearful and terrible to the coward, but in no wise so to

him who is brave. There are differences, also, depending on

being sad or joyful, as the same things are unpleasant to the

sad, but pleasant to the joyful. Since therefore the 112

anomalies depending on conditions are so great, and since men

are in different conditions at different times, it is perhaps

easy to say how each object appears to each man, but not so of

what kind it is, because the anomaly is not of a kind to be

judged. For he who would pass judgment upon this is either in

some one of the conditions mentioned above, or is in absolutely

no condition whatever; but to say that he is in no condition at

all, as, for example, that he is neither in health nor in

illness, that he is neither moving nor quiet, that he is not of

any age, and also that he is free from the other conditions, is

wholly absurd. But if he judges the ideas while he is in any 113

condition whatever, he is a part of the contradiction, and,

besides, he is no genuine critic of external objects, because he

is confused by the condition in which he finds himself.

Therefore neither can the one who is awake compare the ideas of

those who are asleep with those who are awake, nor can he who is

in health compare the ideas of the sick with those of the well;

for we believe more in the things that are present, and affecting us at present, than in the things not present.

In 114

another way, the anomaly in such ideas is impossible to be

judged, for whoever prefers one idea to another, and one condition to another, does this either without a criterion and a

proof, or with a criterion and a proof; but he can do this

neither without them, for he would then be untrustworthy, nor

with them; for if he judges ideas, he judges them wholly by a

criterion, and he will say that this criterion is either true or

false. But if it is false, he will be untrustworthy; if, on 115

the contrary, he says that it is true, he will say that the

criterion is true either without proof or with proof. If without

proof, he will be untrustworthy; if he says that it is true with

proof, it is certainly necessary that the proof be true, or he

will be untrustworthy. Now will he say that the proof which he

has accepted for the accrediting of the criterion is true,

having judged it, or without having judged it? If he says so 116

without judging it, he will be untrustworthy; if he has judged

it, it is evident that he will say that he has judged according

to some criterion, and we must seek a proof for this criterion,

and for that proof a criterion. For the proof always needs a

criterion to establish it, and the criterion needs a proof that

it may be shown to be true; and a proof can neither be sound

without a pre-existing criterion that is true, nor a criterion

true without a proof that is shown beforehand to be trustworthy.

And so both the criterion and the proof are thrown into the 117

_circulus in probando_, by which it is found that they are both

of them untrustworthy, for as each looks for proof from the

other, each is as untrustworthy as the other. Since then one

cannot prefer one idea to another, either without a proof and a

criterion or with them, the ideas that differ according to

different conditions cannot be judged, so that the suspension of

judgment in regard to the nature of external objects follows

through this Trope also.

THE FIFTH TROPE.

The fifth Trope is that based upon position, distance, and 118

place, for, according to each of these, the same things appear

different, as for example, the same arcade seen from either end

appears curtailed, but from the middle it looks symmetrical on

every side; and the same ship appears small and motionless from

afar, and large and in motion near by, and the same tower

appears round from a distance, but square near by. So much for

distance. Now in reference to place, we say that the light 119

of the lamp appears dim in the sun, but bright in the dark; and

the same rudder appears broken in the sea, but straight out of

it; and the egg in the bird is soft, but in the air hard; and

the lyngurion is a fluid in the lynx, but is hard in the air;

and the coral is soft in the sea, but hard in the air; and a

tone of voice appears different produced by a syrinx, and by a

flute, and different simply in the air. Also in reference to 120

position, the same picture leaned back appears smooth, and

leaned forward a little seems to have hollows and protuberances,

and the necks of doves appear different in color according to

the difference in inclination. Since then all phenomena are 121

seen in relation to place, distance, and position, each of which

relation makes a great difference with the idea, as we have

mentioned, we shall be obliged by this Trope also to come to the

suspension of judgment. For he who wishes to give preference to

certain ones of these ideas will attempt the impossible.

For if 122

he simply makes the decision without proof he will be untrustworthy. If, however, he wishes to make use of a proof,

should he say that the proof is false, he contradicts himself,

but if he declares the proof to be true, proof of its proof will

be demanded of him, and another proof for that, which proof also

must be true, and so on to the _regressus in infinitum_.

It is

impossible, however, to present proofs _in infinitum_, so 123

that one will not be able to prove that one idea is to be

preferred to another. Since then one cannot either without proof

or with proof judge the ideas in question, the suspension of

judgment results, and how each thing appears according to this

or that position, or this or that distance, or this or that

place, we perhaps are able to say, but what it really is it is

impossible to declare, for the reasons which we have mentioned.

THE SIXTH TROPE.

The sixth Trope is the one based upon mixtures, according to 124

which we conclude that since no object presents itself alone,

but always together with something else, it is perhaps possible

to say of what nature the mixture is, of the thing itself, and

of that with which it is seen, but of what sort the external

object really is we shall not be able to say. Now it is evident,

I think, that nothing from without is known to us by itself, but

always with something else, and that because of this fact it

appears different. The color of our skin, for example, is 125

different seen in warm air from what it is in cold, and we

could not say what our color really is, only what it is when

viewed under each of these conditions. The same sound appears

different in rare air from what it is in dense, and aromas are

more overpowering in the warm bath and in the sun than they are

in the cold air, and a body surrounded by water is light, but by

air heavy. Leaving aside, however, outer mixtures, our eyes 126

have inside of them coatings and humors. Since then visible

things are not seen without these, they will not be accurately

comprehended, for it is the mixture that we perceive, and for

this reason those who have the jaundice see everything yellow,

and those with bloodshot eyes bloody. Since the same sound

appears different in broad open places from what it does in

narrow and winding ones, and different in pure air and in

impure, it is probable that we do not perceive the tones unmixed; for the ears have narrow winding passages filled with

vaporous secretions, which it is said gather from places around

the head. Since also there are substances present in the 127

nostrils and in the seat of the sense of taste, we perceive the

things smelled and the things tasted in connection with them,

and not unmixed. So that because of mixture the senses do not

perceive accurately what the external objects are. The intellect 128

even does not do this, chiefly because its guides, the senses, make mistakes, and perhaps it itself adds a certain

special mixture to those messages communicated by the senses;

for in each place where the Dogmatics think that the ruling

faculty is situated, we see that certain humors are present,

whether one would locate it in the region of the brain, in the

region of the heart, or somewhere else. Since therefore according to this Trope also, we see that we cannot say anything

regarding the nature of external objects, we are obliged to

suspend our judgment.

THE SEVENTH TROPE.

The seventh Trope is the one which, as we said, is based 129

upon the quantity and constitution of objects, constitution

commonly meaning composition. And it is evident that we are

obliged to suspend our judgment according to this Trope also in

regard to the nature of things. As for example, filings from the

horn of the goat appear white when they are seen separately and

without being put together; put together, however, in the form

of a horn, they look black. And the parts of silver, the filings

that is, by themselves appear black, but as a whole appear

white; and parts of the Taenarus stone look white when ground,

but in the whole stone appear yellow; grains of sand 130

scattered apart from each other appear to be rough, but put

together in a heap, they produce a soft feeling; hellebore taken

fine and downy, causes choking, but it no longer does so when

taken coarse; wine also taken moderately strengthens us, but 131

when taken in excess relaxes the body; food similarly, has a

different effect according to the quantity, at least, it often

disturbs the body when too much is taken, causing dyspepsia and

discharge. We shall be able here also to say of what kind 132

the cutting from the horn is, and what many cuttings put together are, of what kind a filing of silver is, and what many

of them put together are, of what kind the tiny Taenarus stone,

and what one composed of many small ones is, and in regard to

the grains of sand, and the hellebore, and the wine, and the

food, what they are in relation, but no longer the nature of the

thing by itself, because of the anomaly in the ideas which we

have of things, according to the way in which they are put

together. In general it appears that useful things become 133

harmful when an intemperate use is made of them, and things that

seem harmful when taken in excess, are not injurious in a small

quantity. What we see in the effect of medicines witnesses

especially to this fact, as an exact mixture of simple remedies

makes a compound which is helpful, but sometimes when a very

small inclination of the balance is overlooked, the medicine is

not only not helpful, but very harmful, and often poisonous. So 134

the argument based upon the quantity and constitution of objects, puts in confusion the existence of external objects.

Therefore this Trope naturally leads us to suspend our judgment,

as we are not able to declare exactly the nature of external

objects.

THE EIGHTH TROPE.

The eighth Trope is the one based upon relation, from which 135

we conclude to suspend our judgment as to what things are

absolutely, in their nature, since every thing is in relation to

something else. And we must bear in mind that we use the word

_is_ incorrectly, in place of _appears_, meaning to say, every

thing _appears_ to be in relation. This is said, however, with

two meanings: first, that every thing is in relation to the one

who judges, for the external object, _i.e._ the thing judged,

appears to be in relation to the judge; the other way is that

every thing is in relation to the things considered together

with it, as the relation of the right hand to the left.

But we 136

came to the conclusion above, that every thing is in relation

to something, as for ex